BWW Review: GOD OF CARNAGE, Theatre Royal Bath
If people really do have layers, then Yasmina Reza's God Of Carnage is 80 minutes of stripping them away.
UK / West End Theater Reviews
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BWW Review: TANGO PROM, Royal Albert Hall
As the Proms enters September and we approach the end of the run of a staggering 91 concerts, Prom 70 sees the inaugural Tango Prom.
BWW Review: DANCE NATION, Almeida Theatre
Wild, raw, hilarious and tender, Clare Barron's electrifying play - first seen in New York earlier this year - is a candid portrait of prepubescent girls, rare compared with the myriad male coming-of-age tales.
BWW Review: SIX, Arts Theatre
A show that bursts with great tunes, witty lyrics and fine singing that puts the six wives of Henry VIII back into the narrative - and about time too.
BWW Review: CATERPILLAR, Theatre503
Caterpillar takes us to a seaside town guesthouse within which three dysfunctional people circle each other, troubled and needy.
BWW Review: NATIONAL YOUTH BALLET GALA - BRIGHT YOUNG THINGS, Sadler's Wells
National Youth Ballet has been providing opportunities for young dancers to perform as a company since 1988.
BWW Review: THE KING AND I, London Palladium
The London Palladium and The King and I have welcomed back to the stage Ruthie Ann Miles with a warm embrace.
BWW Review: QUEEN OF ROSES, London Cabaret Club
As part of their 5th anniversary, the London Cabaret Club presents their new show Queen of Roses as a celebration of the reigns of Elizabeth I, Victoria and Elizabeth II.
BWW Review: PROM 64: VERDI REQUIEM, Royal Albert Hall
A favourite at the Proms since its first inclusion in the programme in 1956, Giuseppi Verdi's tribute to the Italian poet Alessandro Manzoni had a standalone performance this week, helmed by conductor Andres Orozco-Estrada.
BWW Review: BUT WHY? MA PERCHE?, The Print Room
The first edition of the Italian Theatre Festival concludes with a work-in-progress performed by Complicite's co-founder Marcello Magni.
BWW Review: MISTERO BUFFO, The Print Room
Italian tradition lands on the stage of The Print Room in the second (and last) day of the Italian Theatre Festival with Dario Fo's Mistero Buffo, directed by Eugenio Allegri and performed by Matthias Martelli.
BWW Review: BLACK CAT: BOHEMIA, Underbelly Festival
Come down to the Southbank for a little circus, a little cabaret and a little naughty banter with the singer, the tumblers and the fire breathing woman.
BWW Review: LOVE'S LABOUR'S LOST, Sam Wanamaker Playhouse
Love's Labour's Lost is one of Shakespeare's earlier comedies and has never been one of his more popular plays.
BWW Review: THERE IS NOTHIN' LIKE A DAME, Cadogan Hall
Lambert Jackson's debut show, There is Nothin' Like a Dame, was a smash hit with four talented actresses celebrating one hundred years of women in musical theatre.
BWW Review: NOVECENTO, The Print Room
Alessandro Baricco's Novecento, beloved monologue of many an Italian and more, is presented as the second bill of the Italian Theatre Festival.
BWW Review: HANNO TUTTI RAGIONE, The Print Room At The Coronet
The first edition of the Italian Theatre Festival, curated by Monica Capuani and in partnership with the Italian Cultural Institute in London, brings contemporary Italian theatre to London.
BWW Review: THE COMEDY ABOUT A BANK ROBBERY, Birmingham Rep
Mischief Theatre's A Comedy About A Bank Robbery has recently embarked on its first UK tour, opening at the Rep in Birmingham this week.
BWW Review: PERICLES, National Theatre
Pericles shows our nation what our nation is - a tremendous achievement by the National Theatre's Public Acts movement and a gamechanger for the concept of outreach.
BWW Review: SWAN LAKE, London Coliseum
London dance fans are still reeling from the glorious opulence of Liam Scarlett's new Swan Lake for the Royal Ballet.
BWW Review: TAMBURLAINE, Swan Theatre, Stratford-upon-Avon
Christopher Marlowe's tale of relentless, ruthless ambition has a Game of Thrones vibe and a distressingly familiar topicality
BWW Album Review: IMAGINARY Original Live Cast Recording
SimG Records' latest release is a National Youth Music Theatre commission entitled Imaginary, which was performed at The Other Palace in London in August 2017.
BWW Review: MUCH ADO ABOUT NOTHING, Gray's Inn Hall
The will-they-won't-they trope of the Beatrice/Benedick relationship in Much Ado About Nothing is so familiar to audiences that, even though it's staged repeatedly (the last time this reviewer saw it was at Shakespeare's Globe in March), the joy in watching it again is to see how much sparkle a new
BWW Album Review: THE QUENTIN DENTIN SHOW Original Cast Recording
Critically acclaimed musical The Quentin Dentin Show has gone down a storm with audiences at the Edinburgh Fringe and in London and now supernatural game show host, Quentin Dentin himself, will be releasing his debut album next month.
BWW Review: PROM 48: SIR SIMON RATTLE CONDUCTS 'L'ENFANT ET LES SORTILÈGES', Royal Albert Hall
Sir Simon Rattle enslaved the LSO under Ravel's near-supernatural spell; solo singers strived to follow him along the trail.
BWW Review: GANGSTA GRANNY: LIVE ON STAGE, Harold Pinter Theatre
When reflecting on your fondest childhood memories, you'd probably decide upon visiting your grandparents as one of your highlights.
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Tickets From $71