DANA H. tells the harrowing true story of a woman held captive in a series of Florida motels for five months. Told in Dana's own words and reconstructed for the stage by her son, playwright Lucas Hnath, this groundbreaking work shatters the boundaries of the art form and challenges our understanding of good and evil.
I mentioned that the actress here - the magnificent Deirdre O'Connell -doesn't speak, but that's not entirely accurate, but I was reluctant to use the phrase 'lip-sync' too early. The art form's usual connotation of comedy and/or deception doesn't apply here. Mouthing the words of actual interview tape recordings in which Higginbotham opens up about her ordeal, O'Connell and Dana H. convey both the specifics of one woman's trauma and something universal about the all-encompassing nature of abuse and its survival.
Within the first 30 minutes of this 75-minute drama, you may find yourself asking, as I did, 'Well, why didn't she do this?' Or 'Why did she do that?' to escape earlier. Or, 'Is she making this up?' The power of Hnath's play - the playwright adapted the interviews conducted by Steve Cosson - is the dark alternate reality it creates. Soon after her abduction, Dana left the world we know, that she herself knew, to enter another. The old rules of behavior or ways of looking at strangers no longer applied. Dana escaped the Aryan Brotherhood, but has never been able to return to the real world or, at least, the world she knew before her long, horrifying ordeal.
Videos