“When you spend your life in thrall to a monster you find yourself trying to make monstrous
things somehow bearable.”
Helena is a woman on a mission. Since the death of her high-flying husband, she has dedicated herself to reclaiming his legacy. And her hard work is about to pay off, with a new children’s hospital bearing his name on the brink of opening.
But when their son Oz returns to the family home for the grand unveiling, he has ambitions
of his own. Ambitions that threaten to unravel their family’s most tightly kept secrets.
Gary Owen’s new play, a contemporary reimagining of Ibsen’s classic, is directed by Artistic
Director Rachel O’Riordan, reuniting the team behind the critically acclaimed Iphigenia in
Splott, Romeo and Julie and Killology.
Each actor rises to the challenge: Stone walks a brilliantly controlled line between sanctimonious and sympathetic, Smurfit lets more and more grief emerge from her frozen control, Allison and above all Howells grapple painfully with a sense of lives ruined before they have even begun. O’Riordan’s taut direction never lets the tension, or the sense of wounded humanity slacken. I suspect Ibsen would have been proud.
Peals of audience laughter are not the sound you normally associate with Ibsen. Gary Owen’s updated version of the playwright’s brooding drama about an embattled widow, an orphanage and the poisonous legacy of a dissolute husband certainly isn’t lacking in courage. In his latest offering at the Lyric Hammersmith in London the Welsh playwright throws himself into rearranging the original storyline of Ghosts, but the sudden shifts in tone, sometimes lurching from awkward comedy to Grand Guignol in a few sentences, undermine Rachel O’Riordan’s production.
| 1894 | Broadway |
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| 1903 | Broadway |
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| 1919 | Broadway |
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| 2010 | West End |
London Production West End |
| 2013 | West End |
West End Revival West End |
| 2015 | Off-Broadway |
Brooklyn Academy of Music Off-Broadway Production Off-Broadway |
| 2025 | Off-Broadway |
Lincoln Center Theater Off-Broadway |
| 2025 | West End |
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