Skip to main content Skip to footer site map

BWW Exclusive: Broadway Star and Beloved Stratford Veteran, Chilina Kennedy Talks her much Anticipated Return to the Stratford Festival in THE HOUSE OF MARTIN GUERRE

BWW Exclusive: Broadway Star and Beloved Stratford Veteran, Chilina Kennedy Talks her much Anticipated Return to the Stratford Festival in THE HOUSE OF MARTIN GUERRE

As shows begin to close and we enter into the final month of the 2019 season at the Stratford Festival, audiences still have the opportunity to catch some exciting theatre. In addition to the final few performances of 4 of this season's shows, there is also one remaining event as part of the Meighen Forum-possibly the most anticipated forum event of the season. on November 4th, Broadway star Chilina Kennedy returns to Stratford for a one night only in-concert performance of Leslie Arden's acclaimed Canadian musical THE HOUSE OF MARTIN GUERRE. Based on real life events from the 16th century this musical tells the story of a man who abandoned his family and then allegedly returned years later, a changed man...eventually discovered to be an imposter. The production will be directed by the great Richard Ouzounian, who also directed THE FANTASTICKS in concert with Eric McCormack last season. Many members of the Stratford Festival company will be featured in this production, as will Adam Brazier, who will reunite with Ms. Kennedy after starring alongside her in the World Premiere of EVANGELINE at the Confederation Centre of the Arts (for which Brazier serves as Artistic Director).

Stratford audiences may remember Ms. Kennedy from her much lauded lead performances in WEST SIDE STORY, EVITA, and JESUS CHRIST SUPERSTAR to name just a few. Since then, she transferred to Broadway with the rest of the company of JESUS CHRIST SUPERSTAR, and then played over a thousand performances on Broadway as the title character in BEAUTIFUL: THE CAROLE KING MUSICAL. Currently, she is starring as Dina in the national tour of THE BAND'S VISIT. Broadway World had the chance to speak with Ms. Kennedy a few days after she concluded the Toronto run of THE BAND'S VISIT. She shared her excitement to finally return to the Stratford Festival, and her passion for THE HOUSE OF MARTIN GUERRE.

BWW: Thanks for taking the time to chat with us. Audiences are so excited for your grand return to the Stratford Festival in THE HOUSE OF MARTIN GUERRE in concert! How did this opportunity come about?

Chilina Kennedy: Thank you. First of all, it's great to be back! I've been dying for an opportunity to come back to Stratford for a while now so it's nice that this is it. And I've been a fan of the show for years. I think it was in the 90's, in Toronto and saw it and I absolutely loved it. I just fell in love with it...and I so I just thought this was perfect.

Richard Ouzounian and I had been talking for a while about what to do and what show would be right to do at Stratford in this concert series. So we threw around a bunch of ideas. The dates would shift and the ideas would change and finally we landed on this coming season and this particular show and as soon as he said THE HOUSE OF MARTIN GUERRE I said "absolutely!"

BWW: This production will bring about many reunions for you-with Festival company members, as well as with Adam Grazier, your co-star from EVANGELINE. Is there something you're looking forward to most in terms of reunions?

CK: Certainly working with Adam is top of my list.-And also being reunited with Juan (Chioran) and Monique (Lund) and all the wonderful people...and right down to the ensemble. I just think that all of the folks are just marvelous and there are some great singers in the cast. I can't wait to sing with all of them.

BWW: You mentioned that you already have a connection to this show. Admittedly, my knowledge of it is limited, which is why I'm so excited to see it done.

CK: It's not produced very often and I think the reason for that is because it is so big. It's like an epic LES MIS style sized show and so I'm not surprised that it's not produced more often because everything's getting smaller and smaller and smaller and budgets are getting smaller, but I really do hope to see a full production of it at some point soon. It's just one of those special shows that sticks out...And it's Canadian and obviously we should celebrate our Canadian shows-especially this really good one!

There's a wonderful feminist message in it too that I hadn't really quite understood before. I don't think I was as receptive to it when I saw it as I am now. But the female message in it is really quite powerful.

BWW: Can you tell us about your character Bertrande?

CK: Bertrande is someone who was married off at eleven years old and all she's known basically is this life that was kind of imposed on her-this role of wife. She was in a loveless marriage for eight years and was impregnated by her husband and then he left. So all she's really known until he returns is this loneliness, and trying to keep her chin up even though life is obviously quite hard and without a lot of choice for her. There's not much she can really do with her life other than raise her son and try to be as happy as she can while her husband is away, with the unlikelihood that he will ever return. So it's kind of bleak for her until he returns, and obviously it's not him when he returns and that's the whole beautiful part of the show is that she actually falls in love with the man who claims to be her husband. And then you get to see her become the woman she always could have been and should have been, had she really been loved by somebody who was gentle and sweet and was meant for her.

BWW: And then, there's this added complication that this man is an imposter...

CK: She's honourable and she really tries to do the right thing and she gets swept away by her heart and I think that's the beautiful and romantic part of this story is that she gets this second chance to find love and she does and it's such a beautiful love and an unexpected kind of love and something that she thought could never be hers. Then of course the message of the show is deeper than that and what we come away with in the end is something that's quite profound and that the world is changing [the show takes place in the 16th century] and that maybe there will be a time where women do get to choose what their fate is going to be. I think that's the part that touches me the most.

BWW: The in-concert production will be at the Avon Theatre. What are some of your fondest memories of being on that stage...or at the Festival in general?

CK: Oh ya! Honest to God, I loved every...[laughs]...I say "every season" like I've been there for 10 years because I feel like I was, but really it was only three. But I mean, after three seasons, I've loved every show that I've done in both spaces, and for different reasons. Oh gosh! It's so hard to say! WEST SIDE STORY in the Festival [Theatre] was certainly special to experience. That choreography and that staging in that particular space was really amazing. And then also doing THE GRAPES OF WRATH at the Avon, and then JESUS CHRIST SUPERSTAR and EVITA and all those...I think I have more memories of the Avon because that's where I did most of my shows. I love it. It's a perfect proscenium theatre. It's great. It's intimate. Comedy works really well there. Everything works well in that space and it's warm, and you can be close to the actors but it still feels like a big theatre. I love it. I love the backstage, I love the crew, I love everything about it!

BWW: I'm guessing rehearsals haven't started yet for THE HOUSE OF MARTIN GUERRE?

CK: No, I'm just furiously learning all the material at home by myself! (Laughs). They're fantastic. The team's given us wonderful tracks to work with. (Music Director) Laura Burton has given us (recordings) where she plays all the different parts so we can sing along at home. It's really great. They've taken a lot of time to try to make these excellent tracks for us.

BWW: Amazing! So when does everybody come together for the first time?

CK: Everybody comes together about three or four days before we perform. So we have about three days of rehearsal and then we do it!

BWW: You mentioned that you and Director Richard (Ouzounian) had talked about what show to do...Had you worked with Richard before?

CK: Yes! I worked with Richard way back in the day when they did his musical EMILY at Charlottetown and I was playing ANNE (OF GREEN GABLES) at the time and I was in EMILY as well. Then we worked together on VARIATIONS ON A NERVOUS BREAKDOWN in Barrie. I think those are the only two times we've worked together professionally, but he's always been really sweet to me, and I love his son Mikey, and they're just a lovely family, and (Richard) really cares deeply about the arts and I respect that about him.

BWW: Lastly, let's chat about some other projects you have going on. I know THE BAND'S VISIT is on tour, and your theatre company (Eclipse Theatre Company) is mounting exciting productions. You've got a lot going on!

CK: Ya! And GHOST QUARTET (A song cycle by Dave Malloy that is co-produced by Eclipse Theatre Company and Crow's Theatre) has been extended actually. It's so fun, it's great and I love partnering with Crow's. I think what they're doing at Crow's is so wonderful and interesting! I've also written a musical with one of the writers of the series 'The Good Fight',' Eric Holmes. It's called CALL IT LOVE. We've already done three readings in the NY area and a concert and we are probably going to do our first Canadian reading next year in 2020 and then we're looking to do a full production after that.

BWW: We'll be sure to keep a lookout for that and we can't wait to see your return to Stratford next week in THE HOUSE OF MARTIN GUERRE.

CK: Thank you. I'm very excited.

THE HOUSE OF MARTIN GUERRE IN CONCERT Will Play at the Avon Theatre at 8pm on Monday November 3rd. Tickets are available here:

Directed by Richard Ouzounian



ADAM BRAZIER as Arnaud de Tilh

Gabriel Antonacci Soldier

Sean Arbuckle Jean de Coras

Lally Cadeau Narrator

Juan Chioran Pierre Guerre

Camille Eanga-Selenge Suzanne

Gabi Epstein Marie

Henry Firmston Martin Guerre

Evangelia Kambites Villager

Monique Lund Bernarde de Rols

Denise Oucharek Jehannot's Wife

Trevor Patt Jean Peghula

Hutton Patterson Little Sanxi

Jennifer Rider-Shaw Jeannette

Steve Ross Jehannot, François Ferrière

Vanessa Sears Catherine

Music Directors Laura Burton, Charlene Nafziger

Photo Credit: Stratford Festival

This Interview has been edited and condensed

From This Author - Lauren Gienow

Based out of Stratford, Ontario, Lauren is an Occupational Therapist working in mental health by day and a BWW Contributor by night (or by matinee). Lauren enjoys daring new productions, classic plays,... (read more about this author)

BWW Review: EVERY LITTLE NOOKIE at Stratford Festival has Humour and HeartBWW Review: EVERY LITTLE NOOKIE at Stratford Festival has Humour and Heart
August 4, 2022

If you are a theatre-goer looking to venture outside your comfort zone, or if you often don’t feel seen or represented by the societal norms typically presented in modern theatre pieces – then Sunny Drake’s new play EVERY LITTLE NOOKIE might be exactly what you are looking for. That’s not to say that folks who don’t identify with either statement won’t also enjoy this play though. To read the production synopsis, you might expect an awkward comedy with hijinks galore, but what you will actually get (beyond it indeed being very funny), is a proudly queer play about human connection, found family, sexual awakenings, and very real and relatable struggles like co-parenting, illness and aging, and affordable housing. You will also witness delightful performances by this small yet mighty cast.

BWW Feature: An Interview with HAUIBWW Feature: An Interview with HAUI
July 29, 2022

Previews have just begun at the Stratford Festival's Studio Theatre for the World Premiere of HAMLET-911 and BroadwayWorld had the opportunity to speak with one of the creative forces behind this innovative and exciting new production. BWW chatted with HAUI over zoom about art, the exploration the abstract over a narrative, process vs product, and what audiences can expect from the projections in this new production.

Review: ALL'S WELL THAT ENDS WELL at Stratford Festival Explores Murky Moral Territory with Passion and DelightReview: ALL'S WELL THAT ENDS WELL at Stratford Festival Explores Murky Moral Territory with Passion and Delight
July 18, 2022

For the sixth time in the Stratford Festival’s history, a production of ALL’S WELL THAT ENDS WELL is being mounted. It is fittingly being performed at the brand new Tom Patterson Theatre alongside RICHARD III. This is relevant because these were the two plays that launched the inaugural season of the Stratford Festival, 70 years ago. This current production delves into this head-scratcher of moral uncertainties with superb performances by all.

Review: LITTLE WOMEN at the Stratford Festival Brings a Classic Story to the Next GenerationReview: LITTLE WOMEN at the Stratford Festival Brings a Classic Story to the Next Generation
July 13, 2022

A beloved story has been adapted for the stage and for the whole family at the Stratford Festival this season and it had its world premiere last Thursday night. Playwright Jordi Mand's LITTLE WOMEN--based on the novels Little Women and Good Wives by Louisa May Alcott is being brought to life on stage by Director Esther Jun and a fabulous company. Though this is part of the Schulich Children’s Plays programming, there is a kind of combined accessibility and maturity to this production that will allow it to be enjoyed by everyone.

BWW Feature: An Interview with the Six Merry Swings of CHICAGO at the Stratford FestivalBWW Feature: An Interview with the Six Merry Swings of CHICAGO at the Stratford Festival
July 5, 2022

Lakota Knuckle, Breanna Willis, Devin Alexander, Kyla Musselman, Christine Desjardins, and Jordan Goodridge are the Swings for CHICAGO. Their job is to know every ensemble track and be ready to go on at a moment’s notice if an ensemble member is either out, or is going on as understudy for someone else. Recently, Broadway World had the opportunity to chat with all six Swings over Zoom to learn all about what it means to be the unsung (until now) heroes of theatre and how this unique season is providing even more unique challenges and opportunities.