Congratulations! After months of countless auditions, Unifeds, interviews, callbacks, portfolio reviews and the dreaded waiting (and inevitable acceptance and denial) period you have final found a collegiate theatrical home...only to find out that it's not actually your home. Now, you're left debating whether or not starting the entire process all over again is really worth the risk of coming out empty-handed in the end.

Here's the deal. I'm in my junior year of college, and approaching the scary world of adulthood. I'm almost there, and that's got me thinking a lot about my future career in the theatre and also as a person in the world. I'm a political person. It's something I care about a lot, and was, early in my college career, what I thought I was going to do with my life.

Something that every artist needs to learn is how to effectively collaborate. This could be anything from new work, to acting with a scene partner. Theatre is an extremely collaborative craft. Even the biggest one-person shows have a creative team, and many hands pulling many strings. This isn't a bad thing, however, because truly thought provoking work requires many different perspectives. Nothing is done alone, and if it is, then fix it.

For all of my terrified freshmen out there, this one's for you. My stomach has been in knots for a week thinking of my first day of class on Tuesday, October 1st. Here's the thing: I'm a junior at the University of California, Irvine, but I feel like a freshman all over again as I step onto the arts campus as a new student there. After 2 years of overthinking, I decided to go for it and tack on 'Drama' to my Literary Journalism degree; let me tell you, I'm about as nervous as can be.

So, you've finally moved up to the big leagues, college. You've had time to settle in, decorate your dorm, and put up your playbills but, now what? Sure, classes are keeping you busy enough, and you've become friends with your roommates but, what should you do with your free time?

What is stage dooring? How do you stage door at a show? How should you behave at the stage door? These were questions I was thinking about as I visited New York this past weekend to see a few shows. I had the absolute privilege to see the Off-Broadway production of Little Shop of Horrors, Aladdin, and Betrayal. Almost every single show I've ever seen on Broadway or Off-Broadway I've tried to stage door at. Stage dooring is a privilege, not a guarantee.

Congrats, you've made it to college! The freedom you feel while in college is truly something special and you get to put your life in high school behind! It's the fresh start you've dreamed of! It's also a great time to hone your talents and really figure out who you are. There's a lot of expectations coming into your freshman year, and a lot of new things thrown your way. And it's totally fine if things don't go the way you expect them to!

This past week has had ups, and downs. Highs and lows. That's just the way it goes sometimes. The ups have been real up, and the downs have been total rock bottom downs. What I've happened to discover is that the downs are a permanent part of life, and artistry. They are constant. They can be lessened, however by the ups. The ups work a little different, though unfortunately.

As college students, most of us have probably become accustomed to working with fellow actors our age who may have been doing theatre for several years, but how often are we getting involved in our communities to work with children and teens who are being introduced to theatre for potentially the first time? This July, I did just that.

This past weekend I had the pleasure of seeing a production of Spamalot at the University of South Carolina Beaufort (USCB) Center for the Arts and it inspired me to discuss not only the importance of seeing theatre but also how there is so much theatre that is around you that you haven't yet discovered. This was my first time at this theatre, and it's about an hour and a half from Savannah. I was thrilled to learn there was another avenue to see more theatre that wasn't too far from where I lived.

I wanted to be an actor for a really long time. I still love performing, and it's something I try to do fairly regularly. I've had so many people tell me how happy I seemed when I was in the rehearsal process or after shows. For most of my life, I was very much of the mindset a?oethis is it for me. I'm going to be an actor, and I don't need to try anything else, because nothing will ever make me feel as happy and fulfilled as acting does.a??

I'm going to start this off with something that you probably already know: being a student is hard. There's a lot of hats you need to wear, so to speak. Between classes, schoolwork, rehearsals, and trying to maintain a social life, there might not seem like a lot of time to unwind and focus on yourself. As much as this is easier said than done, make time. This is a lesson I learned very well as I got more involved in school.

It's just now what we might call mid-September, and I already feel as though I've been back at school for three months instead of three weeks. My bedroom isn't even completely unpacked yet. And as my Theories of Performance professor pointed out, we just had our first full five-day week of classes. But somehow, despite all of this, the first show of our department's season goes into tech this week and opens on Saturday night.

When we think about hunger, we usually hear it preceded by the word world, or mass, and in the context of food. When people say they're hungry it's usually because they're craving food and wanting to eat. Out of this context, many artists and even those who aren't, tend to describe people who are scrappy and fighting for opportunity as hungry, and I never actually thought about the implications of this statement. That is until this week.

Hello BroadwayWorld, it is such a pleasure to be given this opportunity to write a blog about college, theater, and all the different aspects of the arts. My name is Emily Bonifacio and I'm a sophomore at the Savannah College of Art and Design campus in Savannah.

I think we all know as theatre artists, that an important part of our craft is paying our dues. We all start out with our first audition, or maybe helping out a local theatre backstage, and through hard work, experience, and time, we figure out what we want to do, and get the opportunities we strive for.

How many of us have had the opportunity to work in an unconventional theater space? To strip down bare, take away all the commodities that a traditional theater has, and perform a show in a unique space with a simple sound system and just a few par-cans? One local theatre company in Johnstown, PA has been doing just that. The Stone Bridge Players theatre company performs every summer right in the middle of downtown on the third floor of the local Flood Museum.

14 months ago I and a group of students from my college (Pitt-Johnstown) embarked on a project working with a local Summer Stock theater in our area to commemorate their 80th anniversary. The Mountain Playhouse is local professional equity theatre in Jennerstown, PA that got its start in 1939 being created from an old Gristmill. Other than being shut down during the war, and a fire, this theater has been putting shows on every year.

Coming into week two we really started to crack into our Three Sisters work. My section is focused solely on Act One and I have been cast as Vershinin in the show! I'm very excited to continue to work on this project as it is coming together beautifully!

Hello everyone! I've been blessed to be given the opportunity to study with Anne Bogart and SITI company here at Skidmore College in Saratoga Springs New York. While none of this training is brand new to me as it is to some of my colleagues here this whole experience has been mind altering.

Beautiful was the first show I saw on my own on Broadway.  Carole King's music has become part of my soundtrack of my life as I've grown older.  I remember my seventh grade art teacher would always play You've Got a Friend at the end of every class-which kind of drove me crazy, but as time has gone on I recognize how beautiful, simple, and poignant that song can be.  Carole King forged a path for female songwriters in America. If I hadn't seen this show, I wouldn't have known! I knew I had to bring my family to see the touring production at Durham Performing Arts Center for Mother's Day.

The key to every good stage manager, is what you have as your arsenal in your bag. You need to be prepared, because you never know what disaster is going to strike (or when). My list is definitely not a complete list, but this is everything that I tend to carry. This is also for anyone who is thinking about becoming a stage manager, most people who stage manage probably know that these are the basics.

Earlier this month, I had the amazing opportunity to attend the North Carolina Theatre Conference Theatre Administration Intensive. This was a small gathering of dedicated arts administration students and professionals at Triad Stage in Greensboro, NC.

Finals and end of the year events can be difficult and exhausting for MT majors; however, what can be even more stressful is trying to find productive theatre work for the summer. There are tons of auditions for summer stock, internship interviews, and recording sessions for video auditions. It is impossible to juggle auditioning for multiple places with school work and rehearsals for college productions.

Makeup is an art form that has evolved into a billion dollar industry. It affects women and men across the globe and is a storytelling device as well as a cultural norm. Stage makeup is a tool that elevates to the overall production value of a show.