Tickets Now on Sale for The Public's ANTONY AND CLEOPATRA
Single tickets are on sale now for the spring production of ANTONY AND CLEOPATRA at The Public Theater, beginning performances on Tuesday, February 18. Part of the international collaboration between The Public Theater, the Royal Shakespeare Company, and Miami's GableStage, ANTONY AND CLEOPATRA features Jonathan Cake as Antony and Joaquina Kalukango as Cleopatra and is directed and edited by Tarell Alvin McCraney. This Shakespearean tragedy, fresh from engagements in Stratford-upon-Avon and Miami's Colony Theatre, will run through March 23 in The Public's Anspacher Theater, with an official press opening on March 5. Single tickets can be purchased by calling (212) 967-7555, www.publictheater.org, or in person at the Taub Box Office at The Public Theater at 425 Lafayette Street.
This unique company has been cast in both the U.S. and the U.K., and comprises five actors from each country to make up the cast of Shakespeare's historical play of love and politics. The actors will be appearing with the permission of Actors' Equity Association pursuant to an exchange program between American Equity and UK Equity, incorporating the Variety Artistes' Foundation.
The U.S. cast features Charise Castro-Smith (Octavia, Iras); Joaquina Kalukango (Cleopatra); Ian Lassiter (Agrippa, Thyreus); Chivas Michael (Mardian, Eros, Soothsayer); and Henry Stram (Lepidus, Proculeius).
The U.K. cast features Jonathan Cake (Mark Antony); Samuel Collings (Octavius); Ash Hunter (Pompey, Alexas, Scarus); Chukwudi Iwuji (Enobarbus); and Sarah Niles (Charmian, Menas) and they are appearing with the permission of Actors' Equity Association. The producers gratefully acknowledge Actors' Equity Association for its assistance with this production.
The creative team is also a mix of U.K. and U.S. professionals with the production being designed by RSC Associate Designer Tom Piper. The lighting design is by Stephen Strawbridge, the music composed by Michael Thurber, and the movement director is Gelan Lambert, all from the US.
Rehearsals began in the U.K. last September, directed by McCraney, who has radically edited the play and set it in the late 1700s against the backdrop of Saint-Domingue, on the eve of the Haitian Revolution against the French, bringing to light vivid historical parallels with the story of Antony and Cleopatra.
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