Ellen Dostal

Ellen Dostal In addition to being part of the west coast Broadway World team, Ellen also publishes two popular Southern California Theatre Blogs - Musicals in LA and Shakespeare in LA. An actress, singer and voiceover artist, she is also a producer with the Academy for New Musical Theatre, and works with the development of new musicals across the country.
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MOST POPULAR ARTICLES
LAST 30 DAYS

BWW Review: Disney Premieres Gorgeous FROZEN - LIVE AT THE HYPERIONBWW Review: Disney Premieres Gorgeous FROZEN - LIVE AT THE HYPERION
Posted: May. 29, 2016


BWW Review: BUMPERSTICKER: THE MUSICAL, a Sure-fire Fringe FavoriteBWW Review: BUMPERSTICKER: THE MUSICAL, a Sure-fire Fringe Favorite
Posted: Jun. 16, 2016


BWW Interview: The World According to Sue Fink and Angel City ChoraleBWW Interview: The World According to Sue Fink and Angel City Chorale
Posted: May. 31, 2016


LAST 365 DAYS

BWW Review: FIGHTING SHADOWS - An L.A. Story of Love and RedemptionBWW Review: FIGHTING SHADOWS - An L.A. Story of Love and Redemption
Posted: Apr. 20, 2016


BWW Review: Disney Premieres Gorgeous FROZEN - LIVE AT THE HYPERIONBWW Review: Disney Premieres Gorgeous FROZEN - LIVE AT THE HYPERION
Posted: May. 29, 2016


BWW Review: BUMPERSTICKER: THE MUSICAL, a Sure-fire Fringe FavoriteBWW Review: BUMPERSTICKER: THE MUSICAL, a Sure-fire Fringe Favorite
June 16, 2016

BUMPERSTICKER: THE MUSICAL conquers the Hollywood Fringe Festival with its terrific triple threat combination making it great for people who don't like musicals and even better for those who do. It's the right show in the right venue with the right cast, and a rousing good time from beginning to end.
BWW Review: OCCUPATION, A Provocative Look at the Future After WarBWW Review: OCCUPATION, A Provocative Look at the Future After War
June 14, 2016

We meet five women in Merri Biechler's new play OCCUPATION - three mothers and two daughters - none related by blood, all connected by something larger. The United States looks completely different than it did five years ago, before the terrorist takeover by an unnamed faction. Martial law is in effect. An undercurrent of anger bubbles just beneath the surface and we are told repeatedly that these are days of caution.
BWW Review: Some Win, Some Lose in WAR STORIESBWW Review: Some Win, Some Lose in WAR STORIES
June 13, 2016

In Sarah Kelly's new play, WAR STORIES, we meet four of them: Chelsea (Sarah Schreiber), an actress constantly attracted to catastrophe; Sam (Clayton McInerney), a writer whose motto is 'never fall in love with an actress'; Jen (Sarah Kelly) a therapist, and sucker for a good love story; and Jake (Brian Guest), an intense actor convinced that love is the worst. Four people. Four separate issues. All of them call LA home.
BWW Review: HOW TO BE A VIRGIN (in 12 morally ambiguous steps)BWW Review: HOW TO BE A VIRGIN (in 12 morally ambiguous steps)
June 11, 2016

Playwright Carla Neuss lays it all out there in this autobiographical two-hander, starring Katelyn Schiller as The Virgin and Joshua Bross as a variety of past boyfriends. Schiller narrates the largely comedic piece, which combines the framework of a slide projector presentation with flashback scenes from her dating days, to explain her personal commitment to that all-important V card.
BWW Interview: The World According to Sue Fink and Angel City ChoraleBWW Interview: The World According to Sue Fink and Angel City Chorale
May 31, 2016

For 23 years, Angel City Chorale and Artistic Director Sue Fink have been bringing people together with their community-building world music concerts. Celebrating the spirit of diversity they make music in a wide variety of musical styles and for all people to enjoy. Up next for the illustrious group is Rhythm Planet, featuring the music of two-time Grammy-winning composer Christopher Tin and other world composers. These two family-friendly evenings (June 4 & 5 at 7pm) will feature 150 voices in a grand collaboration that celebrates the Earth's rich cultures and beauty. I asked Sue to share her thoughts about working with Christopher Tin on Rhythm Planet and what is in store for audiences this weekend.
BWW Review: Disney Premieres Gorgeous FROZEN - LIVE AT THE HYPERIONBWW Review: Disney Premieres Gorgeous FROZEN - LIVE AT THE HYPERION
May 29, 2016

Frozen fans will be ecstatic with the way Disney has re-imagined its much-loved blockbuster film for the stage, now that the doors to FROZEN - LIVE AT THE HYPERION are open on the Hollywood backlot of Disney California Adventure. And with its stunning state-of-the-art visual technology and heart-opening theatricality, it's safe to say that even Uncle Walt would be proud of his studio's latest creation.
SHAKESPEARE AT THE BOWL with Actors from Shakespeare's Globe plus a Discount on TicketsSHAKESPEARE AT THE BOWL with Actors from Shakespeare's Globe plus a Discount on Tickets
May 23, 2016

Summer Shakespeare under the stars? In Hollywood that can only mean that it's time for SHAKESPEARE AT THE BOWL-- two performances only, August 30 and September 1. On these joyous evenings, actors from Shakespeare's Globe Theatre will perform classic scenes from the playwright's best works, directed by Iqbal Khan, adapted by the Globe's music director, Bill Barclay.
BWW Review: The Many Charms of I ONLY HAVE EYES FOR YOUBWW Review: The Many Charms of I ONLY HAVE EYES FOR YOU
May 17, 2016

Lovers of the era of Busby Berkeley movie musicals are getting a double whammy of Golden Age goodness this month with a pair of musicals playing only two blocks from each other in Hollywood. I ONLY HAVE EYES FOR YOU is already running at the mid-sized Ricardo Montalban Theatre on Vine and, very shortly, 42ND STREET will open at the much larger Hollywood Pantages. Both are inescapably linked by their subject matter.
BWW Review: The Porters Reconstruct History in HENRY VI, PTS 1, 2 & 3BWW Review: The Porters Reconstruct History in HENRY VI, PTS 1, 2 & 3
May 13, 2016

Attempting to produce all of Shakespeare's plays would be daunting task for any theatre company but one young group of actors has continued to stay the course. Over a ten-year period, the Porters of Hellsgate have produced twenty of the playwright's thirty-eight plays, steadily working toward their goal of being the first in Los Angeles to mount the entire canon. This season, they tackle three at once with HENRY VI, Parts 1, 2 & 3.
BWW Review: THE FULL MONTY - Still Fun After All This TimeBWW Review: THE FULL MONTY - Still Fun After All This Time
April 21, 2016

The destination for girls' night out in Southern California this month is definitely Plummer Auditorium in Fullerton. That's where 3-D Theatricals' revival of David Yazbek and Terrence McNally's THE FULL MONTY kicks into high gear for the next two weekends.
BWW Review: FIGHTING SHADOWS - An L.A. Story of Love and RedemptionBWW Review: FIGHTING SHADOWS - An L.A. Story of Love and Redemption
April 20, 2016

We tell a lot of stories in the theatre. Here in Los Angeles, however, we don't often tell stories that are authentically home-grown. FIGHTING SHADOWS is that rare exception, a deeply personal story of a Mexican-American boy who grew up in east L.A., survived abuse, gangs, prison, and drugs, ultimately overcoming every bad card dealt him. It is an important story and an especially meaningful one told with unflinching honesty and hard-won humility.
BWW Review: Here Come THE Desperate REAL HOUSEWIVES OF TOLUCA LAKEBWW Review: Here Come THE Desperate REAL HOUSEWIVES OF TOLUCA LAKE
April 5, 2016

With a title like THE REAL HOUSEWIVES OF TOLUCA LAKE: THE MUSICALyou wouldn't expect to see high art, but I at least thought this new musical would kill it in the comedy department. Instead, it trades on desperate humor, trite songs, stereotypical characters, and a storyline you've seen before. What could have been a smart, cheeky parody of The Real Housewives television franchise instead ends up feeling rather desperate. Even an audience packed with friends and family on opening night grew tired of applauding and a fair number of one-liners made no impact at all.
BWW Review: ISC Presents a Smart, Strong OTHELLO in the StudioBWW Review: ISC Presents a Smart, Strong OTHELLO in the Studio
April 4, 2016

Something interesting happens when you remove race as the primary motivator in Shakespeare's OTHELLO. The play's message about the progression of evil becomes even more universal. What was a story about a man destroying another man because of the color of his skin is now part of a larger more enigmatic narrative exploring hate, jealousy, and obsession from a less obvious perspective. It also reveals how masterfully Shakespeare wrote the nuances of human frailty.
BWW Review: Musco Center for the Arts Celebrates with a Spectacular Grand OpeningBWW Review: Musco Center for the Arts Celebrates with a Spectacular Grand Opening
March 21, 2016

It was indeed an auspicious occasion at Chapman University on Saturday night where over a thousand guests gathered for the much-anticipated official opening of the Marybelle and Sebastian P. Musco Center for the Arts. The black tie event featured a concert performance by luminaries of the opera world, including Placido Domingo, Deborah Voigt, and Milena Kitic, joined by a number of Chapman alumni, the Chapman University Singers, and Alumni Choir.
BWW Interview: Working with Suzuki Master Teacher Ellen Lauren on A 'California' MIDSUMMER NIGHT'S DREAMBWW Interview: Working with Suzuki Master Teacher Ellen Lauren on A 'California' MIDSUMMER NIGHT'S DREAM
March 9, 2016

A very special production of A MIDSUMMER NIGHT'S DREAM is on stage right now at UCLA, presented by the UCLA School of Theater, Film and Television. It features second- and third- year M.F.A. students from UCLA TFT's Department of Theater and is unique because it is being directed by Ellen Lauren, co-artistic director of New York's SITI Company and UCLA Visiting Associate Professor.
BWW Review: 35MM: A MUSICAL EXHIBITION Masters the Art of Capturing MomentsBWW Review: 35MM: A MUSICAL EXHIBITION Masters the Art of Capturing Moments
March 1, 2016

No one writes a story song like composer Ryan Scott Oliver. Known for his clever lyrics and the ability to create in a wide variety of musical styles, his is an exciting voice in the current musical theatre landscape. Broadway insiders marvel at the way he plays with musical language and captures a point of view that never fails to resonate deeply with the listener. It's no wonder the Pasadena native has already received a Richard Rodgers Award, a Jonathan Larson Grant, and a Lucille Lortel nomination.
BWW Review: Margaret Comes Front and Center in Shakespeare's ROSE QUEENBWW Review: Margaret Comes Front and Center in Shakespeare's ROSE QUEEN
February 28, 2016

While she may not be as recognizable as Beatrice, Viola, Lady Macbeth or many of his more popular leading ladies, Margaret of Anjou is nonetheless a significant presence in Shakespeare's history plays - specifically the first tetralogy of the War of the Roses. In this 4-part series (Henry VI Parts 1, 2 & 3 and Richard III) she is a remarkable figure.
BWW Review: THE ILLUSIONISTS: Taking Your Breath Away One Illusion at a TimeBWW Review: THE ILLUSIONISTS: Taking Your Breath Away One Illusion at a Time
February 25, 2016

Dazzling originality and elegant artistry blend together in the spectacular show, THE ILLUSIONISTS - LIVE FROM BROADWAY, now playing at the Hollywood Pantages. Much more than a magic show, the artists who make up this 'Magnificent Seven' exhibit a stunning array of feats that will constantly leave you saying, 'How'd they do that?!'
BWW Review: ROMEO AND JULIET Wrestle with Love and Hate in a Modern-Day WorldBWW Review: ROMEO AND JULIET Wrestle with Love and Hate in a Modern-Day World
February 24, 2016

In director Damaso Rodriguez's version of ROMEO AND JULIET, a group of actors gathers to put on the play in a graffiti-covered alley. A pair of dumpsters, two wooden pallets, and a movable iron ladder makes up the bulk of the set pieces. Everything is covered in spray paint and decay.
BWW Review: EMPIRE THE MUSICAL Aims for the SkyBWW Review: EMPIRE THE MUSICAL Aims for the Sky
January 27, 2016

EMPIRE THE MUSICAL has been knocking around in the wings ever since Caroline Sherman and Robert Hull began writing it in 1999. Its first fully-staged production took place at the Hudson Theatre in Hollywood in 2003 and it has had periodic readings through the years in both Los Angeles and New York. Now the story of how the Empire State Building came to be is enjoying a lavish pre-Broadway run at La Mirada Theatre for the Performing Arts, produced in partnership with McCoy Rigby Entertainment, Sue Vaccaro, Ricky Stevens and The Rivet Gang.


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