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Review: THE CAR MAN, Sadler's Wells

Review: THE CAR MAN, Sadler's Wells

by Franco Milazzo · August 3, 2026

Luca swaggers into Harmony (population 375, and dropping) looking less like a drifter than an escapee from a protein powder advert, and Matthew Bourne's dance-noir wastes no time weaponising that effect. Under a sign reading 'Man Wanted,' the garage owner Dino offers him work and his wife Lana offer…

Review: TWELFTH NIGHT, Theatre On Kew

Review: TWELFTH NIGHT, Theatre On Kew

by Aliya Al-Hassan · August 3, 2026

Shakespeare has a distinctly Aussie twang in Kew Gardens this summer. The Australian Shakespeare Company has returned to the gorgeous surroundings of south-west London, this time with a light-hearted, if meandering, take on Twelfth Night.…

Review: BBC PROMS: MAHLER'S FIRST BY HEART, Royal Albert Hall

Review: BBC PROMS: MAHLER'S FIRST BY HEART, Royal Albert Hall

by Aliya Al-Hassan · August 2, 2026

One of the assured highlights of the Proms in recent years has been the appearance of the Aurora Orchestra, conducted by Nicholas Collon, which explores a seminal piece of music through spoken word, dramatic realisation and musical illustration, then going on to perform the piece. All without a sing…

Review: MALORY TOWERS, Alexandra Palace Theatre

Review: MALORY TOWERS, Alexandra Palace Theatre

by Christiana Rose · August 3, 2026

Emma Rice’s glorious adaptation of Enid Blyton’s Malory Towers returns to Alexandra Palace Theatre with all of the warmth, wit and wonder which made it such a beloved success.…

Review: TAO OF GLASS, @sohoplace

Review: TAO OF GLASS, @sohoplace

by Franco Milazzo · July 31, 2026

Six years after its debut in Manchester, My Neighbour Totoro director Phelim McDermott takes centre stage in this emotionally piercing collaboration with iconic composer Philip Glass to London.…

Review: DINOSAUR WORLD LIVE, Troubadour Wembley Park Theatre

Review: DINOSAUR WORLD LIVE, Troubadour Wembley Park Theatre

by Christiana Rose · July 31, 2026

At first glance, Dinosaur World Live appears to promise a traditional theatrical adventure, but audiences should adjust their expectations before entering this prehistoric expedition. Rather than a narrative driven stage production, this show is best understood as an engaging show and tell presentat…

Review: DIE ENTFÜHRUNG AUS DEM SERAIL, Glyndebourne

Review: DIE ENTFÜHRUNG AUS DEM SERAIL, Glyndebourne

by Aliya Al-Hassan · August 1, 2026

It's over a decade since David McVicar’s glorious version of Mozart's Die Entführung aus dem Serail (The Abduction from the Seraglio) debuted at Glyndebourne. A fitting finale to a wonderful season, the comedy about a clash of cultures returns with an energetic young cast and some exceptional wor…

Review: SPACE DOGS, The Other Palace

Review: SPACE DOGS, The Other Palace

by Clementine Scott · July 30, 2026

Broadway veterans Nick Blaemire and Van Hughes begin their show tossing canine plushies into the audience, Oprah-style. “We’re Nick and Van and we wrote this,” they gleefully announce.…

Review: BBC PROMS: KORNGOLD'S VIOLIN CONCERTO, Royal Albert Hall

Review: BBC PROMS: KORNGOLD'S VIOLIN CONCERTO, Royal Albert Hall

by Aliya Al-Hassan · July 31, 2026

There was a distinctly cinematic feel to last night's Prom, Korngold's Violin Concerto, which also featured Prokofiev’s 'Symphony No. 5' and Dobrinka Tabakova’s 'Orpheus’ Comet'. Delyana Lazarova conducted the BBC Scottish Symphony Orchestra through an animated and beautifully realised eveni…

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