by Steve Murray - March 23, 2026
I admit I’ve never seen Stephen Sondhiem’s Assassins, nor ever heard the score or read the synopsis. A flop in 1990, the 2004 revival won five Tony awards, and it’s been in theatre rotations since, often causing controversy for its raw language and unsavory content. A play from the perspective...
by Steve Murray - March 23, 2026
The San Francisco Gay Men’s Chorus, the world's first openly gay chorus, continues it’s forty-eighth season with a concert both cheerful and deeply emotional celebrating the music and events of the 1980’s. For the LGBT community, the 80’s was the apocalypse incarnate - a community devastate...
by Jim Munson - March 22, 2026
What did our critic think of DON QUIXOTE at San Francisco Ballet?...
by Steve Murray - March 21, 2026
What did our critic think of AN INTIMATE EVENING WITH LUCIE ARNAZ at Feinstein's At The Nikko?...
by Steve Murray - March 19, 2026
There is plenty of interesting ideas in Eisa Davis’ into the lives of four women, students in a summer music program. The need for arts education drives these girls, partly for parity in a male dominated world of music and secondly as a respite from the dramas of their individual lives....
by Steve Murray - March 15, 2026
What did our critic think of GODS & MONSTERS at New Conservatory Theatre Center?...
by Steve Murray - March 14, 2026
What did our critic think of SONGS FOR A NEW WORLD at Hillbarn Theatre?...
by Steve Murray - March 09, 2026
TheatreWorks and director Jeffrey Lo must have been licking their chops with the chance to produce the regional premiere of Eboni Booth’s Pulitzer Prize winning Primary Trust. In Lo’s skillful hands, and with a seasoned powerful cast, Primary Trust is a winner – both deeply emotional and full ...
by Steve Murray - March 06, 2026
For every lover of Ibsen, Arthur Miller and Stephen Sondheim, there’s a lover of The Three Stooges, Abbott & Costello and of course, Monty Python. Back in the 1970’s Monty Python’s Flying circus was a sensation with their irreverent and risqué observational comedy. If you couldn’t recite th...
by Steve Murray - March 02, 2026
There’s a giant dynamo inside the petite frame of Marilyn Maye that propels her constantly forward, now approaching her 98th birthday, and eighth decade of performances. She’s a national treasure and receives adulation befitting her status wherever she performs....
Past Shows
The Road On Magnolia:Stephanie Alison Walker; dir: Randee Trabitz....
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