Lauren Weedman, who took the city by storm with The People's Republic of Portland, is back once again for the world premiere of her first music-based production, Lauren Weedman Doesn't Live Here Anymore. The Armory's Associate Artistic Director Rose Riordan will direct the production. Tim Sonnefeld will provide music direction and join Weedman on stage to play guitar, along with Ji Tanzer on drums. The production will mark Weedman's debut on The Armory's U.S. Bank Main Stage. Lauren Weedman Doesn't Live Here Anymore begins preview performances on March 16; the opening night/press night is March 24; and regular performances run throughApril 30. (more...)
Kim Russo, also known as "The Happy Medium," will astonish and amaze audiences with her rare gift at The Ridgefield Playhouse on Saturday, April 1st at 8 p.m. In this Hearst Media Entertaining Conversation Series event, it's your chance to connect with the spirit world. For this special event, some audience members will be able to be read by Russo at random and listen to other readings. Kim has appeared on A & E's hit show, Paranormal State and their hit TV show 'Psychic Kids'. She has also appeared on The Biography Channel's 'Celebrity Ghost Stories' featuring the Country Legend Music Star, Loretta Lynn. She is currently the Host of the weekly running series 'The Haunting Of...' on The Lifetime Movie Network. (more...)
Margot Astrachan and The Peccadillo Theater Company will present a developmental lab presentation of FANCY, a new musical, on Thursday, March 16 at 4PM and Friday March 17 at 11AM and 3PM at The Westside Theatre, downstairs (407 West 43rd Street). (more...)
Lauren Weedman, who took the city by storm with The People's Republic of Portland, is back once again for the world premiere of her first music-based production,Lauren Weedman Doesn't Live Here Anymore. The Armory's Associate Artistic Director Rose Riordan will direct the production. Tim Sonnefeld will provide music direction and join Weedman on stage to play guitar, along with Ji Tanzer on drums. The production will mark Weedman's debut on The Armory's U.S. Bank Main Stage. Lauren Weedman Doesn't Live Here Anymore begins preview performances on March 16; the opening night/press night is March 24; and regular performances run through April 30. (more...)
By all accounts, Kate Baldwin is pure Broadway Baby. Having made her Great White Way debut in the 2000 production of THE FULL MONTY, she went on to star in Broadway's THOROUGHLY MODERN MILLIE, WONDERFUL TOWN, and the celebrated 2009 revival of FINIAN'S RAINBOW, banking a Tony nomination for the latter. She will also, thrillingly, return to the boards this spring, starring as Irene Molloy alongside Bette Midler in the overdue revival of HELLO, DOLLY!
And yet, in EXTRAORDINARY MACHINE, Baldwin's most recent string of concerts at Feinstein's/54 Below, audiences were in for nary a show tune amongst her versatile and surprising set. At the second of the four shows on October 27, Baldwin made clear her intent: not to elude her Broadway background but to highlight the other colors of her voice along with her own musical affinities. (more...)
Child Safety Network ("CSN"), a leader in the safety and protection of American children for over 27 years, announced today that it has selected Mecum Auctions, Inc. to sell the famous Country Music Truck, autographed by over 100 Country Stars, on Saturday, November 5, at Mecum Dallas 2016 to take place at the Kay Bailey Hutchison Convention Center. (more...)
Tammy Faye (nee Tammy Lang) is a luminary on the downtown NYC performance art scene. Long before I met her, I'd heard her name spoken with reverence by many artists and musicians I met when I first came to the city in 1999.
Recently I saw the performer in her current show, HOLY WAR 2016: THE NEW REGIME at Pangea, in which she returns to her well-known original character Tammy Faye Starlite, a twisted conflation of Tammy Faye Bakker, Tammy Wynette, and then some. Tammy Faye Starlite brings a perverse, amoral, politically adjacent evening of song and signature improvised unhinged patter, which arises out of such an 'unacceptable' yet earnest point of view that the minds of the audience members are set free to wander in a vast desert of uncertainty, outrageousness, and catharsis of an unknown nature. It was an exhilarating and delightfully uncomfortably confounding place to be.
I wanted to talk with this extraordinary performer to learn about her particular vision and creative process. Seeking to reconcile the performer Tammy Faye with the woman Tammy, I discovered a humble, down-to-earth, curious woman immersed in an ongoing critical examination of our culture---both pop and high---as well as the media and the political landscape we are mucking around in these days. Tammy also comes across as a serious, ambitious artist, pushing to present her work and be a part of the cultural conversation.
We met at a cozy macaron shop in Chelsea on the day of the train crash in Hoboken. Tammy, coming from her home in Hoboken, was able to take an alternate route via bus into the city and keep our appointment, a decidedly un-diva-like move, which I found endearingly respectful. She and I spent over an hour talking about her work over the years, this shit show of an election, and the underlying question about the place of femininity and women in our culture at present. (more...)
This spring, Kate Baldwin will appear in one of the most highly anticipated shows of the season, the Bette Midler-starring revival of HELLO, DOLLY! Baldwin will once again be portraying the fun-loving and yearning Irene Molloy, a role which she had previously taken on at the Paper Mill Playhouse a decade ago.
Prior to stepping back into Molloy's shoes, though, Baldwin will return to Feinstein's/54 Below to perform a brand new solo show, EXTRAORDINARY MACHINE, singing the songs of some of her favorite artists. Busy as she is, BroadwayWorld had a chance to chat with Baldwin ahead of her four-show engagement at the cabaret venue, the first of which kicks off on October 25. Baldwin, sincerely affable and reflective, shared the 'full circle' nature of costarring alongside Bette Midler (she may have once made the ill-advised decision to sing 'The Rose' at a middle school talent show), how she uses her solo concerts to introspect her life and career, and why she, like many others surely, often asks herself, 'What would Gavin Creel do?' (more...)