Ellen Dostal - Page 2

With Valentine's Day right around the corner, it's time to get your date night plans in order. BroadwayWorld is ready to help with our top recommendations for a theatre night out on the town. It doesn't matter if you're looking to impress your sweetie, meet up with friends, or escape the daily grind on your own, these productions will certainly sweeten the day.

Want to know what it takes to make it on Broadway? Jackie Burns and Chandra Lee Schwartz, stars of the long-running hit musical WICKED, have announced that they will host an audition master class on Sunday, September 22nd in Los Angeles. This is your chance to learn from the pros! The class will take place at Screenland Studios (10501 Burbank Blvd, North Hollywood, CA 91601) from 1:00-4:00 pm and is open to all ages.

The California premiere of Nick Dear's FRANKENSTEIN, directed by Michael Michetti and adapted from the original novel by Mary Shelley, is currently running as a stand-alone production through September 8th at A Noise Within. This electrifying tale of a creature cast away by his creator into a hostile worlda?"only to wind his way back in a dangerous game of destructiona?"has captivated audiences for over 200 years. The gothic story comes to life with Nick Dear's adaptation of the chilling fable by Mary Shelley, animating the themes of social rejection, intellectual hubris, and the nascency of good and evil.

Love is lost and found again in PERICLES, one of Shakespeare's most spellbinding plays. The young Pericles sets out for adventure, but gets more than he bargains for. Twenty-five years later, it's his daughter's turn to sail the high seas as she seeks to unravel the mystery of her birth. 

For the first time in its history, Kingsmen Shakespeare Company will present Shakespeare's RICHARD II with the company's associate artistic director Brett Elliott in the title role and Los Angeles-based actor Hannah Tamminen playing Richard's cousin and adversary, Bolingbroke. Women will also take on many of the traditional male roles such as politicians and soldiers.

Summer is the best time of year to get out and see a Shakespeare play, especially in Southern California. Whether it's under the stars, staged in a unique performance space, or revived in a traditional theater, you can't go wrong when it comes to the world's greatest writer. Here's what we've currently got on our radar. Go see a show!

In JULIUS WEEZER, Troubadour Theater Company uses its signature wit to turn a Shakespeare classic into a blissfully-alive rocker version of its ancient self, and the result is divine madness. You don't need to be a Bard lover to have a great time but, if you are, you'll be impressed by the level of classical talent on stage and the company's ability to "speak the speech" while tickling your funny bone.

When 3-D Theatricals artistic director T.J. Dawson tells you during the curtain speech to read his program note before THE SECRET GARDEN begins, take him at his word. It will go a long way toward helping you understand the feverish dream sequence that lays the foundation for Lucy Simon and Marsha Norman's dark, but ultimately uplifting, musical based on Frances Hodgson Burnett's 1911 classic novel.

When it comes to developing a loyal fan base, Troubadour Theater Company has found the secret: do outstanding work, stay true to your aesthetic, and give the people what they want - a great time at the theater. Artistic Director Matt Walker started the troupe and, with the help of longtime friend and foil, Beth Kennedy, continues to lead his merry band into the great theatrical unknown. Next up for the company is JULIUS WEEZER, which combines Shakespeare's JULIUS CAESAR and the music of Weezer to tell its tale of political intrigue Troubie style. Today, they talk about what it's like putting together a new show and why they keep on coming back for more.

The best way to characterize Mary Zimmerman's adaptation of the mythical tale of Jason and the Argonauts is as a playground for adults in which theatre artists use every storytelling trick in the book to bring gods, monsters, mortals, and kings to life. Puppets, masks, stilts and aerial silks trade stage time with original music, dashing fight scenes, and flights of fancy in Jason's epic adventure to find the Golden Fleece.

Taking its cue from Orson Welles' 1937 Mercury Theatre production of JULIUS CAESAR, Independent Shakespeare Co. exercises its exceptional ability to adapt one of Shakespeare's massive works for an intimate indoor setting without giving up any of the play's scope or impact. 

Remember the joy of being a kid and spending hours upon hours acting out stories using whatever you could find? When two sticks stood in for a swordfight to save the day or a towel became the mantle of a king? That's what it feels like watching PigPen Theatre Co. in THE OLD MAN AND THE OLD MOON at The Wallis. 

Without a doubt, Andrew Lloyd Webber's hit musical CATS is of an era. Based on one of Lloyd Webber's favorite books as a child, T. S. Eliot's Old Possum's Book of Practical Cats, it was a perfect vehicle for the tastes of theatre lovers in the eighties, the decade of excess. The large-scale production, which opened on Broadway in 1982, was a highly theatrical concept featuring an elaborate light show, impressive dance numbers, and an intoxicating score, exactly what the public had come to expect from the composer of JESUS CHRIST SUPERSTAR and EVITA.

Never has the relationship between Iago and Roderigo in Shakespeare's OTHELLO stolen the show like it does in the current A Noise Within production, directed by Jessica Kubzansky. With an outwardly nonchalant Michael Manuel as the revenge seeking villain, and Jeremy Rabb, an actor who knows comedy like the back of his hand, as his unsuspecting lackey, the situational humor in Shakespeare's tragedy comes front and center. That's right, humor.

How do you scale down an epic musical like RAGTIME for a smaller stage and a different time? When it opened at the Shubert Theatre in Century City in 1997, the cast numbered nearly fifty, the same as it would for its Broadway debut later that year. The stage was enormous and the production filled every inch of it. I still remember how the sheer volume of the choral numbers gave me chills.

The need for human connection runs deep in WITNESS UGANDA, a musical by Griffin Matthews and Matt Gould based on Matthews' real-life experiences in Uganda. At its center is the idea that we are all part of a global family - one world, one heart - connected by an invisible thread that never lets go.

What would Christmas in LA be without the Troubies? A lot less funny. Happily, artistic director, writer, and head jokester Matt "Mashup" Walker and his coterie of clowns aren't about to let anyone down. Not only are they back with their seventeenth annual holiday show, they're proving just how smart they really are when it comes to delivering a performance that has its finger on the pulse of what's happening now.

The countdown to Christmas begins and ends with an all-out love blitz this year in For the Record's latest world premiere, LOVE ACTUALLY LIVE, a hybrid entertainment that blends scenes from Richard Curtis' 2003 film Love Actually with live performances of the movie's soundtrack. Co-produced by the Wallis Annenberg Center for the Performing Arts, it is a celebration of love in all its messy, complicated, wonderful glory in a Las Vegas-style vision designed to impress.

How does a busy soprano balance career, family, motherhood, and art? If that soprano is Julie Makerov, it's all about scheduling and planning ahead of time. Makerov, who will be appearing as one of four soloists with LA's Verdi Chorus this weekend at First United Methodist Church in Santa Monica, says that's the key to managing all of her commitments.

New work is the lifeblood of the theatre and it is also the sole focus of LA-based SkyPilot Theatre Company. Going one step further, SkyPilot's niche is 'producing only original plays, created by LA playwrights,' which they have done consistently since 2010.