Review: ROMÉO ET JULIETTE at Winter Opera
by Steve Callahan - March 02, 2026
Opera is widely considered to be a seasonal flower. Around the world opera festivals show their shoots in early spring, they blossom in the summer, and they stretch their glory into the fall. In St. Louis, though, we find one of the few fine opera companies willing to brave the icy blasts of win...
Review: SAUL at LONDON HANDEL FESTIVAL, Sinfonia Smith Square
by Louise Penn - February 19, 2026
Opening the London Handel Fetsival, this flawless presentation of Saul was a celebration of Handel that set the tone of the performances to follow. The acoustics in the hall were exceptional, with clear enunciation throughout and a sense of occasion....
Review: CLASSICAL MIXTAPE: A LIVE TAKEOVER, Southbank Centre
by Louise Penn - February 06, 2026
Classical Mixtape: A Live Takeover is part of the Southbank Centre's 75th anniversary programme. Aimed at the under-30s audience, who are underrepresented at the venue, the event offered a casual, relaxed and social approach to classical music. However, a brilliant concept sadly fell short in organ...
Review: SOUNDS AND SWELLS at The Conrad
by Ron Bierman - January 18, 2026
Art of Elan launched the Sounds and Swells series several years ago. Artistic Director Eric Starr describes its unusual programs as “a curated pairing of surfing footage and classical music.” The music and footage vary from one performance to another, but always include one or more California co...
Review: BROADWAY SYMPHONIC at Salle Pleyel
by Patrick Honoré - January 05, 2026
Bernstein, Sondheim & Loewe reimagined through full orchestral arrangements at Salle Pleyel. The symphonic treatment of West Side Story alone is worth the price of admission—this is Broadway elevated to concert hall artistry. Exceptional vocalists, brilliant conducting, world-class tap dancers. A ...