What Once We Felt - 2009 - Off-Broadway Articles Page 8

Being out there, in nature, learning what many consider classic or ancient forms of performance, was almost a step back in time. It was a place to strip down theatre to its purest form, the actor/poet in space. It taught me to never take theatre for granted and to understand that it is a sacred practice and should be treated as such.

Bravo Bell, Off-Broadway Theatre Dog, Celebrates National Dog Day at the Players Theatre

Friday 22nd September 2017 sees the UK release of the long awaited new studio album “Into The Great Unknown” from the celebrated Swedish rock band H.E.A.T via earMUSIC.

The Old Globe today announced due to popular demand, that William Shakespeare's exhilarating tragedy Hamlet, has now been extended through September 22. 

Broadway's Kate Shindle---currently traveling the country playing Allison Bechdel in the first national tour of the Tony Award-winning musical FUN HOME---is not only an accomplished singer, actor and dancer, she is also a published author and an outspoken activist. In 2015, Shindle was also elected president of Actors' Equity Association. But before FUN HOME makes its OC debut August 1 - 6 at Costa Mesa's Segerstrom Center for the Arts, Shindle chatted with BroadwayWorld's Michael L. Quintos about her role in this groundbreaking musical, being AEA President, and what her life has been like on the road!

Today, international festival of performance Fierce announced the full programme of live art, theatre, dance, music, installations, activism, and parties taking over Birmingham from 16 - 22 October 2017.

Being an opera singer is a little like walking a tightrope without a net--no matter who you're singing with, you're out there on stage, alone, for the crowd to cheer but, also for everyone to hear each glitch or misstep in your singing. Soprano Angela Meade--who's starring as Imogene in Caramoor's concert performance of Bellini's IL PIRATA, a role debut, on July 8--not only did her first wire-walking with a major role but at a big house: the Metropolitan Opera.

Though he began his Broadway career as an ensemble dancer in countless productions ranging from 'Guys and Dolls' to 'Man of La Mancha,' Andy Blankenbuehler has become known as one of the go-to choreographers in the theatre world. With him having three shows currently running on the main stem, including his newly Tony-winning 'Bandstand,' we are looking back at the extensive and diverse resume of this extraordinary creator.

Theatre Bench & Bunker Theatre are pleased to be collaborating to present the InMotion Festival this August.

ELEVATOR is currently enjoying a sold-out run at the Coast Playhouse in West Hollywood, and due to ticket demand, has been extended again through July 30, 2017. I originally reviewed the show in April 2017 and was fascinated by the level of audience emotional attachment to the characters, so I arranged an interview with writer/director Michael Leoni and one of the featured actors in show, Erica Katzin, who plays The Temp, hoping some of their comments will encourage you to order your tickets NOW before the Los Angeles run ends.

JAPAN CUTS, North America's premiere showcase for new Japanese cinema, returns for its 11th installment July 13-23 to serve up a slice of the best and boldest films from Japan never before seen in NYC with special guest filmmakers and stars, post-screening Q&As, parties and more. Boasting a thrilling slate of epic blockbusters, shoestring independents, radical documentaries, mind-bending avant-garde, newly-restored classics and breathtaking animation, Japan Society's renowned summer film festival promises a bounty of cinematic discoveries for film fans and pop culture enthusiasts alike.

Today's subject Natascia Diaz is currently living her theatre life onstage at Signature Theatre playing the whore with a heart Mary Magdalene in Jesus Christ Superstar, directed by Joe Calarco. The production runs through July 2nd. Previously she appeared at Signature in West Side Story, The Threepenny Opera (2015 Hayes Award nomination), and Kiss of the Spider Woman.

Between the two of them, drag icons Sherry Vine and Joey Arias have more than 50 years of performing experience combined. Not only that, but their working relationship and enduring friendship began more than 20 years ago. Though they've toured with one another around the world over the years, it's been a few years since they've teamed up for a big show in New York, where they first met. Thankfully, the legendary divas will reunite onstage in the city for a new show at Feinstein's/54 Below, as part of Garth Schilling's (also known as Miss Vodka Stinger) drag-themed Thursday night series called LATE NIGHT DRAG. The run will also include Cacophony Daniels, Marti Gould Cummings, Varla Jean Merman, Ray DeForest, RUPAUL'S DRAG RACE star Alexis Michelle, and Miss Vodka Stinger herself with the Martha Rayes. Prior to Vine and Arias' show, the pair pressed pause on their first day of rehearsal to speak with us over the phone about their individual careers, more than two decades of collaboration, and reuniting onstage in the city that brought them together.

The House of Life, a poetic and expansive installation by Hadassa Goldvicht, explores themes of historical memory; the threshold between life, death, myth, and art; and the rapidly changing nature of Venice, via a multi-channel video work that will be installed at the Querini Stampalia in conjunction with the Venice Biennale. Presented by the Israel Museum, Jerusalem, in collaboration with Meislin Projects, the exhibition follows Aldo Izzo, the 86-year-old guardian and keeper of the Jewish cemeteries in Venice.

The House of Life, a poetic and expansive installation by Hadassa Goldvicht, explores themes of historical memory; the threshold between life, death, myth, and art; and the rapidly changing nature of Venice, via a multi-channel video work that will be installed at the Querini Stampalia in conjunction with the Venice Biennale.

The following acts are performing at City Winery Chicago, 1200 W. Randolph Street, throughout the month of April.

Hadley Fraser's work ranges from Les Miserables and Phantom of the Opera to Coriolanus at the Donmar and The Winter's Tale at the Garrick. He's collaborated with pianist Will Butterworth on a show that imagines Tony Bennett and Bill Evans did a third album together; the result is a mix of jazz, Broadway and contemporary classics, performed at Zedel on 1 April.

SOULSKIN Dance is proud to present a brand new work SATIN & SWING as part of their 4th Season in San Francisco. Artistic Director and Choreographer Adrianna Thompson seeks to engage audiences in a study of two eras, the 1920s and the present. Dance Mission Theatre transforms into a time machine, transporting us back to the 1920s. Glitz and glam sparkle from the dingy corners of a speakeasy. Raucous jazz blares, bringing bejeweled and sequined dancing flapper girls to life. An evening of indulgence has begun. The entry notes of Prince's 'Erotic City' ring in your ears, an echo from another time. Suddenly you notice the writing on the wall. The crash of overindulgence is imminent.

The question of gender parity in the theatre is a matter that has long been explored within our community. While recent Broadway seasons have taken encouraging steps toward better female representation, both on and offstage, the question of gender equality within the theatre continues to be a hotly debated issue across the theatrical sphere.

Raven Theatre Company, which will turn 35 years old in March of 2018, announced today that its upcoming 2017-18 season will give Chicago audiences their first looks at plays by three of America's most acclaimed young playwrights.

Opening tonight at Murfreesboro's Center for the Arts is 9 to 5: The Musical, the Broadway musical by Dolly Parton and Patricia Resnick, based upon the hit movie in which Parton played Doralee, a buxom, down-home kind of gal. Directed by Matthew Hayes Hunter, with choreography by Kate Adams-Kramer and musical direction by Emily Dennis, the show features a stunning trio of leading ladies - played by Katie Hahn, Mary Ellen Smith and Memory Strong-Smith - and an ensemble filled with local favorites, including two Matt Smiths...

SOULSKIN Dance is proud to present a brand new work SATIN & SWING as part of their 4th Season in San Francisco. Artistic Director and Choreographer Adrianna Thompson seeks to engage audiences in a study of two eras, the 1920s and the present. Dance Mission Theatre transforms into a time machine, transporting us back to the 1920s. Glitz and glam sparkle from the dingy corners of a speakeasy. Raucous jazz blares, bringing bejeweled and sequined dancing flapper girls to life. An evening of indulgence has begun. The entry notes of Prince's 'Erotic City' ring in your ears, an echo from another time. Suddenly you notice the writing on the wall. The crash of overindulgence is imminent.

Silence Speaking Volumes

Performance Space 122's annual performance festival, Coil, returns for its twelfth edition with 13 individual events.

The first was the 1988 original film, the second was the 2002 Broadway musical, the third was its 2007 film adaptation, and then the 2016 live television production on NBC. As a Welcome to the 60's, let's go back to beginning to learn the history of the property itself.