The Iconic Rock Musical HAIR Shines Anew in a Grand Brazilian Revival
by Claudio Erlichman - Nov 13, 2025
The iconic rock musical Hair is back in a bold new Brazilian production directed by Charles Möeller and Claudio Botelho. Opening at São Paulo’s BTG Pactual Hall, the show celebrates the spirit of the 1960s counterculture — peace, love, and rebellion — through powerful anthems like Aquarius and Let the Sunshine In. With a cast of 30 led by Rodrigo Simas and Eduardo Borelli, this vibrant staging fuses rock, poetry, and raw emotion to explore freedom, identity, and protest in a turbulent era. Nearly six decades after its debut, Hair still pulses with youthful defiance and idealism, inviting audiences to sing, reflect, and feel the rhythm of a revolution that never truly ended.
In a Deconstructed and Immersive Production CABARET KIT KAT CLUB Opens in Brazil
by Claudio Erlichman - Apr 11, 2024
In a Berlin nightclub, as the 1920's draw to a close, a garish MC welcomes the audience and assures them they will forget all their troubles at the Cabaret. With the Emcee's bawdy songs as wry commentary, Cabaret explores the dark, heady, and tumultuous life of Berlin's natives and expatriates as Germany slowly yields to the emerging Third Reich.
Hello, Gorgeous: FUNNY GIRL is Produced for the First Time in Brazil
by Claudio Erlichman - Sep 13, 2023
Funny Girl gets a Brazilian production directed by Barchilon, starring Giulia Nadruz and Eriberto Leao as protagonists. With score by J. Styne, and lyrics by B. Merrill, the semi-biographical plot is based on the life and career of comedian and Broadway star Fanny Brice, featuring her stormy relationship with entrepreneur and gambler Nick Arnstein.
Inspired by Yuval Noah Harari's Best Seller Sapiens, Vera Holtz Opens the Monologue FICCOES
by Claudio Erlichman - Jan 12, 2023
Sapiens – A Brief History of Humanity, by professor and philosopher Yuval Noah Harari, was the starting point for the play Ficções. After a successful season in Rio de Janeiro, the monologue, which marks the return of Vera Holtz to the stage after three years,opens on January 19th at Teatro FAAP, in São Paulo, for a season until March 26th.
Inspired by Songs of the Famous Brazilian Girl Group Rouge, Musical BRILHA LA LUNA Opens in São Paulo
by Claudio Erlichman - Jan 23, 2022
The story is based on the character Luna, who gives the show its name, a young girl who lived all her life in the Arereje Community, a hippie refuge created by her parents hidden from the big cities. She lives a quiet life, but when she turns 18, she finds herself an orphan and feels something is missing from all that Paradise. That's where he “turns the corner” and meets Diego, a backpacker passing through the community, who enchants Luna leading her to believe that has finally found the last piece she needs to complete the perfect life.
The Django Announces February Line-Up
by Chloe Rabinowitz - Dec 27, 2021
THE DJANGO, downtown Manhattan’s premier jazz club, will continue to host today’s jazz legends and rising stars. On February 3, The Django celebrates the fifth anniversary of the Brooklyn-based record label, La Reserve, with special performances by the label’s artists.
BWW Review: DRAG NIGHTS Opens September 10th on Clube Barbixas de Comedia Revealing New Talents
by Claudio Erlichman - Sep 8, 2021
As part of the cultural programming return in Brazil, Rua Augusta will receive an innovative show that will take drag art to one of the most diverse and cosmopolitan streets in Sao Paulo. Drag Nights, a project by drags Thelores and Alexia Twister, will open on September 10, from 9 pm, at Clube Barbixas de Comedia. Always on Fridays, the show is part of the schedule for the resumption of cultural activities in the city with all security protocols.
THE FRE, New Play From Taylor Mac, Will Seat Audience Members in a Giant Ball Pit
by Stephi Wild - Jan 3, 2020
Taylor Mac will premiere new play, The Fre, at off-Broadway venue The Flea. The Flea's Artistic Director and frequent Taylor Mac collaborator, Niegel Smith will direct. It has been revealed that the play takes place in a giant ball pit, with audience seating inside and out. The play is appropriate for a?oeall agesa??.