I Have Been Here Before 2005

new theatre season is here. With a new season, we are also welcoming a new Executive Director to Des Moines Playhouse. After a multi-month search, Des Moines Playhouse announced its new Executive Director, Chelsea Haaland.

Vince Gill has released STILLWATER NIGHT, the tenth installment in his year-long 50 YEARS FROM HOME EP series featuring previously unreleased tracks, including a duet co-written with Amy Grant.

The Actors' Gang in Culver City will present an eight-show season featuring THE WOMEN OF LOCKERBIE, THE EXONERATED, new works, and family-friendly programming.

Roundabout Theatre Company has just announced the complete cast and design team for the upcoming production of The Imaginary Invalid by Molière translated by Doug Skinner, adapted by Tony Award winner Bill Irwin (Who's Afraid of Virginia Woolf?) with direction by Tony Award nominee Brandon J. Dirden (Waiting for Godot) making his Broadway directorial debut.

Hubbard Street Dance Chicago will return to Jacob's Pillow to close out the summer season with a mixed repertoire program featuring works by Nacho Duato, Aszure Barton, Gwen Verdon and Bob Fosse.

The Barbican will host the European premiere of a stage adaptation of Haruki Murakami's novel Hard-Boiled Wonderland and End of the World, starring Tatsuya Fujiwara.

Conductor-composer Matthias Pintscher will succeed Jaime Martín as LACO's Music Director, beginning a four-year term after a season serving as Music Director Designate.

Composer Robert Sirota's new album CONTRAPASSOS will feature world premiere recordings performed by the Telegraph Quartet and soprano Abigail Fischer, released on the Azica label.

What’s happening Off-Broadway in August? August 2026 is packed with exciting shows, including a star-studded Shakespeare in the Park production of The Winter's Tale, featuring Lily Rabe, Raúl Esparza and more.

Veteran emo/indie rock band Time Spent Driving announced 'Lost Leaves,' an upcoming album via Thirty Something Records, preceded by a double single release of 'Weak Arm' and 'December.'

Pianist Ayumi Tanaka, bassist Thomas Morgan, and drummer Thomas Strønen have released 'Windflower,' a collaborative album on the ECM label showcasing the trio's improvisational interplay.

MONTY PYTHON’S SPAMALOT, the Tony Award-winning musical comedy gallops into Atlanta’s Fox Theatre July 21st–26th. I caught up with Delaney Benson to talk about life on the road, and the family legacy that helped shape her own theatrical journey.

Sarah Uriarte Berry will touch hearts and recall treasured memories during For The Love Of Judy. This will be a lovefest. Uriarte-Berry has starred in five Broadway shows and three Broadway National tours, in the opera house, and concert halls. She received Drama Desk and Outer Critics Circle nominations for her performances in the Lincoln Center production of The Light In The Piazza. Music Director and accompanist is the renowned Gerald Sternbach of both Broadway and Hollywood.

Over the years, Broadway has seen a number of family acts sharing the stage. It’s extra special when family members team up to write a Broadway show together. The Great White Way has seen many instances of this historically, in a variety of different situations. 

Princeton Summer Theater’s (PST) 2026 season continues with THE 39 STEPS, a noir farce full of danger, mystery, and laughs.

Today’s subject Matt Di Carlo is currently living his theatre life as the International Associate Director for Moulin Rouge! The Musical. The North American Tour is currently playing and engagement in the Opera House at Kennedy Center through June 28th.

The popular stage performer – an original cast member in the 2005 Broadway production of “Lennon” and the fifth Elphaba in “Wicked” – is currently making her Boston directorial debut with the Psych Drama Company production of “Frankie & Johnny in the Clair de Lune,” which will be at the Boston Center for the Arts Plaza Black Box Theatre,

Tony and Emmy Award-winner Billy Crystal’s new one-man show, 860 will play a limited run at Broadway’s Imperial Theatre, beginning in October of 2026. The complete creative team will be announced in the coming weeks. 

Much has been written about the proliferation of pop singer-songwriters writing new musicals for Broadway and off-Broadway. Less covered is the trend of pop singers performing on Broadway, which has made for a number of memorable appearances in current and recent seasons. 

Lake Tahoe Dance Collective will present its 14th annual Lake Tahoe Dance Festival, featuring artists from New York City Ballet, American Ballet Theatre, Boston Ballet, Houston Ballet, and Broadway across multiple venues in North Lake Tahoe.

Rise and shine, BroadwayWorld! It is May 26, 2026 and it's time to catch up on all of the theatrical happenings you may have missed over the weekend.

If you’re looking for a fun evening that will make you want to sing along and dance in the aisles, check out Dutch Apple Dinner Theatre’s production of All Shook Up! The storyline of this jukebox musical by Joe DiPietro is inspired by Shakespeare’s comedies.

Club Passim in Cambridge, MA will present Jillith Fair, a Pride Month tribute to late singer-songwriter Jill Sobule, featuring performances and stories from Nini Camps, Antje Duvekot, and more.

The stage production does make a lot of strides that strengthens the endurance and popularity of this love story. It repeats iconic moments from the popular 2004 film, but isn’t aping the original screenplay in any way. A new libretto offers a fresh take that borrows the basic structure of the novel and memorable film moments, whilst breathing in new voices and new scenes that add different layers to these familiar characters.

Perhaps the most well-known instance of a show changing titles during the development process belongs to the groundbreaking 1943 phenomenon, Oklahoma! The Rodgers and Hammerstein musical that changed the art form in terms of subject matter, integration of elements, and more was originally titled Away We Go! when it went out of town for a New Haven tryout. Oklahoma! is far from the only instance where a musical changed its title along the development road.