Sister! Sister! - 1992 - Off-Broadway Articles Page 16

Awesome Theatre announces its return to the stage after two years without a public performance. Originally scheduled for May 2020, Awesome Theatre will begin 2022 with Coffee Lady, a “Tort Reform Ghost Story” Written by Bridgette Dutta Portman and Directed by Nikki Menez. 

The Axelrod Performing Arts Center presents its highly anticipated production of Jason Robert Brown and Marsha Norman’s musical The Bridges of Madison County this March. The production is directed by Hunter Foster who played the role of Bud Johnson in the original Broadway cast. Broadway legends Kate Baldwin and Aaron Lazar star in the respective roles of Francesca Johnson and Robert Kincaid.

Theatre Arlington re-opens with a heavenly production for 49th season Sister Act joyfully welcomes patrons back to live theater in downtown Arlington, March 11, 2022:

London, get ready to Seize The Day! Newsies is headed to UK in 2022. No information has been released at this time regarding dates, theatre, or casting, but a website has been created for the forthcoming production.

Musical theatre audiences love big, splashy musical numbers. And what could be better than those? Big splashy musical numbers… with nuns!  Sister Act, which will open at the Lauderhill Performing Arts Center (LPAC) on February 18th and run through March 6th, is chock full of both!

Disney Theatrical announced today that a newly-imagined North American tour of Aladdin is scheduled to launch in October 2022, allowing the hit Broadway musical to entertain new audiences in cities and venues which couldn’t accommodate the previous tour. Get the scoop here!

Musical theatre audiences love big, splashy musical numbers. And what could be better than those? Big splashy musical numbers… with nuns!  Sister Act, which will open at the Lauderhill Performing Arts Center (LPAC) on February 18th and run through March 6th, is chock full of both!

As only the third American opera company in history to reach this centennial milestone, the Company’s 2022–23 Season will honor San Francisco Opera’s glorious past while inviting the public into an exciting new era of musical excellence under Kim’s music directorship and a renewed commitment to innovation.

Tony Award® nominee and original Broadway cast member Jonathan Freeman will play his final performance as Jafar in Disney’s hit musical Aladdin on Sunday, January 23, 2022. Current Jafar/Sultan standby and fellow original Broadway cast member Dennis Stowe will assume the role beginning Tuesday, January 25. 

With the new year just around the corner, many take time during the holiday season to reflect upon this past year as it comes to a close. Although 2021 has been challenging, it becomes clear that there is so much to be grateful for from vaccines to new movie musicals. While Broadway theaters began to open their doors, several streaming services opened their platforms to producing movie musicals. Unlike most years where few if any Broadway musicals were adapted into movies, 2021 was a year like no other with over ten musicals being created for the screen or being adapted from the stage to the screen. In celebration of the past year, here is a list of the best movie musicals from 2021 and where to watch them.

This is the last chance to vote for the 2021 BroadwayWorld Tampa Awards! The 2021 Regional Awards honor productions which had their first performance between October 1, 2020 through September 30, 2021.

Time is running out to vote for for the 2021 BroadwayWorld Tampa Awards! The 2021 Regional Awards honor productions which had their first performance between October 1, 2020 through September 30, 2021.

Time is running out to vote for for the 2021 BroadwayWorld Houston Awards! The 2021 Regional Awards honor productions which had their first performance between October 1, 2020 through September 30, 2021.

Disco diva Deloris Cartier and the Sisters of Our Mother of Perpetual Faith are getting into the Christmas habit at Mercury Theater Chicago with the final weeks of performances of the hit musical Sister Act. The critically acclaimed production, perfect for the whole family, must close on January 2, 2022, at Mercury Theater Chicago, 3745 N. Southport Avenue. 

Prior to BOOK OF MORMON's release in 2011, nuns were easily the most scrutinized religious organization in the entertainment industry. On Broadway, there's THE SOUND OF MUSIC, NUNSENSE, and AGNES OF GOD to name a few while Hollywood has given us a convent full of films with Sisters making appearances in a diverse array of movies including NUNS ON THE RUN, THE BLUES BROTHERS, DOUBT, DEAD MAN WALKING, and A CHANGE OF HABIT among others. There have been singing nuns, flying nuns, pregnant nuns, baby-delivering nuns, justice-seeking nuns, and Nazi-fighting nuns. Producers and directors, need an eccentric religious figure? Get ye to a convent.

Bharatanatyam choreographers Ranee Ramaswamy and Aparna Ramaswamy's Fires of Varanasi: Dance of the Eternal Pilgrim evokes an elaborate ritual where time is suspended and humans merge with the divine. Through images that reflect the cosmic trinity of Varanasi, India - sacred pilgrimage routes, the Ganges River, and the patron deity Shiva, heightened by the chants of Vedic priests - the choreographers imagine a metaphorical crossing place where one may leave the mundane and enter into the world of immortality.

Mercury Theater Chicago Executive Producers Walter Stearns and Eugene Dizon, Artistic Director Christopher Chase Carter and Managing Director Shane Murray-Corcoran reopened the theater with the first Mainstage production of the 2021-2022 Mercury Theater Chicago season, Sister Act, based on the 1992 film. 

The show will be directed by Newly Appointed Redhouse Artistic Director Temar Underwood with choreography by Stephfond Brunson. As the first show of the season and the first live experience, Redhouse looked to choose a show that was joyful, fun and celebratory with an eye towards diversity and inclusion.

Mercury Theater Chicago returns with SISTER ACT - and it's pure musical theater elation. This 'Joyful, Joyful' (SISTER ACT II reference intended) production, with direction from Reneisha Jenkins and choreography by Mercury's new Artistic Director Christopher Chase Carter, meets the goal of delighting audiences. This is musical theater that's designed to entertain and not make audiences think too deeply, and Mercury's production capitalizes on the show's capacity for fun. While the material is not at all serious, the talent in this company is stacked, and the actors take their responsibility to deliver this fun seriously.

While the large-scale musical tends to receive the most attention from audiences, oftentimes it's the small musicals that speak to us in the most impactful ways. For fans of emotional one act musicals and cult-classic Off-Broadway shows, we're rounding up what we think are some of the best small cast musicals out there!

The Louisville Orchestra Board of Directors has announced the appointment of Graham Parker as Interim Executive Director. Mr. Parker comes to Louisville from his recently concluded tenure as President of Decca Records, US, at Universal Music Group.

From Coming to America to Crazy Rich Asians, see our picks for the films we would most like to see get the movies to Broadway treatment!

In 1992, a movie called Sister Act, delighted audiences with its plot and its soundtrack of classic rock and roll music. In 2006, that same story of a lounge singer on the run from her hitman boyfriend was turned into a musical.

Casting has been announced for the first Mainstage production of the 2021-2022 Mercury Theater Chicago season, Sister Act, based on the 1992 film. Sister Act features music by Alan Menken, lyrics by Glenn Slater, and book by Bill and Cheri Steinkellne, and Douglas Carter Beane. 

In 1983, Sally Ride, or as proclaimed in the play, “She should be called Dr. Ride,” an Astrophysicist became the first and youngest American woman in Space aboard the Orbiter Challenger. Liza Birkenmeier’s play is not about Sally Ride, even though her name is mentioned throughout the 85 minutes. However, under the veil of the ’80s in St. Louis, Missouri we meet four women living out their lives and by a matter of opinion telling stories that boldly go where none of them have gone before so to speak. At its heart, Birkenmeier’s script is compelling, enlightening, and stunning from top to bottom, a true marvel of live theatre. In her script, we get to meet characters that are not as often displayed on-stage, and that is what makes this show so endearing. Being that this show is set in the 80’s smartphones, and other things like social media, don’t exist yet; which renders the compelling humanity shown throughout the script. It’s a breath of fresh air as we learn of these women, and how they may or may not enjoy their current way of life, and yet so different in a matter of opinions and lifestyle they are all one and the same.