BWW Review: STARCROSSED: THE TRAGEDY OF MERCUTIO AND TYBALT at Capital Fringe
Is there a more over-done piece than Shakespeare's Romeo and Juliet? Enter author Rachel Garnet.
The latest reviews and critic recommendations from Washington, DC.
Is there a more over-done piece than Shakespeare's Romeo and Juliet? Enter author Rachel Garnet.
With a little raunch and a lot of heart, If These Balls Could Talk! gives you a glimpse of the performer's life in the big city; it's a whirlwind tour, and well worth the ride.
Some questionable casting choices and a book by Chad Beguelin that's filled with a little too many eyeroll worthy anachronistic jokes, aside, the touring production has a few elements that make a trip to the Kennedy Center worth it.
While it takes a few minutes to really start moving, Natasha Preston's Conversations - which she wrote and performs - is one of the most emotionally raw and honest pieces of theatre I've seen this year.
There's a moment in Intimate Dinner, written and performed by Lauren French, that made me laugh harder than anything in the Capital Fringe Festival so far, and it's a quiet gesture - she just swings a towel onto her shoulder.
It was rare that a Democrat became governor of red-state Texas in the 1990s; rarer still that she was a woman.
Described as 'a dark romp with teeth' - a wonderfully evocative tagline - A Short History of Unfortunate Animals is one of the more abstract Fringe offerings this year.
Part of the adventure of any Fringe show is how best to utilize a space that was not necessarily built as a performance venue and there are plenty of approaches to creating an immersive experience for your audience.
Some events in history are too large in scope for us to properly grasp and process them.
HUB Theatre's production of American Spies and Other Homegrown Fables, directed by Kathryn Chase Bryer, features powerful moments, but certain artistic choices prevent the production from making its full impact.
Gerry is the kind of guy who arrives at a party like an explosion, talks a mile a minute, has an opinion about everything, exudes outrageous hilarity and hardly lets anyone else get a word in.
Prologue Theatre's 'The Explorers Club' is both immensely funny and immensely profound.
Resurrecting and redefining the misunderstood women of myth and history is not breaking ground for a Fringe Festival in the #MeToo era, but Rewiring Eden manages to make its mark with a thoughtful enough conceit - what if all of those women had the opportunity to meet one another?
Capital Fringe is one of the best places to catch artists self-producing work in DC, many of them for the first time.
Jeremy Heere is a socially-awkward, hopelessly uncool student languishing at the bottom rung of the high school's social ladder.
Quotidian Theatre Company's presentation of 'The Mollusc' is delightful, emotional, and fun.
The national tour, now playing the John F Kennedy Center for the Performing Arts, gave me the opportunity to take another look at the show.
Running a small opera company requires innovation enough, but Washington's Urban Arias goes further, by commissioning new works, or finding pieces that are little known or rarely performed and infusing them with reliable company talent that can electrify their purposely small audiences.
I'll get this out of the way: one of my biggest theatrical pleasures is when entire worlds are created and destroyed and recreated in front of us.
As part of this year's Fringe Curated series, Hatpin Panic by Iris Dauterman is a relevant romp through the long-running suffrage movement with a heart of giddy resistance.
Master monologist Mike Daisey is known locally for his many performances at Woolly Mammoth Theatre Company.
This past week marked the 50th anniversary of the passing of the iconic entertainer Judy Garland.
Signature Theatre concludes its 29th season with a World Premiere musical written by, in my opinion, one of the most underrated writing teams working in musical theatre today.
Children will thoroughly enjoy the vivid physicality of Alvin Chan's hour long adaptation of The Ballad of Mu Lan, onstage at Bethesda's Imagination Stage through August 11.
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GARBO: EL ACTOR QUE SAVÓ AL MUNDO (Garbo: The Actor Who Saved The World) GALA Hispanic Theatre (9/03-9/27) |
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Coming to America: An Immigrant Cabaret ExPats Theatre (9/30-10/18) |
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Misery Aldie Mill Historic Park (8/20-8/30) |
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Stonewall's Bust The Writers Center (10/09-10/25) |
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The Dinner Detective Murder Mystery Dinner Show The Dinner Detective Washington DC (9/12-9/12) |
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Freddie: a girl Capitol Hill Arts Workshop (8/27-9/19) |
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Mamma Mia! National Theatre (10/27-11/15) |
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Victorian Lyric Opera Company presents "Pirates of Penzance" F. Scott Fitzgerald Theatre (6/11-6/20) |
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The Jersey Four A Tribute to Frankie Valli and The 4 Seasons, featuring original member Gerry Polci F. Scott Fitzgerald Theatre (4/18-4/18) |
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The Legend of Sleepy Hollow Washington Stage Guild (9/24-10/18) |