HAMLET: A TOUR DE FORCE THAT FAILS TO LIFT OFF
4 / 10
She’s moving fast, typically switching roles with a sidestep, jump, or spin (movement direction by Didi Hopkins). The audience comes bearing great expectations, of course: We think we have the story down cold and can anticipate the high points. At best, this condensed rendering (adapted by Eddie’s brother, Mark Izzard) allows us to ponder subtext and quirks that can go unnoticed amid a full staging.