A Broadway Musical - 1978 - Off-Broadway Articles Page 3

What did our critic think of THE WIZ at Aronoff Center, Procter & Gamble Hall?

Tony Award winner Richard Maltby, Jr. discusses with Jennifer Ashley Tepper About Time, his new revue written with collaborator David Shire which, alongside Starting Here, Starting Now and Closer Than Ever, completes the writing team’s trilogy. They also chat about friendship with Stephen Sondheim, how Off-Broadway has evolved since the 1960s, the role Yale University has played, and more.

Ebony Repertory Theatre will present AIN'T MISBEHAVIN', starring Grammy-winner Ledisi and NAACP-winner Chester Gregory, from May 21 to June 8, 2026, at the Nate Holden Performing Arts Center.

Ebony Repertory Theatre will present Ain't Misbehavin'. Based on the book by Murray Horwitz and Richard Maltby Jr., the Tony-Award winning musical is directed by Wren T. Brown, ERT’s Founder & Producing Artistic Director, with Grammy Award-winning singer Ledisi (Selma; Remember Me: The Mahalia Jackson Story) and NAACP Award-winning actor Chester Gregory.

La Jolla Playhouse has announced full programming for the 2026 WOW Festival of immersive, interactive and site-inspired work, presented in partnership with UC San Diego. The WOW Festival will take place April 23 – 26 on the UC San Diego campus.

A joyful revival that reanimates the spirit of the show that once jolted Broadway.

Olly Alexander and Iz Hesketh will join Vanessa Williams and Matt Henry in a UK reading of Stan Zimmerman's suicide awareness play, RIGHT BEFORE I GO, at London's Soho Theatre.

Death of a Salesman is back on Broadway! Arthur Miller’s American drama will star three-time Tony Award winner Nathan Lane, two-time Tony Award winner Laurie Metcalf, Christopher Abbott and Ben Ahlers. Meet the cast of Death of a Salesman here!

Atlanta’s fastest-growing performing arts organization, City Springs Theatre Company (CSTC) has announced its ninth season of musicals at the Sandy Springs Performing Arts Center (SSPAC).

Cygnet Theatre’s Somewhere Over the Border is a bold, musical journey that blends magical realism with a vibrant Latin American soundtrack, from cumbia to hip hop to boleros, created by playwright Brian Quijada (Off-Broadway’s Mexodus). At the helm is director and choreographer Carlos Mendoza, also the Education & Outreach Director at Cygnet Theatre, whose personal connection to the story infuses the production with heart and authenticity. In this interview, Mendoza shares what drew him to the show, how he brought its world to life on stage, and why this story resonates with audiences today. The production runs from February 18 through March 15 in The Joseph Clayes III Theater at Cygnet Theatre.

Four of Broadway’s ten longest running musicals are currently on the boards: Chicago, The Lion King, Wicked, and The Book of Mormon. One, The Phantom of the Opera, closed in 2023 after attaining the title of longest running Broadway show of all time.  But what about Broadway’s longest running plays?

THE WIZ will return to Chicago as part of Broadway In Chicago’s touring season with a limited engagement at the James M. Nederlander Theatre. The national tour includes Dana Cimone, Alan Mingo Jr., Sheherazade, Kyla Jade, D. Jerome, Cal Mitchell, and Elijah Ahmad Lewis.

The Tony Award-winning Best Musical that took the world by storm is back and coming to Austin. Tickets for The Wiz will go on sale Friday, Jan. 30, for eight performances from May 12 to 17 at Bass Concert Hall.

This February, Broadway fans will be treated to many new things to stream, including a new episode of The Muppet Show with Sabrina Carpenter, an animated movie featuring Cole Escola, Ryan Murphy's Love Story, and Kiss of the Spider Woman with Jennifer Lopez.

The original cast of the 2024 off-Broadway hit musical comedy FIVE: The Musical Parody reunites for the first time in a one-night-only benefit concert at the Laurie Beechman Theatre, in support of ACLU Minnesota.

During and prior to the Golden Age of Broadway, songs regularly premiered on stage and then charted, spending time on the radio and becoming popular worldwide. In the 1960s, Broadway songs and popular music diverged, and work from musicals was no longer synonymous with chart hits. There have certainly been a good share of exceptions since that decade, as Broadway has evolved to mirror popular, current music genres. Several of the songs that have broken through to the Billboard charts can be heard on Broadway! 

If the longevity of a Broadway classic is judged by its ability to reflect both its historical significance and its present existence in popular culture, this new revival of THE WIZ is somehow caught somewhere between reverence and reinvention.

BroadwayWorld spoke with Marc Salzberg to discuss his philosophy in sound design for the theatre. He reflects evolving technology in the theatre, what it takes to sustain a long career in theatre sound, and more.

In a theatrical era where standing ovations are dispensed like party favors, THE BOOK OF MORMON at ASU Gammage on its opening night elicited a reaction that felt less like polite approval and more like an arena rock concert. Audiences weren’t just clapping, they were erupting, unable to contain their sheer delight.

In a world where AI increasingly tries to consume and simulate real human experiences, theatre sometimes feels like one of the last gasps of being in a room together. When we watch a show with others, respiration synchronizes, empathy increases, and information retention improves. It’s one of my favourite feelings.

The Long Beach Playhouse Studio Collaborative Series is a season of plays mounted by local theater companies, performing arts organizations and individuals.

La Cage aux Folles finally returns to its French roots at the Théâtre du Châtelet—and the homecoming is worth the wait. Olivier Py’s ambitious revival, led by a radiant Laurent Lafitte, blends glamour, wit, and quiet political force in a production that reclaims Jerry Herman’s musical as both spectacle and statement

Watching Broadway’s Sara Sheperd perform her holiday themed cabaret, Please Come Home for Christmas, is akin to sitting in front of a cozy fire with a mug of hot cocoa. Sheperd, and her piano playing father Scott, shared more than a dozen of her favorite holiday songs peppered with a few seasonally appropriate Broadway tunes. From her opening number “Let it Snow” to her final song “It’s Beginning to Look a Lot Like Christmas,” Sara Sheperd gifted the audience with a lovely evening of perfectly pitched and precisely phrased vocals. Her audience left the club feeling the spirit of the season and grateful that the humble Sheperd shared her talent again in St. Louis.

THE WIZ is back and coming to San Jose’s Center for the Performing Arts for a limited engagement. The musical features a book by William F. Brown and a Tony Award-winning score by Charlie Smalls (and others).

Long-time President and CEO J.L. “Lynn” Singleton will leave that position and as of January 1, 2026, General Manager Alan J. Chille will take the helm as President and CEO of PPAC.