BWW Review: THE BOY IN THE MOON at Crow's Theatre is Not Flashy, and That's Okay
Heart defects. Cognitive delay. Growth hormone deficiency. These are just some of the symptoms that Cardiofaciocutaneous (CFC) syndrome can present. THE BOY IN THE MOON, by Emil Sher, examines the love and labour involved in raising a child born into these symptoms. Based on a book by Ian Brown, and...
BWW Review: IT'S ALL TRU is an Intimate Lesson in Sexual Health
'HIV…You mean, AIDS?' Presented by The Cabaret Company, as part of the Buddies in Bad Times Theatre 2016-2017 season, IT'S ALL TRU examines misconceptions surrounding HIV, preventative therapies and how it relates to the law. Written and directed by Sky Gilbert, the play is an intelligent, intimat...
BWW Review: THE RETURN Contorts the Circus Cliche
Few things are as exhilarating as bodies being flung into the air without crash mats. This is what you expect when you hear the word 'circus', but THE RETURN by Circa is much more than lifts and flips. Presented by Canadian Stage as the last show in their Spotlight Australia series, THE RETURN doesn...
BWW Review: Canadian Opera Company's TOSCA is a Total Triumph
From the moment the orchestra plays its first note, the production is pure magic. The Canadian Opera Company (COC) ends their 2016-2017 season with a bang, with Puccini's TOSCA. Gorgeous music, grand sets and gripping performances coexist seamlessly in Paul Curran's production of one of opera's most...
BWW Review: Canadian Stage's MEETING and ENDINGS Awaken the Gamut of Human Emotion
From fascination to fear, Canadian Stage's MEETING and ENDINGS are a rollercoaster ride of insight into the human condition. The two works are part of Canadian Stage's Spotlight Australia, a six-week showcase of cross-disciplinary performance running until May 7 and featuring the works of acclaimed ...
BWW Review: Opera Superstar ANNA NETREBKO Dazzles in Canadian Debut
Anna Netrebko performed to an adoring sold-out audience at Toronto's Four Seasons Centre on Tuesday evening. Netrebko was joined by husband and Azerbaijani tenor, Yusif Eyvazov and renowned Russian baritone, Dmitri Hvorostovsky. Led by Maestro Jader Bignamini, the Canadian Opera Company Orchestra br...
BWW Review: The Canadian Opera Company's LOUIS RIEL - A Step in the Right Direction
Colonization is a controversial part of our heritage, and is central to the Canadian Opera Company's (COC) new production of Harry Somers' LOUIS RIEL. The production has sparked discourse on the use of Indigenous songs in opera, the portrayal of Indigenous men and women on stage and First Nations so...
BWW Review: Shakespeare's Reflection on Humanity is Powerfully Human in Why Not Theatre's PRINCE HAMLET
A gender-bending, English and American Sign Language (ASL) bilingual production of Shakespeare's Hamlet may sound ambitious - but it plays as compellingly human. Maybe you're not familiar with the story. Maybe you've seen it a hundred times. Regardless, Why Not Theatre's PRINCE HAMLET will defy your...
BWW Review: MRS. HENDERSON PRESENTS Makes For A Fun Night of Frivolous Theatre
Now officially open at the Royal Alexandra Theatre, Mrs. Henderson Presents is a light-hearted take on a rather heavy topic: the holocaust - specifically wartime London....
Review Roundup: World Premiere of SOUSATZKA in Toronto - All The Reviews!
The reportedly Broadway-bound, world premiere engagement of SOUSATZKA, with book by Craig Lucas, music by David Shire, and lyrics by Richard Maltby, Jr., based on the original novel 'Madame Sousatzka' by Bernice Rubens, opened last night in Toronto! Directed by Adrian Noble and choreographed ...
BWW Review: Drabinsky's SOUSATZKA - Lackluster Material, Brilliantly Performed
The much anticipated opening of Sousatzka, the musical billed as the comeback of Garth Drabinsky, took place last night at the Elgin Theatre in Toronto. Sousatzka tells the story of holocaust survivor Madame Sousatzka (Victoria Clark), her prodigy piano pupil Themba (Jordan Barrow) - and how the two...
BWW Review: THE BOOK OF MORMON Will Make Toronto Believe All Over Again
One of Broadway's biggest hits is back in Toronto and charming audiences for the third time. The Book of Mormon, which today is still one of Broadway's hottest tickets, is back due to overwhelming popular demand....
BWW Review: COME FROM AWAY Is A Loving Tribute To The Best In All Of Us
Come From Away is not a musical about the September 11th terrorist attacks - if anything it is the exact opposite. Come From Away is a musical about all that is good in people - compassion, care, love, acceptance, equality, and treating others with kindness. Truly, it is a musical written for now....
BWW Review: THE AENEID at the Stratford Festival is an Important Piece of Art
The Stratford Festival's production of THE AENEID, currently playing in repertory at the Studio Theatre, is not your standard version of Virgil's classic epic. Director, Keira Loughran brings an old story into the modern world-and does so to great effect with the World premiere of Maureen Labonte's ...
BWW Review: JOHN GABRIEL BORKMAN at the Stratford Festival is a Powerful Night at the Theatre
Director, Carey Perloff has assembled a stellar cast for the Stratford Festival's production of Henrik Ibsen's JOHN GABRIEL BORKMAN at the Tom Patterson Theatre. The Festival has commissioned the World Premiere of the English translation by Paul Walsh. The combination of an extraordinary cast, and t...
BWW Review: THE HYPOCHONDRIAC at the Stratford Festival is a Clever Laugh-Riot
A hysterical production of THE HYPOCHONDRIAC opened on Thursday night at the Stratford Festival and the audience clearly enjoyed it thoroughly. Directed by Artistic Director, Antoni Cimolino, and starring Stephen Ouimette, this production is a version by Richard Bean based on Chris Campbell's litera...
BWW Review: FATHER COMES HOME FROM THE WARS
Mixing elements from the traditional epic poem with modern theatre, FATHER COMES HOME FROM THE WARS (PART I, II, III), which opened at the Young Centre for the Performing Arts on Thursday, creates a thought-provoking exploration of both oppression and freedom....
BWW Review: SWEENEY TODD at Shaw Festival
From it's ominous sounding opening organ chords, Stephen Sondheim makes it clear that you are in for a macabre evening of theatre as his masterpiece SWEENEY TODD begins. What sounds almost too gruesome to be appropriate for a musical has over the years had audiences and critics alike arguing whether...
BWW Review: Victorian Charmer ENGAGED Right at Home at Royal George Theatre
The Shaw Festival has unearthed a bit of a gem, that in lesser hands may be considered no more than a cubic zirconium. W.S. Gilbert's ENGAGED is a frothy trifle that seems perfect for a midsummer's night. This delightful piece of Victoriana theatre can best be thought of as a play with thin operet...
BWW Review: MATILDA is the Must See Summer Musical
A brilliant production of Matilda the Musical opened last night in Toronto at The Ed Mirvish Theatre. The show, which I saw in in London with the original cast, is truly a family musical for the age we currently live in....
BWW Review: BREATH OF KINGS: REBELLION & REDEMPTION at the Stratford Festival
This season at the Stratford Festival's Tom Patterson Theatre, audiences have the opportunity to witness Shakespeare's Henriad in a unique and exciting new way....
BWW Review: A LITTLE NIGHT MUSIC at the Stratford Festival is Art at Its Finest
The Stratford Festival's first ever staging of Stephen Sondheim's A LITTLE NIGHT MUSIC is happening this season at the Avon Theatre. Directed by Gary Griffin, It is clever, it is delightful, it is funny, it is sad, and it is beautifully performed by everyone involved. Everyone I have spoken with who...
BWW Review: A WOMAN OF NO IMPORTANCE at SHAW FESTIVAL
Ever the consummate commentator of society and gender, Oscar Wilde has never been afraid of controversy or potentially offending member of both sexes. Never has this been more evident than in his 1893 A WOMAN OF NO IMPORTANCE, which is receiving a glamorous new production at the Shaw Festival in Nia...
BWW Review: ALICE IN WONDERLAND at Shaw Festival
The Shaw Festival in Niagara on the Lake has pulled out all the stops on it's glittering new production of Lewis Carroll's ALICE IN WONDERLAND. This new version adapted for the stage by director Peter Hinton incorporates newly composed music by Allen Cole. While often an asset, the music can also be...
BWW Review: MRS. WARREN'S PROFESSION is Sophisticatedly Scandalous
The Shaw Festival brings to life one of George Bernard Shaw's very own MRS. WARREN'S PROFESSION. Directed by Eda Holmes, the production tells the story of a young woman's discovery of her mother's line of work - prostitution, and the events that follow. Led by Nicole Underhay as the title character ...
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