7 / 10
The script is expertly crafted and sometimes incisive. Steiner doesn’t beat any particular drum, but the central concept strikes chords in contemporary politics, both in recent attempts to limit the right to protest or to strike here, and in more authoritarian regimes overseas.
6 / 10
The actors lack tangible chemistry, but both hold their own with convincing characterizations. Lemons forces the audience to contemplate the horror of a wordless life, but outstays its welcome. The intrigue of the concept is unexplored; it remains an idea, not a fully-formed conclusion.
What did the critics have to say about Sam Steiner's 2015 play?
First performed in 2015, Sam Steiner’s Lemons, Lemons, Lemons, Lemons, Lemons is an intriguing idea; a love story played out under a new law that restricts every person to 140 words a day. There is a lot of potential, but it remains an idea, not a fully-formed conclusion.
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