Byron Lane's meditation on the artifice and projection of fame and celebrity is brilliantly explored through the prism of Tom Lenk's exquisitely crafted performance in TILDA SWINTON ANSWERS AN AD ON CRAIGSLIST, which ran March 16-25 at the Laurie Beechman Theatre. CRAIGSLIST's Tilda is almost better than the real thing, because she is utterly raw in being herself, and Lenk was a treat to behold for all of the show's 80-odd minutes; his performance and Lane's writing were equally superb.BWW Review: Lady Rizo's New Album INDIGO Plays Second Fiddle To Politics At Its Release Show At Joe's Pub September 11, 2017
There is something about today's political climate that demands acknowledgment in almost every setting. Provided you can be certain that your opinion will be shared by most of the room, you will probably bring up something related to our president, his tweets, or your own concerns about one or both.BWW Review: The Bright Side of Sad with Miguel Gutierrez and Madonna September 1, 2017
SADONNA: THE SAD SONGS OF MADONNA. Such a title for Miguel Gutierrez's first full evening at Joe's Pub begs the question: why sad songs, and why Madonna? Gutierrez admitted early on that he came up with the name before he came up with anything else, but also that hatching this plan for a show had given him the realization that Madonna had, in fact, been a part of his life for a long time.BWW Review: Cristin Milioti Takes You Along For the Ride in Her Warm, Intimate Set at Joe's Pub August 23, 2017
Cristin Milioti's career has spanned film, television, theater, and music. Though I, personally, know her work solely from her season on HOW I MET YOUR MOTHER, I had heard of the roles she originated in both ONCE on Broadway, as well as David Bowie & Enda Walsh's LAZARUS at New York Theatre Workshop. So when I went to her concert at Joe's Pub on August 17, I had no doubt that I was in for a virtuosic performance of sorts.