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Review: CYRANO at Taffety Punk

Five gifted actors in four bare walls work theatre magic to bring the epic work of Cyrano to life in Taffety Punk’s new interpretation skillfully directed and adapted by Lise Bruneau. The production is vibrant, visceral and immediate.

Review: THE TRAGEDIE OF MACBETH at Taffety Punk

It figures that a Riot Grrrls version of “The Tragedie of Macbeth” at Taffety Punk would focus on the witches - or three wyrd sisters, as they’re called here 

Photos: Riot Grrrls Presents THE TRAGEDIE OF MACBETH

Fresh from their Helen Hayes Awards win for Outstanding Production (La Salpêtrière) the Taffety Punks bring back the Riot Grrrls to show us how Shakespeare is done. See photos from The Tragedie of Macbeth.

Taffety Punk's Riot Grrrls to Perform THE TRAGEDIE OF MACBETH

Taffety Punk's Riot Grrrls will perform THE TRAGEDIE OF MACBETH, featuring an all-female cast. The production explores themes of ambition and power in Shakespeare's classic play. Learn more and see how to purchase tickets.

Interview: Theatre Life with Danielle A. Drakes and Kelsey Mesa

Today’s subjects Danielle A. Drakes and Kelsey Mesa are currently living their theatre lives as the director and playwright respectively of Taffety Punk Theatre Company’s World Premiere production of La Salpêtrière. The show runs through October fourteenth at the company’s artistic home Capitol Hill Arts Workshop (CHAW).

Review: ONE JEWISH BOY at Theater J

In a stunning US premiere, Stephen Laughton’s beautifully moving 'One Jewish Boy' tells the heartbreaking story of a couple’s relationship, and examines the impact of trauma and the different ways we process it.

1st Stage Extends HOW THE LIGHT GETS IN

1st Stage has announced that How the Light Gets In, written by E.M. Lewis and directed by Alex Levy has been extended through March 26.

Review: HOW THE LIGHT GETS IN at 1st Stage

A humane, engaging look at how shared trauma can lead to meaningful connection. How often does a play draw you in before it even begins? The set for 1st Stage's production of E.M. Lewis' 'How the Light Gets In,' designed by Kathryn Kawecki, is one of the most creative and innovative I have ever seen at a regional theater. The black box is transformed into the Japanese garden that serves as the epicenter of the play's action, complete with a wooden bridge, realistic floral displays, and a pond. The set is well-complemented by Helen Garcia-Alton's lighting and sound designer Gordon Nimmo-Smith's ambient noise.

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