BWW Interview: Molly Smith of CATCH ME IF YOU CAN at Arena Stage
Catch Me If You Can is not Molly Smith’s first musical with a con artist at the heart of it.
Benjamin Tomchik
BWW Review: Arena Stage's Confused CHANGE AGENT
Change Agent is a play based on historical events, in this case the life of American painter Mary Pinchot Meyer (Andrea Abello) and her relationship with President John F.
BWW Review: A Subtle SEVEN GUITARS at Arena Stage
August Wilson’s story of seven friends in post-war Pittsburgh may take a while to get started, but don’t let the slow pace or lengthy run time fool you.
BWW Interview: Abbe David Lowell of MOCK TRIAL at the Shakespeare Theatre Company
Held bi-annually, the Shakespeare Theatre Company's Mock Trials showcase a side of 'official' Washington too rarely seen.
BWW Interview: Tony Sancho of MOTHER ROAD at Arena Stage
The family at the epicenter of John Steinbeck's groundbreaking novel The Grapes of Wrath forever captured the nation's heart in 1940 with a celebrated film version starring Henry Fonda.
BWW Review: All Praise THE AMEN CORNER at The Shakespeare Theatre
The Amen Corner shows the role faith can play when there is almost nowhere left to turn.
BWW Review: THE SLEEPING BEAUTY at Kennedy Center is a Dream to behold
Yes, Washington, even in these cynical times, fairy tales do come true.
BWW Interview: Haysam Kadri of A THOUSAND SPLENDID SUNS at Arena Stage
In the case of Haysam Kadri and A Thousand Splendid Suns at Arena Stage, this production is more than just a chance to revisit the role of Rasheed.
BWW Review: An Exuberant FIDDLER ON THE ROOF at the National Theatre
This holiday season; skip the presents under the tree.
BWW Interview: DEAR JACK, DEAR LOUISE's Jake Epstein Recreates Another World at Arena Stage
In Arena Stage's Dear Jack, Dear Louise, Jake Epstein is not only talking about another period, but another form of communication, one long since forgotten by society a?' letters.
BWW Interview: Richard Clifford Explores Timeless Values in a Modern Classic with the Folger's AMADEUS
For Director Richard Clifford, Amadeus is more than just a modern classic; it is also a story of friendship.
BWW Review: WHITE PEARL at Studio Theatre
Studio Theatre's production is frustrating since both the creative and acting components of this production are stellar.
BWW Interview: Extra, Extra, Arena's Molly Smith & Parker Esse Explore NEWSIES at Arena Stage
When thinking of the great composers and playwrights whose works have graced Arena Stage, these are the names that come to mind.
BWW Review: WNO's Superb OTELLO at the Kennedy Center
Giuseppe Verdi's penultimate masterpiece is brought to its intense glory in a production filled with magnificent performances and crackling with dramatic fervor.
BWW Interview: John Austin Explores the RIGHT TO BE FORGOTTEN at Arena Stage
Lately John Austin's career seems to have two constants, exploring society's most topical issues and doing so at Arena Stage.
BWW Review: THE NEW ONE at The National Theatre Has Heart
Half the fun of TheNew One is getting to embrace the rollercoaster of parenthood with Mike Birbiglia, and to laugh while doing so.
BWW Review: DOUBT at Studio Theatre is Gripping
Doubt: A Parable, a fitting title if ever there was one.
BWW Interview: Jayne Atkinson takes on a Legend with ANN at Arena Stage
If Jayne Atkinson were looking for a tour-de-force, then she found one as the late Texas governor holding court at Arena Stage in Ann.
BWW Interview: CODEPENDENTs Journey to Fringe of Friendship and Sisterhood with Kelly Hubbell
When Kelly Hubbell opens in Codependent at the Capital Fringe Festival this Thursday, the journey for both the play and Hubbell will not be marked merely by miles, but by friendships, family, and sisterhood.
BWW Interview: Chris Renalds ROCK OF AGES Journey Goes from Mezzanine to Center Stage at Wolf Trap
Chris Renalds is giving the audience advice you may never expect to hear from a performer.
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