SMACK THAT (A CONVERSATION) Announces 2019 UK Tour Dates And London Season

SMACK THAT (A CONVERSATION) Announces 2019 UK Tour Dates And London Season

Endlessly inventive choreographer Rhiannon Faith's critically acclaimed shameless and subversive theatre/dance production shining a light on domestic abuse announces 2019 UK tour dates and London season.

Smack That (a conversation) is an original, accessible and empowering showfrom endlessly inventive choreographer Rhiannon Faith that sold out it's 5 day run at The Barbican last year. It is touring in 2019 with dates at London Ovalhouse 27 Feb - 16 March.

Meet Beverly. You're invited to her party. Like most parties there'll be fun and games, drinks, shared conversations, popcorn and energetic dancing. But this party has a darker side and genuine heartbreaking moments as Beverly bravely gives a raw and honest account of surviving an abusive relationship.

One in four women experience domestic abuse in their lives. Smack That (a conversation) by theatremaker and choreographer Rhiannon Faith shines a light on this complex subject. In 2018 the show sold out a week long run at The Barbican and a short UK tour, and was recently shortlisted for the Innovation in Dance category in the inaugural One Dance UK Awards. The show returns to London for a season at Ovalhouse from 27 February to 16 March 2019 and will tour with dates in Harlow, Portsmouth, Oxford, Salford, Newcastle and Salisbury Festival. Full details below.

Smack That (a conversation) features a female cast of seven who all play Beverly. They are a close-knit group made up of non-performers and experienced dance and theatre artists. Each has their own personal experience of domestic abuse and they convey the turbulent, real life experiences of domestic abuse that Beverly, and they, have endured and survived. The party setting creates a safe space for them to reveal the challenges they have faced and to celebrate their resilience with the audience. In The Observer Luke Jennings described it as 'raw and eloquent with a final note of hope'.

Stories of abuse intertwine with party games and energetic dance routines to create a powerful, moving and unashamedly entertaining piece of theatre. The fun, upbeat party setting allows these voices to be heard without prejudice and where marshmallows and party poppers readily mix with refuge contact information. In a four star review The Guardian called it 'dance, participatory theatre and awareness-raising in one welcoming package,... a party game to help change the world' and The Stage claimed it to be 'a work of urgent importance'.

Rhiannon said 'The idea for the show has been with me for years from seeing the experiences and hearing the stories from friends and family and others who felt OK talking privately but lacked the confidence to talk publicly about what they had been (or still were) going through. A lot of dance is there to decorate the world, which is lovely but I am more there to change the world. I only make shows if something makes me feel angry.'

Crucially, Smack That (a conversation) is based on authentic stories told through the voices of survivors of domestic violence and abuse. It seeks to raise awareness of domestic abuse and move the conversations from private to public.

The show is designed to support women and encourage them to talk openly about their experiences. It is underpinned by Rhiannon's work with a support group at Safer Places, the independent charity that provides services to adults and children affected by domestic and sexual abuse.

  • In the UK police receive a complaint about domestic violence every 60 seconds.
  • One in four women experience domestic abuse in their lives.
  • On average a woman is assaulted 35 times before she receives help.
  • 750,000 UK children witness domestic abuse or violence each year.
  • The impact of domestic violence costs the UK £15.7 billion annually.
  • In England and Wales one woman is killed by their partner, or ex-partner, every three days.

'The creative process required a great deal of vulnerability and trust' added Rhiannon 'I knew that before I could create this show I had to be totally sure that we would be able provide proper care and support for my Bevs'. During the creation process there was regular support for the team from psychologist Joy Griffiths, who is also available to the audience during and after all performances.

Smack That (a conversation) has a lasting legacy and impact. All venues that it's staged in are encouraged to become J9 centres. ?This national initiative aims to provide? safe and secure opportunities for victims to disclose domestic abuse and access a full support system. J9 venues display pink J9 stickers in their windows, signalling to the public that it is safe to talk. Staff at each J9 contact point are provided with training to raise awareness and increase understanding of domestic abuse. They are trained to signpost, advise and spot the signs of domestic abuse. Each venue has a safe place where victims can access information and use a phone to call for further help. Following the 2018 performances The Barbican, with 600 staff is now a J9 venue.

Smack That (a conversation) has been published by Oberon Books as an Instructional dance theatre play. To mark the UN International Day for the Elimination of Violence Against Women the rights to the play will be available each November free to groups around the world to enable them to perform it and raise money for their local refuge/women's group.

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