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Review: A CHRISTMAS CAROL at Theatre Three

In the world of Dickens, the reader is for the long-haul of human emotions, and Theatre Three’s 41st annual production has perfected conveying that panoply of passions in the classic, “A Christmas Carol.”

Theatre Three To Present THE LION IN WINTER In December

Theatre Three will present James Goldman’s THE LION IN WINTER from December 4–28 on the Norma Young Arena Stage. Directed by Matthew Gray, the production will feature Artistic Director Jeffrey Schmidt and Associate Artistic Director Christie Vela.

Full Cast Set for MAN OF LA MANCHA at Actors' Playhouse

Actors' Playhouse at the Miracle Theatre has revealed the full cast and creative team for its landmark 30th anniversary production of Man of La Mancha, the Tony Award-winning musical that holds a special place in the theatre's history. 

GOBLIN MARKET is Coming to Theatre Three in November

Theatre Three will continue its bold 2025–2026 season in Theatre Too (T2, the downstairs space) with GOBLIN MARKET, a dark and lyrical chamber musical by Polly Pen and Peggy Harmon. Learn more!

BWW Q&A: Joel Ferrell Talks Sexton Institute for Musical Theatre at SMU Meadows School of the Arts

The Sexton Institute for Musical Theatre offers conservatory-style training within SMU’s liberal arts education. Our small classes and one-to-one mentorship ensure that each student is seen and supported as an individual. We combine rigorous training in acting, voice, and dance with a strong liberal arts foundation, so students graduate as adaptable, employable, and collaborative artists.

All the Off-Broadway Shows to See in Fall 2025 - A Complete Guide

BroadwayWorld is here with your fall 2025 guide to all the shows lighting up New York’s stages. From world premieres to long-awaited revivals, this season’s Off-Broadway lineup delivers something for every kind of theater fan!

Here I Go! A MAMMA MIA! First-Timer Faces the Music

What happens when a Broadway editor finally takes the plunge into Mamma Mia! after decades of resistance? In this first-person essay, A.A. Cristi recounts her maiden voyage into the world’s most joyful jukebox musical, exploring the show’s cultural legacy, communal spirit, and unabashed fun, she discovers why generations of audiences have made it Broadway’s happiest disco.

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