Ben is an avid theatergoer who has seen more than 350 musicals and plays. Some of his most memorable theatrical experiences include: accidentally insulting Andrew Lloyd Webber at a performance of Love Never Dies, attending the last Broadway performance of Elaine Stritch at Liberty and watching George Bizet’s opera The Pearl Fishers from the Presidential Box at the Kennedy Center Opera House.
Originally from Pittsburgh, Ben works for a Washington, D.C.-based nonprofit organization, and previously served in The White House. Ben has a Bachelor of Arts degree from George Mason University and a Master’s degree in strategic public relations from The George Washington University.
The ultimate question with Motown the Musical is not whether you'll like it, but how many songs it takes before you're moving and grooving in your seat at the National Theatre. With an abundance of classic hits, the answer is not too long.
Appomattox is being presented as a world premiere of a revised version. For those unaware, the opera started out as an opera in 2007, was transformed into a play and now is an opera again. After Saturday night's opening, it would appear that more rewrites are needed.
The Apple Family has triumphantly returned to Studio, where the final two installments of the cycle are being staged in repertory with the poignant Sorry and exquisite Regular Singing.
The Cripple of Inishmaan features solid performances. However, you can't help but feel that the material is rather fruitless. Many of McDonagh's works have been featured in DC over the past few seasons. Unfortunately, this isn't one of his better ones and Scena deserves credit for giving it their best.
Halloween Spooktacular is perfect for those who enjoy the lighter side of Halloween or those looking for a funnier way to celebrate the ghoulish holiday.
For Eleasha Gamble, who plays the role of Nancy in Arena Stage's new production of Oliver!, Nancy is the role that started it all.
It is not often that we see stories about slavery from a non-American perspective. Theater is meant to broaden our horizons and Sancho, with its flaws, does just that.
Even though Beautiful may not be a perfect show, it's still a fun night out and a reminder that Carole King is as a part of the American songbook as is Cole Porter and Irving Berlin.
It's not easy being Queen. And if you need any evidence look no further than the Folger Theatre's fascinating new documentary-style play texts&beheadings/ElizabethR.
The Fix has exactly what it takes to be a smashing production! Clever, dazzling and perfect for a Washington audience, The Fix is a must see at Signature.
While the spy genre is no stranger to parody, Bond: An Unauthorized Parody can best be described in the words of another iconic superhero as rather 'mild-mannered.'
This charming one-man show at Capital Fringe is perfect for history and political buffs, fans of celebrity gossip or anyone wanting a peak into what life is like behind the iron gates at 1600 Pennsylvania Avenue.
Imagine an America where the Democratic and Republican Parties cease to exist and Mad Magazine and Monty Python administered our political system. The result would be the satirical Up For Debate which is lampooning a time-honored electoral pastime and endearing itself to voters and theatergoers at Capital Fringe.
Science and Soulmates may sound like the subject of a Mystery Science Theater 3000 episode. It's also the title of a riveting play cycle at Cultural DC's Source Festival.
Donna Migliaccio closes Signature's 2014-15 cabaret season with a witty and captivating performance celebrating the random events that led her to select the evening's playlist.
The finale of Washington National Opera's season, Cinderella, is an enchanting and vibrant retelling of a classic fairy tale with an imaginative twist.
While certain design elements detract from the production, the performance of its leads, Teresa Danskey as Florence and Ward Ferguson as Anatoly, will remind you why Chess has endeared itself to generations of audiences.
In the words of Aaron Posner, actors Grace Gonglewski and Eric Hissom are “lifetime members of the Aaron Posner players!” Theirs is a professional relationship and personal friendship that dates back two decades. When Arena Stage's production of Vanya and Sonia and Masha and Spike begins performances, they'll once again find themselves in familiar positions with Gonglewski and Hissom onstage and Posner in the director's chair.
Matthew Gardiner speaks with DC BroadwayWorld about Simply Sondheim, the composer's special relationship with Signature, what audiences can expect from this new revue and some of his favorite Sondheim moments.
The incomparable Kevin McAllister leads a dream cast of DC artists whose powerhouse performances explore one of the most consequential times in American history.
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