Review: THE FORCE AWAKENS IN CONCERT, Royal Albert Hall
by Franco Milazzo - November 17, 2025
The stories about the latest entry in the Royal Albert Hall’s Film In Concert series are insane. There was the intense secrecy over that moment, Daniel Craig’s secret cameo, Mark Hamill’s perma-beard and then the issues with Harrison Ford’s long hair and broken foot. With a sky-high budget north of 500 million dollars, the most anticipated movie of 2015 went on to break the $2bn barrier at the box office and JJ Abrams’ Star Wars: The Force Awakens is now the sixth-highest grossing flick ever made.
by Franco Milazzo - November 17, 2025
The stories about the latest entry in the Royal Albert Hall’s Film In Concert series are insane. There was the intense secrecy over that moment, Daniel Craig’s secret cameo, Mark Hamill’s perma-beard and then the issues with Harrison Ford’s long hair and broken foot. With a sky-high budget north of 500 million dollars, the most anticipated movie of 2015 went on to break the $2bn barrier at the box office and JJ Abrams’ Star Wars: The Force Awakens is now the sixth-highest grossing flick ever made.
Review: LOU WALL: BREAKING THE FIFTH WALL, Soho Theatre
by Kat Mokrynski - November 17, 2025
Lou Wall: Breaking the Fifth Wall is one of those shows that is difficult to describe (and review!) without giving away the performer’s secrets. The show, directed by fellow comedian Zoë Coombs Marr, is essentially a follow-up to a bit of Wall’s that went viral, in which they sing about how they put their bedframe up on Facebook Marketplace with hilarious consequences.
by Kat Mokrynski - November 17, 2025
Lou Wall: Breaking the Fifth Wall is one of those shows that is difficult to describe (and review!) without giving away the performer’s secrets. The show, directed by fellow comedian Zoë Coombs Marr, is essentially a follow-up to a bit of Wall’s that went viral, in which they sing about how they put their bedframe up on Facebook Marketplace with hilarious consequences.
Interview: Ardent Theatre Company on Bringing Underrepresented Groups to The London Stage
by Gary Naylor - November 17, 2025
It’s easy to forget that, while we all know that theatres have four walls, they also have two doors. The one we all know has bright lights, glossy playbills, a welcoming foyer and, sometimes, a queue for a bag search, that mark of 21st century life. But where is the other? Hard to find, hard to get past a code pad for entry / scowling guard and hard to know what to do even if you’ve cleared those hurdles. You guessed it, it’s all a bit on the nose as a metaphor for breaking into theatre as a career.
by Gary Naylor - November 17, 2025
It’s easy to forget that, while we all know that theatres have four walls, they also have two doors. The one we all know has bright lights, glossy playbills, a welcoming foyer and, sometimes, a queue for a bag search, that mark of 21st century life. But where is the other? Hard to find, hard to get past a code pad for entry / scowling guard and hard to know what to do even if you’ve cleared those hurdles. You guessed it, it’s all a bit on the nose as a metaphor for breaking into theatre as a career.
Review: #FATKARY: THE CORRIDO OF A TRAGIC EX-FAT WOMAN, Playground Theatre
by Clementine Scott - November 17, 2025
You’d be hard pressed to find a more striking opening outfit in a play than #FATKARY: The Corrido of a Tragic Ex-Fat Woman. Performer and writer Caridad Gómez dons a fat suit exaggerated to comical absurdity, her face mostly covered in the manner of a lucha libre fighter and her body obscured by what looks like layers upon layers of Cath Kidston cushions. Clad in something so cartoonish, Gómez encourages us to see her not quite as a real person, but as a caricature or a bogeyman, who can’t quite connect with her audience directly.
by Clementine Scott - November 17, 2025
You’d be hard pressed to find a more striking opening outfit in a play than #FATKARY: The Corrido of a Tragic Ex-Fat Woman. Performer and writer Caridad Gómez dons a fat suit exaggerated to comical absurdity, her face mostly covered in the manner of a lucha libre fighter and her body obscured by what looks like layers upon layers of Cath Kidston cushions. Clad in something so cartoonish, Gómez encourages us to see her not quite as a real person, but as a caricature or a bogeyman, who can’t quite connect with her audience directly.
Review: PERSPECTIVES: BALANCHINE, MARSTON, PECK, Royal Ballet And Opera
by Matthew Paluch - November 17, 2025
The Royal Ballet season continues with Perspectives: Balanchine, Marston, Peck. A triple bill that will supposedly “ignite the imagination” - stir, perhaps; ignite, not quite.
by Matthew Paluch - November 17, 2025
The Royal Ballet season continues with Perspectives: Balanchine, Marston, Peck. A triple bill that will supposedly “ignite the imagination” - stir, perhaps; ignite, not quite.
OPERATION MINCEMEAT Receives 17th Extension in the West End
by BWW News Desk - November 17, 2025
The Tony Award and double Olivier Award-winning musical Operation Mincemeat has received its 17th West End extension at the Fortune Theatre. The production recently celebrated its 1000th show.
by BWW News Desk - November 17, 2025
The Tony Award and double Olivier Award-winning musical Operation Mincemeat has received its 17th West End extension at the Fortune Theatre. The production recently celebrated its 1000th show.
Melanie Dhawan Joins Trafalgar Entertainment as CFO
by BWW News Desk - November 17, 2025
Global live entertainment company Trafalgar Entertainment has announced that Melanie Dhawan joins the business today (Monday 17 November) as Chief Financial Officer.
by BWW News Desk - November 17, 2025
Global live entertainment company Trafalgar Entertainment has announced that Melanie Dhawan joins the business today (Monday 17 November) as Chief Financial Officer.
Team StarKid Will Have First West End Season With THE GUY WHO DIDN'T LIKE MUSICALS
by BWW News Desk - November 17, 2025
The American cult-favourite theatre company, StarKid, is headed to the West End with The Guy Who Didn't Like Musicals, playing its first ever London season at the Apollo Theatre.
by BWW News Desk - November 17, 2025
The American cult-favourite theatre company, StarKid, is headed to the West End with The Guy Who Didn't Like Musicals, playing its first ever London season at the Apollo Theatre.
1536 Will Transfer to the Ambassadors Theatre
by BWW News Desk - November 17, 2025
1536, the historical drama with a modern edge, will transfer to the West End following a sold-out run at the Almeida Theatre, running from 02 May to 01 August 2026 at the Ambassadors Theatre.
by BWW News Desk - November 17, 2025
1536, the historical drama with a modern edge, will transfer to the West End following a sold-out run at the Almeida Theatre, running from 02 May to 01 August 2026 at the Ambassadors Theatre.
Review: HANDLE WITH CARE, Battersea Arts Centre
by Franco Milazzo - November 16, 2025
A poetic response to a remarkable work of anti-theatre.
by Franco Milazzo - November 16, 2025
A poetic response to a remarkable work of anti-theatre.
Review: L'INDISCIPLINE, Theatro Technis
by Gary Naylor - November 15, 2025
A touch of Grand Guignol and a soupçon of French farce can't land a show whose style swamps its substance
by Gary Naylor - November 15, 2025
A touch of Grand Guignol and a soupçon of French farce can't land a show whose style swamps its substance
Review: PORN PLAY, Royal Court
by Franco Milazzo - November 14, 2025
Ani has a problem. Well, two problems, but they are on very friendly terms: she’s addicted to hardcore porn and her boyfriend Liam has had enough of seeing it when they're in bed. She doesn’t care so she cums, he goes, and - even before the door slams - she’s back on her phone scrolling through an endless feed of videos.
by Franco Milazzo - November 14, 2025
Ani has a problem. Well, two problems, but they are on very friendly terms: she’s addicted to hardcore porn and her boyfriend Liam has had enough of seeing it when they're in bed. She doesn’t care so she cums, he goes, and - even before the door slams - she’s back on her phone scrolling through an endless feed of videos.
Review: INTO THE HAIRY - SHARON EYAL, Sadler’s Wells
by Matthew Paluch - November 14, 2025
Sharon Eyal and her S-E-D Dance Company return to Sadler's Wells with a UK premiere of INTO THE HAIRY, but if honest, I've definitely seen the material before. The programme info is clear; “parts of the creation were originally created in the frame of THIS IS NOT A LOVE SHOW (January 2022)”, the world premiere was at Montpellier Danse in June 2023, and I undoubtedly saw swathes of the material in R.O.S.E at Sadler’s Wells East in July this year.
by Matthew Paluch - November 14, 2025
Sharon Eyal and her S-E-D Dance Company return to Sadler's Wells with a UK premiere of INTO THE HAIRY, but if honest, I've definitely seen the material before. The programme info is clear; “parts of the creation were originally created in the frame of THIS IS NOT A LOVE SHOW (January 2022)”, the world premiere was at Montpellier Danse in June 2023, and I undoubtedly saw swathes of the material in R.O.S.E at Sadler’s Wells East in July this year.
The RSC Announces Six New Playwrights-in-Residence For 2025-26
by BWW News Desk - November 14, 2025
The RSC has announced Pamela Carter, James Fritz, Natasha Gordon, Karim Khan, Laura Lomas and Vinay Patel as the six playwrights taking part in its 2026 COHORT programme.
by BWW News Desk - November 14, 2025
The RSC has announced Pamela Carter, James Fritz, Natasha Gordon, Karim Khan, Laura Lomas and Vinay Patel as the six playwrights taking part in its 2026 COHORT programme.
Review: THE HUNGER GAMES: ON STAGE, Canary Wharf Troubadour Theatre
by Cindy Marcolina - November 13, 2025
Housed in a purpose-built venue in Canary Wharf, it’s a behemoth. Adapting it for the stage was always going to be a Herculean task, not only when it comes to pleasing a very passionate fandom, but when we consider the scale and magnitude of the story too. Written by Conor McPherson and directed by Matthew Dunster, it’s an unquestionably impressive achievement with great technical value. The actors are tireless athletes, the theatre is an imposing arena, and the stagecraft is often remarkable. Unfortunately, it’s also a soulless incarnation.
by Cindy Marcolina - November 13, 2025
Housed in a purpose-built venue in Canary Wharf, it’s a behemoth. Adapting it for the stage was always going to be a Herculean task, not only when it comes to pleasing a very passionate fandom, but when we consider the scale and magnitude of the story too. Written by Conor McPherson and directed by Matthew Dunster, it’s an unquestionably impressive achievement with great technical value. The actors are tireless athletes, the theatre is an imposing arena, and the stagecraft is often remarkable. Unfortunately, it’s also a soulless incarnation.
Guest Blog: Actor Duane Gooden on His Journey To Becoming MAMA GOOSE
by Guest Author - November 13, 2025
There is no role in British theatre quite like the Pantomime Dame. The thrill I feel right now, heading into rehearsals at the legendary Stratford East, is electric. Stepping into a legacy that is equal parts mother, mayhem, and magnificent spectacle is an absolute gift for me.
by Guest Author - November 13, 2025
There is no role in British theatre quite like the Pantomime Dame. The thrill I feel right now, heading into rehearsals at the legendary Stratford East, is electric. Stepping into a legacy that is equal parts mother, mayhem, and magnificent spectacle is an absolute gift for me.
Photos: Lara Denning Joins The UK And Ireland Tour Of HERE & NOW
by BWW News Desk - November 13, 2025
Check out brand new photos featuring actress Lara Denning in the role of Caz in the UK and Ireland tour of HERE & NOW. The musical, created by Steps with an original book by Shaun Kitchener, continues touring with direction by Rachel Kavanaugh and choreography by Matt Cole.
by BWW News Desk - November 13, 2025
Check out brand new photos featuring actress Lara Denning in the role of Caz in the UK and Ireland tour of HERE & NOW. The musical, created by Steps with an original book by Shaun Kitchener, continues touring with direction by Rachel Kavanaugh and choreography by Matt Cole.
THE HUNGER GAMES: ON STAGE Director Reveals Ideas for NY
by BWW News Desk - November 13, 2025
In a recent interview, The Hunger Games: On Stage directer Matthew Dunster revealed what he would like to do for a US production of The Hunger Games: On Stage.
by BWW News Desk - November 13, 2025
In a recent interview, The Hunger Games: On Stage directer Matthew Dunster revealed what he would like to do for a US production of The Hunger Games: On Stage.
Photos: THE PLAYBOY OF THE WESTERN WORLD Rehearsals
by BWW News Desk - November 13, 2025
The National Theatre has released the first look at the cast of The Playboy of the Western World in rehearsals. The cast features Nicola Caughlan and more.
by BWW News Desk - November 13, 2025
The National Theatre has released the first look at the cast of The Playboy of the Western World in rehearsals. The cast features Nicola Caughlan and more.
Chicos Mambo's TUTU to Return to the Peacock Theatre
by BWW News Desk - November 13, 2025
xThis coming February, Chicos Mambo’s award-winning show TUTU will return to the Peacock Theatre, Sadler’s Wells Home of Dance and Entertainment in the West End, eighteen months on from its acclaimed and hugely popular London debut.
by BWW News Desk - November 13, 2025
xThis coming February, Chicos Mambo’s award-winning show TUTU will return to the Peacock Theatre, Sadler’s Wells Home of Dance and Entertainment in the West End, eighteen months on from its acclaimed and hugely popular London debut.
Aaron Pierre and Giles Terera Will Lead ONE FLEW OVER THE CUCKOO'S NEST at the Old Vic
by BWW News Desk - November 13, 2025
One Flew Over the Cuckoo's Nest will be revived at the Old Vic next year. The cast will be led by Aaron Pierre and Giles Terera. Performances run 1 April–23 May 2026.
by BWW News Desk - November 13, 2025
One Flew Over the Cuckoo's Nest will be revived at the Old Vic next year. The cast will be led by Aaron Pierre and Giles Terera. Performances run 1 April–23 May 2026.
Alan Cumming Will Lead First Season as Artistic Director of Pitlochry Festival Theatre
by BWW News Desk - November 13, 2025
Pitlochry Festival Theatre’s Artistic Director, Alan Cumming has announced his highly anticipated inaugural season of exciting programming for 2026, which will coincide with the 75th anniversary of the celebrated Scottish Highland Theatre.
by BWW News Desk - November 13, 2025
Pitlochry Festival Theatre’s Artistic Director, Alan Cumming has announced his highly anticipated inaugural season of exciting programming for 2026, which will coincide with the 75th anniversary of the celebrated Scottish Highland Theatre.
Sadler's Wells Opens Call For Submissions For Dance Digital
by BWW News Desk - November 13, 2025
Sadler's Wells has announced Dance Digital, a brand new dance film festival set to take place at the Lilian Baylis Studio at Sadler's Wells in Angel. Learn more here!
by BWW News Desk - November 13, 2025
Sadler's Wells has announced Dance Digital, a brand new dance film festival set to take place at the Lilian Baylis Studio at Sadler's Wells in Angel. Learn more here!
UK Tour of THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME Announces 2027 Dates
by BWW News Desk - November 13, 2025
2027 dates have been revealed for the newly announced production of The Curious Incident of the Dog in the Night-Time, inspired by the novel and the National Theatre's stage adaptation.
by BWW News Desk - November 13, 2025
2027 dates have been revealed for the newly announced production of The Curious Incident of the Dog in the Night-Time, inspired by the novel and the National Theatre's stage adaptation.
Review: POOR SHIRLEY MUST MAKE HER ESCAPE, Union Theatre
by Franco Milazzo - November 12, 2025
They may be strangers on a train but, in Tom George Hammond’s two-and-a-bit-hander, Shirley and Kieran are not here to swap murders but to discover what real happiness looks like.
by Franco Milazzo - November 12, 2025
They may be strangers on a train but, in Tom George Hammond’s two-and-a-bit-hander, Shirley and Kieran are not here to swap murders but to discover what real happiness looks like.
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