Review: 42E RUE FAIT SON SHOW 2025 at Radio France

The 8th edition of "42e Rue Fait Son Show" on France Musique, themed "La Vie d'Artiste," is nothing short of spectacular—a vibrant celebration of musical theater that captures the essence of an artist's life through dazzling performances and a live orchestra. Broadcast live from Studio 104 at the Maison de la Radio et de la Musique on December 8, 2025, this two-hour extravaganza, hosted by the incomparable Laurent Valière, proves once again to be a perfect holiday treat, especially for those, like myself, who got to see it in person in Paris.

Valière, a seasoned producer and presenter on France Musique, has masterfully steered this weekly spotlight on musical comedy for over 15 years, championing both established hits and emerging French talents with his passion for Broadway and everything to do with musical theater.

From the opening notes of A Chorus Line's "I Hope I Get It," featuring a dynamic ensemble of dancers and singers like Aaron Colston, Rosalie Lapourré, and Clément Ducourneau under Vincent Brisson's direction, the show (which you can catch online) bursts with the raw enthusiasm of performers pursuing their dreams. The theme weaves seamlessly through highlights like an avant-première of SMILE, where renowned French coloratura soprano Sabine Devieilhe—born in Normandy in 1985, a former cello student turned Paris Conservatoire-trained vocalist celebrated for her Mozart and Baroque interpretations—delivers a haunting "All the Things You Are" alongside the intimate piano-cello duo I Giardini.

As every year, we get treated to a live performance of a work in progress: this year it's MAGIC HÔTEL, a fresh creation commissioned by France Musique and SACD, with music by Paul Lay and direction by Macha Makeïeff. Franco-American singer Rosemary Standley, best known as the lead vocalist of the folk-rock band Moriarty since 1999, shines as Rose-Rose, bringing her versatile guitar and kazoo skills to a whimsical tale of hotel intrigue, supported by talents like Matthew Sharp and Clément Griffault.

The energy ramps up with powerhouse vocals in Tina: The Tina Turner Musical's "River Deep, Mountain High" by Elle Ma-Kinga N'Zuzi (the French lead in the UK tour of the successful biopic which just closed in London), and a poignant "Time Heals Everything" from Jerry Herman's Mack and Mabel sung by Lily Kerhoas. Kerhoas, a rising star who graduated from London's Royal Academy of Music in 2019 and who has graced stages in Les Misérables and The Phantom of the Opera, infuses the piece with emotional depth drawn from her Parisian roots and international experience, including early professional work in New York. Unfortunately, her voice was a little drowned out by the music.

Other standouts include the rock-infused Arianne, un pas avant la chute with Mathilde-Edith Mennetrier's evocative performance, a Beatles medley from Lennon et McCartney by Simon Froget-Legendre and Tristan Garnier, followed by another Jerry Herman ditty from the highly successful Châtelet revival of La Cage aux Folles, showcasing Harold Simon and Damien Bigourdon in the spirited "With Anne on My Arms."  The two highlights, concluding the the evening, are a musical from the still-to-be discovered in France, Something Rotten!, a self-reflexive musical putting Broadway on the same footing as Shakespeare, showcasing the graduate students from the renowned Théâtre Mogador/Cours Florent, brilliantly choreographed by Arthur Guionnet et Mila Vuillermoz-Hayashi and "Clap Your Hands" from the Gershwins' OH, KAY!, also expertly choreographed by Vincent Brisson and Elodie Hec.

Tying it all together is the magnificent Grand Orchestre de 42e Rue, directed by Thierry Boulanger and Patrice Peyriéras. Boulanger, an award-winning composer and arranger with over 30 years in film, TV, and theater, leads a stellar lineup of musicians including drummer Samuel Domergue, harpist Marie Norman, and a full brass and strings section, delivering swing, cuivres, and sparkle that elevate every number to theatrical heights.

Each edition builds on the last, blending more ambitious creations, star power, and festive flair—making this 8th installment the most polished and exhilarating yet. If you're a fan of musical theater, don't miss this podcast gem; it's a testament to why "42e Rue" remains an essential listen, year after glorious year.

Recevez l'actualité de Broadway sur WhatsApp

Recevez les dernières mises à jour, les nouvelles de dernière minute et une couverture exclusive directement dans l’application.