1
REVIEW: Cihangir Atölye Sahnesi Presents Kâtip Bartleby
The three previous productions I attended at Cihangir Atölye Sahnesi achieved what felt like a contradiction in terms: blackbox maximalism. Imagine my surprise, then, when I entered their space for Kâtip Bartleby, an adaptation of Herman Melville’s Bartleby the Scrivener, and found a concentrated, stripped-down staging.
2
3
4
REVIEW: Cihangir Atölye Sahnesi Presents SALOZ'UN MAVALI
Make Portugal Great Again! In their production of Saloz’un Mavalı, adapted for Turkish stages by Can Yücel, Cihangir Atölye Sahnesi stages the clash between an imagined glorious past and a bleak, oppressive present. First performed in English as The Song of the Lusitanian Bogey in 1965, the play has, unfortunately, lost none of its relevance. Originally a two-act work, the CAS production condenses the material into just under an hour, but the ensemble fills that hour with a tightly woven collage of images, rhythms, and political critique.