JAMES LOGAN HIGH SCHOOL PERFORMING ARTS CENTER

by Steve Murray - April 02, 2026

For Starra Jones, a baller from rural Plainnole, Arkansas, fulfilling her mother’s dream of basketball glory is her prime motivation. Playing a style of ‘dirty’ ball, her braggadocio will lead her to a foul play in Candrice Jones’ Flex, making its West Coast premiere at SF Playhouse....

by Linda Hodges - April 01, 2026

It's easy to see why Beetlejuice, the screen-to-stage adaptation of Tim Burton's beloved 1998 cult-classic film, earned eight 2019 Tony Award nominations including Best Musical. It is to die for. ...

by Steve Murray - March 30, 2026

There are many types of great theatre- light, cheerful, romantic, uplifting, silly, classic. Z Spaces’ co-production of Tadeusz Slobodzianek’s Our Class is unflinchingly dark, emotionally devastating and a tough watch – but it is great theatre, a timely cautionary tale of evil startingly conce...

by Steve Murray - March 23, 2026

I admit I’ve never seen Stephen Sondhiem’s Assassins, nor ever heard the score or read the synopsis. A flop in 1990, the 2004 revival won five Tony awards, and it’s been in theatre rotations since, often causing controversy for its raw language and unsavory content. A play from the perspective...

by Steve Murray - March 23, 2026

The San Francisco Gay Men’s Chorus, the world's first openly gay chorus, continues it’s forty-eighth season with a concert both cheerful and deeply emotional celebrating the music and events of the 1980’s. For the LGBT community, the 80’s was the apocalypse incarnate - a community devastate...

by Jim Munson - March 22, 2026

What did our critic think of DON QUIXOTE at San Francisco Ballet?...

by Steve Murray - March 21, 2026

What did our critic think of AN INTIMATE EVENING WITH LUCIE ARNAZ at Feinstein's At The Nikko?...

by Steve Murray - March 19, 2026

There is plenty of interesting ideas in Eisa Davis’ into the lives of four women, students in a summer music program. The need for arts education drives these girls, partly for parity in a male dominated world of music and secondly as a respite from the dramas of their individual lives....

by Steve Murray - March 15, 2026

What did our critic think of GODS & MONSTERS at New Conservatory Theatre Center?...

by Steve Murray - March 14, 2026

What did our critic think of SONGS FOR A NEW WORLD at Hillbarn Theatre?...