Pittsburgh Symphony to Conclude All-Beethoven Program with THE IMMORTAL, Today
PITTSBURGH - Revel in two of Beethoven's most notable and majestic works during the Pittsburgh Symphony's BNY Mellon Grand Classics: BeethovenFest: The Immortal June 5-7. It features the composer's violin concerto and Symphony No. 9, with its famous "Ode to Joy."
Pittsburgh Symphony Music Director Manfred Honeck will lead the orchestra among a host of guest artists. Violinist Christian Tetzlaff takes the spotlight as the featured soloist in Beethoven's violin concerto. The second half of the program highlights the Mendelssohn Choir of Pittsburgh, soprano Simona Šaturová, mezzo-soprano Jennifer Johnson Cano, tenor Nicholas Phan and bass Liang Li on the composer's Ninth Symphony, also known as "Choral."
Each BNY Mellon Grand Classics concert is part of the Explore & Engage program, which includes pre-concert talks, exhibits, display boards and interactive activities that illuminate the music, composers and the time in which they were created. A pre-concert talk, open to all ticket holders, led by Resident Conductor Lawrence Loh will occur on stage one hour before each concert.
The concert begins at 7:30 p.m. on Friday and Saturday and at 2:30 p.m. on Sunday. Tickets, ranging in price from $25.75 to $105.75, can be purchased by calling the Heinz Hall box office at 412-392-4900 or visiting pittsburghsymphony.org/Immortal.
The Pittsburgh Symphony would like to recognize and thank BNY Mellon for its 2014-2015 title sponsorship of BNY Mellon Grand Classics. Fairmont Pittsburgh is the official hotel of the Pittsburgh Symphony. Delta Air Lines is the official airline of the Pittsburgh Symphony.
Manfred Honeck has served as music director of the Pittsburgh Symphony Orchestra since the 2008-2009 season. After two extensions, his contract now runs until the end of the 2019-2020 season. To great acclaim, Honeck and his orchestra perform regularly for European audiences. Since 2010, annual tour performances have led them to numerous European music capitals and major music festivals, including Rheingau Musik Festival, Schleswig-Holstein Musik Festival, Beethovenfest Bonn, Musikfest Berlin, Grafenegg Festival, Lucerne Festival and the BBC Proms. Several recordings, amongst them Mahler's Symphony No. 4, which won a 2012 International Classical Music Award, are available on Japanese label Exton. Honeck's successful work with the Pittsburgh Symphony Orchestra is now captured by Reference Recordings. The first SACD - of Strauss tone poems - was released in fall 2013 and received rave reviews. The second recording, of Dvo?ák's Symphony No. 8 and the Symphonic Suite from Jana?ek's opera Jenüfa, conceptualized by Honeck himself, followed in summer 2014 and received a Grammy Award nomination. Several additional recordings are completed, and Bruckner No. 4 was released in February 2015 to high critical praise. Born in Austria, Honeck received his musical training at the Academy of Music in Vienna. Many years of experience as a member of the Vienna Philharmonic and the Vienna State Opera Orchestra and at the helm of the Vienna Jeunesse Orchestra have given his conducting a distinctive stamp. He began his career as assistant to Claudio Abbado in Vienna. Subsequently, he was engaged by the Zurich Opera House, where he was bestowed the prestigious European Conductor's Award in 1993. Other early stations of his career include Leipzig, where he was one of three main conductors of the MDR Symphony Orchestra and Oslo, where he assumed the post of music director at the Norwegian National Opera on short notice for a year and was engaged as principal guest conductor of the Oslo Philharmonic Orchestra for several years. From 2000 to 2006, he was music director of the Swedish Radio Symphony Orchestra in Stockholm and, from 2008 to 2011, principal guest conductor of the Czech Philharmonic Orchestra, a position he has resumed for another three years at the beginning of the 2013-2014 season. As a guest conductor, Honeck has worked with leading international orchestras such as the Bavarian Radio Symphony Orchestra, Gewandhausorchester Leipzig, Staatskapelle Dresden, Royal Concertgebouw Orchestra, London Symphony Orchestra, Orchestre de Paris, Accademia di Santa Cecilia Rome and the Vienna Philharmonic. Orchestras he conducted in the United States include New York Philharmonic, The Cleveland Orchestra, Chicago Symphony Orchestra, Los Angeles Philharmonic, Philadelphia Orchestra and Boston Symphony Orchestra. He also is a regular guest at the Verbier Festival. In February 2013, he had his successful debut with the Berlin Philharmonic Orchestra, the direct result of which was a CD recording together with Anne-Sophie Mutter (works of Dvorak). The current season sees returns to Bamberg, Stuttgart, Rome and New York as well as to the Vienna Symphony (a CD of works by the Strauss family was released in summer 2013) and Israel Philharmonic Orchestra. He also will conduct Tonhalleorchester Zürich and Rotterdam Philharmonic Orchestra, amongst others. Honeck has received honorary doctorates from St. Vincent College in Latrobe, Pa., and, most recently, from Carnegie Mellon University in Pittsburgh. He has been artistic director of the "International Concerts Wolfegg" in Germany for more than 15 years.
An artist known for his musical integrity, technical assurance and intelligent, compelling interpretations, Christian Tetzlaff is internationally recognized as one of the most important violinists performing today. From the outset of his career, Tetzlaff has performed and recorded a broad spectrum of the repertoire, ranging from Bach's unaccompanied sonatas and partitas to 19th century masterworks by Mendelssohn, Beethoven and Brahms; and from 20th century concertos by Bartok, Berg and Shostakovich to world premieres of contemporary works. Also a dedicated chamber musician, he frequently collaborates with distinguished artists including Leif Ove Andsnes, Lars Vogt and Alexander Lonquich, and is the founder of the Tetzlaff Quartet, which he formed in 1994 with violinist Elisabeth Kufferath, violist Hanna Weinmeister and his sister, cellist Tanja Tetzlaff. Born in Hamburg in 1966, music occupied a central place in his family and his three siblings are all professional musicians. Tetzlaff began playing the violin and piano at age six, but pursued a regular academic education while continuing his musical studies. He did not begin intensive study of the violin until making his concert debut playing the Beethoven Violin Concerto at the age of 14 and attributes the establishment of his musical outlook to his teacher at the conservatory in Lübeck, Uwe-Martin Haiberg, who placed equal stress on interpretation and technique. Tetzlaff came to the United States during the 1985-1986 academic year to work with Walter Levine at the University of Cincinnati Conservatory of Music and also spent two summers at the Marlboro Music Festival in Vermont. Tetzlaff has been in demand as a soloist with most of the world's leading orchestras and conductors, establishing close artistic partnerships that are renewed season after season. Tetzlaff has performed with the orchestras of Chicago, Cleveland, Boston, Philadelphia, New York, San Francisco, Los Angeles, Pittsburgh and Toronto, among many others in North America, as well as with the major European ensembles including the Berlin Philharmonic, London Symphony, Bavarian Radio Symphony Orchestra, Vienna Philharmonic, Rotterdam Philharmonic and the Royal Concertgebouw Orchestra in Amsterdam. Highlights of Tetzlaff's 2013-2014 season in North America include appearances with the Philadelphia Orchestra and Los Angeles Philharmonic, and the Chicago, San Francisco, St. Louis and National symphonies; recitals with Lars Vogt in Boston, Philadelphia, Chicago, Montreal, Quebec City and at the Schubert Club in St. Paul; and two appearances in Carnegie Hall - with Orpheus Chamber Orchestra and with the Tetzlaff Quartet, which also performs at Duke University, Dartmouth College, Spivey Hall in Atlanta and the Eastman School of Music. European highlights include return visits to the Vienna and Munich Philharmonics and tours with the Chamber Orchestra of Europe and London's Philharmonia Orchestra under Andris Nelsons. Tetzlaff was a 2010-2011 Carnegie Hall Perspectives artist, an initiative in which musicians are invited to curate a personal concert series in Carnegie and Zankel Halls through collaborations with other musicians and ensembles. Tetzlaff's Perspectives included an appearance with the Boston Symphony during which he played concertos by Mozart, Bartok and the New York premiere of a new concerto by Harrison Birtwistle; a play/conduct performance with the Orchestra of St. Luke's; a performance with the Ensemble ACJW led by Sir Simon Rattle; a concert with the Tetzlaff Quartet; and a duo-recital with violinist Antje Weithaas. He also led a professional training workshop for young violinists and pianists, culminating in a young artist concert. Tetzlaff's highly regarded recordings reflect the breadth of his musical interests and include solo works, chamber music and concertos ranging from Haydn to Bartok. His recent recordings include Beethoven's Violin Concerto with the Tonhalle Orchestra and David Zinman for Arte Nova; the complete Bach Sonatas and Partitas for Solo Violin for the Musical Heritage and Haenssler labels; and Schumann's Three Piano Trios with Leif Ove Andsnes and Tanja Tetzlaff for EMI/Virgin. Tetzlaff's latest recordings include Szymanowski's Violin Concerto No. 1 with the Vienna Philharmonic led by Boulez for Deutsche Grammophon; the Schumann and Mendelssohn Violin Concertos with Frankfurt Radio Orchestra and Paavo Järvi for Edel Classics; Jorg Widmann's Violin Concerto, written for Tetzlaff, with the Swedish Radio Symphony Orchestra and Daniel Harding for Ondine; and Schönberg's String Quartet No. 1 and Sibelius's Quartet op. 56 with the Tetzlaff Quartet on the AVI label. Tetzlaff currently performs on a violin modeled after a Guarneri del Gesu made by the German violin maker, Peter Greiner. In honor of his artistic achievements, Musical America named Tetzlaff "Instrumentalist of the Year" in 2005.
Simona Šaturová was born in Bratislava, Slovakia. She was only five when she was given her first violin lesson. She studied singing at the Bratislava Conservatory and attended various master classes, most notably with the Romanian soprano singer Ileana Cortrubas. Since her last minute engagement as Ilia (Idomeneo) at the Théatre de la Monnaie in Brussels in 2010 she regularly returns to this theatre, most recently at the end of 2012 as Violetta Valéry. It is the place where she also starts the recent season as Servilia (La Clemenza di Tito) under Ludovic Morlot, followed in spring by Gilda (Rigoletto) in a new production by Robert Carsen under Carlo Rizzi. Since her highly acclaimed success as Konstanze (The Abduction from the Seraglio) she is also closely connected to the AaltoLTheatre in Essen and in this season performs as Violetta (La Traviata), Adina (L'elisir d'amore) and Donna Anna (Don Giovanni). A guest performance with Myslive?ek`s L'Olimpiade for the first time leads her to the Theater an der Wien. Besides of numerous performances at the Prague National Theatre the soprano so far could also be heared on the stages of Teatro Colón Buenos Aires, Théâtre du Châtelet Paris, Opéra de Monte Carlo, Oper Frankfurt and in Athen`s Megaron Concert Hall. Her repertoire also includes the roles of Lucia (Lucia di Lammermoor), Gilda (Rigoletto), Giulietta (I Capuleti e i Montecchi), Oscar (Un Ballo in Maschera), Rosina (Il Barbiere di Siviglia) or Adele (Die Fledermaus). Šaturová has also earned an international reputation as a concert and oratorio singer. She has appeared as a guest performer in New York, Dallas, Oslo, Detroit, Toronto, Granada, Istanbul, Japan, Israel and Venezuela, as well as at the Oregon Bach Festival in Eugene, the Festival Internazionale di Musica e Arte Sacra Roma, the Vienna Spring Festival and the SchleswigLHolstein Music Festival. Conductors with whom the soprano singer has worked include Christoph Eschenbach, Philippe Herreweghe, Krzysztof Penderecki, Sir Neville Marriner, Sylvain Cambreling, Helmuth Rilling, Ji?í B?lohlávek, Serge Baudo, Manfred Honeck, John Fiore, Kent Nagano, Rafael Frühbeck de Burgos, Adam Fischer, Ivan Fischer and Christopher Hogwood. Saturová has an exceptional relationship to Mozart's music: "His music has always been with me. His Mass in C minor has been an especially important work for me. I have already sung it more than 50 times all over the world." In January 2009, she performed her favorite piece of music in the Sistine Chapel as a guest of Pope Benedict. In the recent season, she sings it with Hans Christoph Rademann in Stuttgart and also with the Collegium 1704 under Vaclav Luks in Prague and Dresden. Further engagements lead her to the WDR Symphony Orchestra in Essen and Cologne with Fauré`s Requiem under Leo Hussain, to the MDR Symphony Orchestra with Mahler's Second Symphony under Thomas Dausgaard and also to Rome with Antonín Dvo?ák's Stabat mater under Tomas Netopil. She also is featured on CD recordings for the Supraphon, hänssler classic and Classico labels and for Carus Verlag and Sony/BMG. In June 2009, the Orfeo label released her first solo recording with the NDR Radiophilharmonie under the title Haydn Arias. This CD was labeled "Editor's Choice" by Gramophone Magazine. In August 2007, the artist was awarded the Förderpreis der Walter und Charlotte HamelLStiftung (Walter and Charlotte Hamel Foundation prize) at the SchleswigLHolstein Music Festival.
A naturally gifted singer noted for her profound musicianship, meticulous work ethic and warm personality, Jennifer Johnson Cano is a 2012 Richard Tucker Career Grant and George London Winner who joined The Lindemann Young Artist Development Program at The Metropolitan Opera in 2008 and made her Met debut in 2009-2010. As First Prize winner of the 2009 Young Concert Artist International Auditions, she has given stunning recital debuts with her on- and off-stage partner Christopher Cano in New York at Carnegie Hall's Weill Recital Hall, in Washington, D.C., at the Kennedy Center, in Boston at the Isabella Stewart Gardner Museum and in Philadelphia at the Kimmel Center. Over the last two seasons, Cano has bowed at The Metropolitan Opera as Mercedes, Emilia, Wellgunde and Waltraute and debuted as Meg Page in Falstaff and Bersi in Andrea Chenier. Other operatic debuts include Marguerite in Berlioz's La Damnation de Faust in collaboration with the Tucson Symphony, The Sharp Eared Fox in Janacek's Cunning Little Vixen with the Cleveland Orchestra and Franz Welser-Möst and Diana in La Calisto with Cincinnati Opera. Summer Festival appearances take place in Bridgehampton and La Jolla with world premiere performances of a chamber music work by Howard Shore and a concert with Duo Assad. Further 2014-2015 season plans include Hansel, Nicklausse and Mercedes with The Metropolitan Opera, Donna Elvira with Boston Lyric Opera, Mahler II with the Utah Symphony, Beethoven's Symphony No. 9 with Manfred Honeck and the Pittsburgh Symphony, and a return to the Baltimore Symphony with Marin Alsop for Leonard Bernstein's Jeremiah Symphony, which also will be recorded live for Naxos. In addition to her continued relationship with The Metropolitan Opera, Cano has appeared with such esteemed orchestras as the New York and Los Angeles Philharmonics, San Francisco Symphony and Orchestra of St. Luke's. She toured with Musicians from Marlboro singing Respighi's Il Tramonto and Cuckson's Der gayst funem shture, which was recorded live and released by the Marlboro Recording Society. A live recording of Mahler's Das Lied von der Erde was also released featuring conductor George Manahan, tenor Paul Groves and St. Luke's Chamber Ensemble. At the request of Carol Armstrong, Cano was particularly honored to have been invited to sing the Anderson/Weill September Song at the private funeral for American icon and astronaut Neil Armstrong. Cano is a native of St. Louis, Missouri and earned her bachelor's degree in Music from Webster University and her master's degree from Rice University.