I Do! I Do! - 1996 - Off-Broadway Articles Page 2

The large majority of our 41 Broadway theaters were built to be Broadway theaters. Other than the Winter Garden, which was originally a horse exchange, the Nederlander, which was originally a carpenter’s shop, and the Broadway and Lunt-Fontanne which were originally movie theaters, every current Broadway house was intended from the beginning to present Broadway shows. As for off-Broadway? The opposite is true.

Those who attend the Columbus stop of THE MOON, THE WALL AND BEYOND tour at the Palace Theatre might be checking to make sure this is Brit Floyd instead of the actual Pink Floyd, which last played together with singer Roger Waters July 2, 2005, at the Live 8 Concert.

This year Sadler's Wells celebrates 30 years at its home in the West End, the Peacock Theatre with a vibrant celebratory programme showcasing the very best in dance and live entertainment.

Adapted from Nicholas Sparks' ubiquitous 1996 novel (and its popular 2004 film iteration featuring Rachel McAdams and Ryan Gosling), THE NOTEBOOK - THE MUSICAL re-stages a generational love story into a quietly sweeping, memory-fractured stage romance that subtly promotes emotional accumulation over plot novelty. Now on stage at OC's Segerstrom Center for the Arts, this 2024 three-time Tony-nominated Broadway musical's first national tour continues performances in Costa Mesa through February 8, 2026.

Grammy Award-winning rock band Men At Work, led by original member Colin Hay, has announced a summer 2026 U.S. headlining tour. Tickets on sale Friday, January 23, 2026.

The Broadway production of Ragtime was a glorious accomplishment, a riveting testament to the original American musical and to all that America itself could be. The show ran for 834 performances at the Ford Center, closing in the final year of the 20th century. It was nominated for 13 Tony Awards, taking home four.

In a world where AI increasingly tries to consume and simulate real human experiences, theatre sometimes feels like one of the last gasps of being in a room together. When we watch a show with others, respiration synchronizes, empathy increases, and information retention improves. It’s one of my favourite feelings.

We had the opportunity to interview Dana Zell who has served as the Managing Director of CMT for the past 10 years.

John Carroll Lynch discusses his Broadway debut in Oedipus, the powerful production that's captivating audiences. Read more about his experience!

Steve Morgan combined his head for mathematics and his heart for performing, majoring in both mathematics and music at Indiana University.

When Gregory Butler walked into 8th Avenue Studios on February 10, 1997 for rehearsal, he had no idea that the next three decades of his life would be defined by the sharp jazz lines and sly sensuality of the long running revival of Chicago the Musical.

Musically superb, a faulty book prevents 'Million Dollar Quartet' from being one of the best rock musicals of all time. Four musicians perform as Jerry Lee Lewis, Carl Perkins, Elvis Presley, and Johnny Cash in a shows inspired by an impromptu Memphis recording session in December 1956.

While different tryout theaters have different relationships to the development of new shows, it’s worth looking at both which commercial rental theaters and which non-profit theaters have had the most Best Musical Tony Award winners come from their stages.

Family audiences are in for a swashbuckling adventure this Christmas when Peter Pan flies into Port Sunlight. The Dreamworld Entertainments pantomime comes to the Gladstone Theatre.

Earlier this year, it was announced that the Library of Congress had acquired the Stephen Sondheim collection. The legendary composer and lyricist passed away in 2021 at the age of 91 after a long and extraordinary career. His collection at the Library of Congress is in the midst of being catalogued, and this piece shares several highlights from the boxes of Sondheim’s lyric drafts, music manuscripts, rewrite notes, brainstorm pages, song list outlines, and more.

Diane Keaton made her Broadway debut in the original Broadway production of Hair at the age of 22. The landmark musical started out at the Public Theater off-Broadway in 1967 before transferring to the Biltmore Theatre on Broadway in 1968. Keaton joined the cast for the Broadway run, originating her track in the show.

Regina Gibson will bring her Divina: A Fantasy Cabaret one-woman stage show to New Hazlett Theater as part of Prime Stage Theatre's 2025-26 Monday Specials Series. Learn more.

The Sexton Institute for Musical Theatre offers conservatory-style training within SMU’s liberal arts education. Our small classes and one-to-one mentorship ensure that each student is seen and supported as an individual. We combine rigorous training in acting, voice, and dance with a strong liberal arts foundation, so students graduate as adaptable, employable, and collaborative artists.

What did our critic think of REQUIEM FOR A HEAVYWEIGHT at Crystal Theatre? Rod Serling’s classic play, Requiem for A Heavyweight, well, packs a punch in Crystal Theatre’s production, now running through October 19. Yes, the pun was intended, but the play is perhaps even more powerful now than it was when Serling wrote it as a teleplay nearly 70 years ago

As the fight for women to have equal rights and opportunities has evolved, so has the presence of plays telling these stories. When I wrote my book, Women Writing Musicals: The Legacy that the History Books Left Out, the first-ever book about female musical theatre writers, I researched many musicals that are in this genre as well.

The Key West Film Festival has announced the recipients of its Golden Key Award for Artistic Excellence, honoring comedian and performer Billy Connolly. The festival also celebrates its tenth annual Golden Key Award for Excellence in Costume Design, honoring Academy Award-winning costume designer Deborah L. Scott.

Tony Award-winning Producer Kevin McCollum [RENT, Avenue Q, In The Heights] upcoming Two Strangers (Carry A Cake Across New York)], who was honored at their annual gala, generated more revenue for the progressive advocacy organization.

DISCOSHOW's vibe is glitter swelled with ambition, all for a sweaty good time. “There’s only one rule,” said the evening’s M.C., the drag queen Eureka O’Hara. “Dance like no one’s watching — or filming. Girl, it’s the 70s!”hat did our critic think of DISCOSHOW at Spiegelworld @ Caesar's Palace? (NYT)

On September 2, the Whidbey Island Center for the Arts (WICA) announced the establishment of the Marcia and Klaus Zech Endowment with a $1 million gift from long-time arts supporters and former board members Marcia and Klaus Zech.

While a lot has been written about two handers, a term for two-person shows, less has been penned about three-handers. Yet, three-person plays are just as common a genre on Broadway as pieces with only two players. Currently, Art, by Yasmina Reza, is receiving an all-star revival at the Music Box.