Seattle Opera Announces Artist of the Year Awards
By: BWW News Desk Jul. 17, 2008
On Tuesday, July 15, during its Annual Meeting at McCaw Hall, Seattle Opera General Director Speight Jenkins announced that the company's Artist of the Year awards went to tenor Lawrence Brownlee, who performed the role of Arturo in Seattle Opera's production of Bellini's I Puritani in May 2008, and to Thomas Lynch, set designer for Seattle Opera's production of Wagner's Flying Dutchman in August 2007 and Seattle Opera's co-production with the Metropolitan Opera of Gluck's Iphigenia in Tauris in October 2007.
"Larry Brownlee represents all that our Young Artists Program hope to accomplish," said Jenkins. "He is one of the great singers of the world, and his performances in I Puritani will echo forever in the memory of those who attended them.""Opera is more than fortunate to have as talented a theater designer as Tom Lynch coming into our world," Jenkins continued. "Starting in 1988, through nine productions, he has created brilliant sets for Seattle Opera. Seattle has been further favored by his appointment as Professor in Scenic Design at the University of Washington."After completing two seasons with Seattle Opera's Young Artists Program (in 2000/01 and 2001/02), Brownlee went on to win both the Marian Anderson and the Richard Tucker Awards in 2006, the first time a singer had won both awards in the same year. As Arturo in Seattle Opera's I Puritani last spring, he received tremendous critical acclaim. "…when tenor Lawrence Brownlee (as Arturo) went for a full-voiced, unheard-of high F (above high C) in Act III, the level of excitement rose to disbelief. Most tenors can't sing that high without inhaling helium first; Brownlee made it sound easy," Melinda Bargreen wrote in a May 4, 2008 Seattle Times review.Tenor
Lawrence Brownlee was most recently seen at Seattle Opera as Arturo in Bellini's I Puritani. He sang Lindoro in Seattle Opera's L'Italiana in Algeri in October 2006. Since completing Seattle Opera's Young Artists Program, he has made debuts at La Scala, Covent Garden, Hamburg, Vienna, Trieste, Brussels, Rome, Bologna, Madrid, Dresden, and Zurich, and stateside at Houston Grand Opera, in San Francisco with the Opera (concert) and Symphony, with Opera Company of Philadelphia and Boston Lyric Opera, among others. Brownlee made his Seattle Opera mainstage debut as Ernesto in Donizetti's Don Pasquale and later returned as Arcadio in Catán's Florencia en el Amazonas. In 2006, he became the first singer to win both the Marian Anderson and Richard Tucker Awards in the same year. He made his Metropolitan Opera debut in 2007, and in future seasons he returns to that company regularly, as well as to La Scala, Seattle, Vienna, and Opera Company of Philadelphia. Upcoming engagements include debuts in Berlin at the Staatsoper Unter den Linden, at Opera National de Paris and at Washington National Opera. The tenor is a frequent recitalist and this summer adds two recordings to his growing discography. Thomas Lynch
Set Designer
Thomas Lynch has designed sets for the Metropolitan Opera (Handel's Rodelinda), New York City Opera, San Francisco Opera, and—abroad—Royal Opera Covent Garden, Nederlandse Opera, and the Vienna Staatsoper. He made his Seattle Opera debut in 1988 designing Gluck's Orphée et Eurydice, and has returned for Handel's Xerxes, Wagner's Lohengrin, Fliegende Holländer, Ring des Nibelungen, and Seattle Opera's 2007 co-production with the Metropolitan Opera of Gluck's Iphigenia in Tauris. His more than 250 theater credits include designs for Arena Stage, Goodman Theatre, Guthrie Theater, McCarter Theatre, Seattle Repertory Theatre, ACT, Mark Taper Forum, Berkeley Repertory Theatre, and the premiere of Edward Albee's new play Me Myself & I at the McCarter Theater last January. Lynch recently designed sets for Intiman Theatre's A Streetcar Named Desire, which opened last week in Seattle. On Broadway, his credits include Contact, the Tony-nominated Heidi Chronicles and Music Man, the 2004 revival of A Raisin in the Sun, Tintypes, and Swing!. Lynch has received an Obie Award for Sustained Excellence in New York Off-Broadway design, an Obie for the 2005 Woman Before a Glass, the Elliott Norton Award, two Joseph Jefferson Awards, and, for Seattle Opera's 2001 Ring, an EDDY (Entertainment Design) award. In the fall of 2005, Lynch became the inaugural Floyd and Delores Jones endowed Chair in the Arts, and in September 2006 he became Professor in Scenic Design at University of Washington's School of Drama.
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