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How Do You Do, I Love You 1967 Broadway — Photo Coverage



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THE OUTSIDERS, HADESTOWN, and More Set For Broadway in Indianapolis 2026/2027 Season

by Stephi Wild - Mar 25, 2026

Broadway in Indianapolis has announced its 2026/2027 season, featuring a lineup of acclaimed shows set to captivate audiences in Indianapolis. Learn more here!

OH, MARY!, THE OUTSIDERS, and More Set For Broadway San Diego 2026-27 Season

by Stephi Wild - Mar 11, 2026

Broadway San Diego has announced its 49th Season, bringing Broadway's current productions direct from New York City to San Diego. Learn more about the lineup here!

DEATH BECOMES HER, THE OUTSIDERS, and More Set For ASU Gammage 2026-2027 Broadway Season

by Stephi Wild - Mar 3, 2026

ASU Gammage has announced its 2026–2027 Desert Financial Broadway Across America-Arizona Broadway season with a dynamic blend of Tempe premieres, beloved classics, and acclaimed new hits.

THE OUTSIDERS, BUENA VISTA SOCIAL CLUB and More Set for Broadway In Kansas City Season

by A.A. Cristi - Feb 3, 2026

PNC Broadway in Kansas City has announced the 2026–27 season for Music Hall and the Kauffman Center. The 2026–27 PNC BROADWAY IN KANSAS CITY season will include the following national touring Broadway productions at Music Hall.

HAMILTON, MAYBE HAPPY ENDING and More Set for 2026-2027 Broadway on Hennepin Series

by A.A. Cristi - Feb 3, 2026

Hennepin Arts has announced the 2026-2027 Broadway on Hennepin series, bringing 12 Broadway shows to Minneapolis for 14 weeks including Tony Award Best Musical winners The Outsiders, Maybe Happy Ending and Hamilton

Interview: CHOREOGRAPHERS ELLENORE SCOTT & AYODELE CASEL GIVE FUNNY GIRL'S SAGA FLAIR, FUN & FINESSE

by Valerie-Jean Miller - May 28, 2024

VJM: Thank you both for giving of your time to answer my questions.  I don’t think I’ve ever heard of two Choreographers being hired for the same Broadway show, not even a revival, that I can think of.  How did that come about for both of you? Ellenore Scott:  Funny Girl was my Broadway debut as a choreographer. I was so happy when I got a call from Michael Mayer (the director) asking me to work on this revival with him. He knew I was NOT a tap dancer and was aware of the multiple tap routines in the show and asked if I would be down to share the billing with Ayodele Casel. Ayo is an extraordinary artist so I was thrilled to be by her side as she made her Broadway debut as well. Michael first met me initially at Head Over Heels on Broadway where I was an associate choreographer to Spencer Liff. In 2019, he asked if I would choreograph the Off-Broadway revival of Little Shop of Horrors and we opened the show October 17th, 2019. I have loved working with Michael and feel as though he keeps his people close and I’m grateful he thought of me for this historic revival. Ayodele Casel:  I met Michael Mayer in 2016 when he directed a New York City Center Encores! show I performed in.  Later that fall he invited me to perform that piece in a Broadway for Hillary fundraiser he was also directing. We'd kept in touch over the years and in 2019, after seeing a show I’d premiered at The Joyce Theater, he asked if I would be interested in providing the Tap choreography for a revival he was working on. Like Ellenore shared, Michael wanted to work with us both to deliver the full choreographic vision of the show. I believe it was a very progressive vision on his part and I’m really thankful that I was able to make my Broadway debut with this team.

BWW Interview: Producer Marilyn Fox of A BINTEL BRIEF at Pacific Resident Theatre

by Shari Barrett - May 8, 2021

A BINTEL BRIEF, comprised of a selection of sixty years of letters from the lower East Side of New York to The Jewish Daily Forward, a popular local paper among the Yiddish speaking immigrants, is being presented online by Pacific Resident Theatre, I wanted to find out more about how the production was conceived, directed and produced to find out if anyone on the team also shares a family story similar to mine. Here is what producer Marilyn Fox shared with me.

BWW Review: SQUEAKY: OLD FLAMES CAN REALLY BURN Offers Five Actors Portraying Different Dimensions of the Troubled Charles Manson Follower

by Shari Barrett - Jul 6, 2020

One thing for sure a?" after watching the play and listening to Squeaky during various time periods of her life, I feel even more sorry for the troubled young woman who allowed herself to be so misguided by a man who knew exactly how to manipulate her need to belong somewhere to his own advantage. So much so that in a 2019 televised interview, Fromme said about Manson, 'Was I in love with Charlie? Yeah, I still am.a?? One wonders at the sanity of such a statement until you realize how her mind was warped through the use of drugs and mind manipulation.

Review: American Tribal Rock Musical HAIR is Still Relevant After 50 Years

by Shari Barrett - Oct 30, 2019

HAIR was written more than 50 years ago by Gerome Ragni, James Rado and Galt MacDermot and broke new ground in musical theatre by defining the genre of 'rock musical' as well as using a racially integrated cast and inviting the audience onstage to join in the a?oeBe-Ina?? finale. But at the time it opened off Broadway at the end of 1967, it seemed unlikely that HAIR would be relevant five decades later. A product of the hippie counter-culture, sexual revolution, and Vietnam War protests of the late 1960s, several of its songs became anthems of the anti-war movement, while its profanity, depiction of the use of illegal drugs, treatment of open sexuality, irreverence for the American flag, and full-frontal nude scene caused much comment and controversy at the time. Yet today it seems what was shocking has become so common place that even a few children were in the audience at the performance I attended.

Review: IN CIRCLES Brings the Free-Spirited 1968 Off-Broadway Scene to the Odyssey Theatre

by Shari Barrett - Sep 28, 2019

IN CIRCLES is a feast for the eyes, even if Gertrude Stein's texts as lyrics seem nonsensical at times. Just go with the flow and let the atmosphere of the avant-garde 1968 theatre scene set your mind free! If only Stein's lover Alice B. Toklas was there to hand out her special recipe brownies to enhance the 80-minute experience!

BWW Review: GUESS WHO'S COMING TO DINNER at Richardson Theatre Centre

by Kathleen Anwar - Jun 14, 2019

High-minded ideals are put to the test in Guess Who's Coming to Dinner, a play with a refreshing yet familiar take on race and interracial relationships.

Photo Flash: Hollywood Museum & Councilman Mitch O'Farrell Present REAL TO REEL: PORTRAYALS AND PERCEPTIONS OF LGBT'S IN HOLLYWOOD

by A.A. Cristi - Jun 7, 2019

Lily Tomlin, upon accepting her award, remarked 'My partner Jane and I are honored and want to thank you for this award. It is amazing to see this whole outpouring for the LGBT community. Jane, couldnt be here tonight, but asked that I share her remarks 'We love the thought of being called Trail-Blazers. It makes us feel current and something out of Marvel Comics.'  Neither of us has a good sense of direction, so we thought being called trail-blazers implies that we somehow new where we were going. So thank you for thinking of us as trail-blazers, rather than as museum pieces.  Of course, there were times, Im afraid, we got lost on that trail and were more bewildered than blazing.  We are still blazing, but we have had to cool down a bit. After all, we need to take care not to add to global warming.'

BWW Review: THE WHITE ALBUM, Joan Didion's Essays Onstage at BAM, Ponders the Predicaments of Generations Past and Present

by Cindy Sibilsky - Dec 6, 2018

This quote is the opening sentence from the author of the book and the words that inspired, created and catapulted The White Album -- a theatrical representation in full of Didion's autobiographical, literary essays of the same name published in 1979 but focused on the tumultuous period of time between 1966 (though it was officially started in 1968) and 1971, which had an engagement as part of BAM's Next Wave Festival November 28 - December 1, through collaborators between Lars Jan/Early Morning Opera, Mia Barron (who portrayed Didion herself), and multiple commissioners and supporters including Center Theatre Group, arts centers at CalArts, UCLA, Ohio State University and the UCross Foundation, amongst others.

BWW Review: Superb WHO'S AFRAID OF VIRGINIA WOOLF? @ Beck Center

by Roy Berko - Oct 14, 2018

Edward Albee, author of 'Who's Afraid of Virginia Woolf,' now in production at Beck Center for the Arts, is one of the best known Theatre of the Absurd American writers. This form of theatre, which was at its apex shortly following World War II, is based, in part on philosophical existentialism, which asks 'what is the purpose of existence?'

BWW Review: SE MEU APARTAMENTO FALASSE... (Promises, Promises) Brings Bacharach-David's Smart Pop Music and the Wry Humor of Neil Simon to Sao Paulo.

by Claudio Erlichman - Jan 24, 2018

Burt Bacharach and Hal David, whose pop songs pretty much defined the mid-to-late 1960s and early 1970s, only wrote one Broadway show, Promises, Promises. There may have been many reasons for the success of the show. With stellar turns by Marcelo Medici as the big-corporation employee whose idea on how to get ahead in business consists of lending his bachelor apartment to his married bosses, and by Malu Rodrigues as the cafeteria waitress with whom he falls in love even though she is having an affair with the personnel director, and with Alonso Barros in charge of choreography and Claudio Botelho & Charles M eller directing, the musical proves that it is still as fresh and vibrant as it was when it was first created, opening in Brazil now, 50 years after his debut on Broadway.

Photo Flash: Magic Theatre presents THE EVA TRILOGY

by A.A. Cristi - Oct 24, 2017

Magic Theatre (Loretta Greco, Artistic Director and Jaimie Mayer, Managing Director) announced today the complete cast of Barbara Hammond's World Premiere The Eva Trilogy. Previews begin on Thursday, October 19 at Magic Theatre's Fort Mason location, with a press opening on Saturday, October 28. The production is helmed by Magic's Artistic Director Loretta Greco. Tickets are on-sale now, and subscriptions to Magic Theatre's 2017-2018 Season are also available.

Photo Flash: First Look at Cameri Theater of Tel Aviv's HAIR

by Christina Mancuso - Mar 28, 2016

The Cameri Theater of Tel Aviv Presents HAIR, beginning today, March 28 through June 2, 2016.  BroadwayWorld brings you a first look below!

Photo Flashback: A Fond Farewell - Remembering The Stars We Lost in 2014

by Walter McBride - Jan 1, 2015

Broadway fans had plenty of reasons to celebrate this year, with dozens of shows having opened since January, hundreds of actors having made their debuts, and many more having returned to the stage for critically acclaimed performances. Not all news was good though, as we also suffered a loss of an incredible amount of talent. Below, BroadwayWorld sends a fond farewell to those who passed away in 2014.

Photo Flash: Meet the Cast of New Federal Theater's IN THE WINE TIME

by BWW News Desk - Oct 18, 2013

Woodie King Jr's New Federal Theatre kicks off its 44th season with the first play of 'The Ed Bullins Project' - two revivals from his 'Twentieth Century Cycle of Plays' - IN THE WINE TIME, to be followed by The Fabulous Miss Marie this spring. In The Wine Time, directed by Mansoor Najee-ullah, will begin performances October 25th at Castillo Theater (543 West 42nd Street), continuing through November 24th. Opening Night is set for Thursday November 7th.

BWW Reviews: EXPERIENCE THE BEATLES WITH RAIN Revisits the 1960's World of Peace and Love

by Shari Barrett - May 8, 2013

EXPERIENCE THE BEATLES WITH RAIN has returned by popular demand to the Pantages for a third engagement, May 7-12, 2013. This adoring tribute will take you back to a time when all you needed was love and a little help from your friends!

Photo Flash: First Look at Music Circus' CAMELOT

by Nicole Rosky - Aug 3, 2011

Be transported back to the magical and mythical days of medieval England when Camelot comes to the Sacramento Music Circus August 2-7. Arthur, Guenevere and Lancelot come alive in Lerner and Loewe's inspiring musical of love, intrigue, idealism and magic. Moving ballads such as 'If Ever I Would Leave You,' 'How to Handle a Woman' and 'Camelot' will have audiences tangled in England's most fabled love triangle.

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