Aidan Turner and Jenna Coleman at a loss for words
6 / 10
On Robert Jones' clever set, with objects illuminated in the walls (lighting by Aideen Malone), they spar and dance and declare their love and anger. Annie-Lunnette Deakin-Foster's supple choreography and Rourke's direction move them fluently through the short scenes; one moment they are sitting in a crouch, the next seamlessly sprawled on the floor. They circle each other, weighing their next utterance. By the close, they simply sit, beginning to realise that compression can sometimes mean truth.
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