How Sweet the Sound

What did our critic think of THE 4TH WITCH at Oz?

The Steven Feifke Trio playing at Birdland is always worth catching. Look for them next time around, and read a review of their jaunty, joyous May 24 set.

What did our critic think of ANDY WARHOL PRESENTS: THE COCAINE PLAY at Jackalope Theatre?

“It’s not a play,” Justin Weaks declares fairly early in his one-man “A Fine Madness” presented by the Woolly Mammoth Theatre Company. “But we gon’ play,” he adds.

Westcoast Black Theatre Troupe will present MARVIN: A MARVIN GAYE REVUE, a new musical celebration of Marvin Gaye's catalog, directed by founder Nate Jacobs, featuring returning star Sheldon Rhoden at The Donelly Theatre in Sarasota.

The touring production of A BEAUTIFUL NOISE: THE NEIL DIAMOND MUSICAL, created in collaboration with Diamond himself, is set to play The Stranahan, telling the story of how the hitmaker became a star.

Funny and heartfelt, “The 25th Annual Putnam County Spelling Bee' is a delightful reminder that sometimes the biggest victories have nothing to do with trophies—or correctly spelling 'schadenfreude.'

In the most delightful case of déjà vu, Stratford Festival audiences once again can take in Director/Choreographer Donna Feore’s masterful production of SOMETHING ROTTEN (last seen in 2024) at the Festival Theatre this season. For a production that is being repeated, it is ironically part of a lot of firsts! This is the first time (in my recollection) that a show has been brought back by popular demand, and it is also the first time Feore has both musicals on the Festival Theatre stage (with mostly the same company of actors between them). What is affectionately being called SOMETHING ROTTEN 2.0 opened to thunderous applause (and two mid-show ovations) Friday night and I've never been able to say with more certainty that it will be a hit!

This production of Sweeney Todd at Little Theatre of Mechanicsburg is the perfect mix of comedy and spine-tingling horror. The intimate setting at LTM suits the atmosphere of the show, making the audience feel as though they are part of the story.

True to the series' M.O., the day featured a nice compliment of new, contemporary works alongside older classical ones, as well as a chance to see the Festival’s Composer-in-Residence, Allison Loggins-Hull, in action today as a flutist

AIRLINE HIGHWAY is a fascinating slice of life from Lisa D’Amour. It feels like we are watching everything happen in real time, and it seems so authentic to New Orleans. It has a wonderful sense of place.

Ed Harris has revealed that he will be returning to the stage this year, starring alongside Julia Louis-Dreyfus and Allison Janney in a production of Jon Robin Baitz's family drama, Other Desert Cities.

The musical Charlie and the Chocolate Factory that has just landed at the Sands Theatre leans into celebrating a world of vivid invention. It keeps the heart of the beloved material and commits even further into its absurdity. It guarantees a night at the theatre that will leave you going “what…was…that.' A night you won't soon forget. 

TUTS makes it live up to its name. It’s a handsome production, a great cast, and it feels like an old faithful friend. When you’re down and troubled, and you need a helping hand, just call the box office. 

Music Director Jeff Cox brings us into the musically daring and vivid score of CHARLIE AND THE CHOCOLATE FACTORY. Its breadth of genres, rich chromatic harmonies, and the terrific orchestra come together to paint the magical world we know and love.

Catherine Brunell stars as Heidi Hansen in Dear Evan Hansen at Theatre Raleigh, June 3–21. The Broadway veteran discusses motherhood, mental health, and preparing the demanding score.

It doesn’t matter if you know the stage version, or the movie version, or don’t know anything about it, just know ARSENIC AND OLD LACE has an easy to follow plot that leads you down a path of hijinks straight to your funny bone.

A cabaret night celebrating the music of Bob Merrill in conjunction with J2 Spotlight Musical Theater Co.'s production of CARNIVAL. THE MYSTERY OF EDWIN DROOD is currently playing through May 24.

Producers Paul Dainty and TEG Dainty, Ken Davenport and Bob Gaudio have announced the internationally acclaimed production A BEAUTIFUL NOISE: THE NEIL DIAMOND MUSICAL will play a strictly limited engagement at The Sydney Lyric from November 2026. 

What did our critic think of BLOOD SUCKING LEECH at Noah Lift Opera Center?

Next week, 54 Below will present the brightest stars from Broadway, cabaret, jazz, and beyond, including Claire Kwon, Clint Holmes, Sing4Her in support of The Foundation for Women’s Cancer and more. 

When you really stop to think about it, the late stage capitalist grind we find ourselves in (or rather, that billionaires and certain politicians have forced upon us) has created a disembodied culture marked by rampant labor, optimized efficiency, and fractured connections — and that’s a pretty absurd way to live life.

All I knew about Water For Elephants was that it is a romantic drama set in a traveling circus during the Great Depression. I expected a circus with a rich color palette, beautiful costumes, acrobatics, and an elephant.

In this edition of Words From The Wings, we catch up with Ayaan Diop, who plays Carson in the Broadway production of Schmigadoon! He takes us backstage at the Nederlander Theatre to share some of his favorite backstage moments, must-haves, and more!

Four Tony-nominated performers join an ensemble cast at 54 Below for 54 SINGS LERNER & LOEWE, featuring songs from BRIGADOON, CAMELOT, GIGI, and a special 70th anniversary tribute to MY FAIR LADY.