Three desperate souls adrift at sea await a maddeningly cruel fate bestowed on them by an angry God-a comedy which may or may not have absolutely nothing to do with race. (oh my god I am so) THIRST(y) is a slight adaptation of one of Eugene O'Neill's earliest plays, THIRST (1914), written while the playwright was confined to a sanatorium in rural Connecticut. THIRST had a single production in 1916 with the Provincetown Players, in which O'Neill himself originated the role of the Negro Sailor. The play subsequently sank into obscurity. Despite its rough edges, THIRST hints at O'Neill's later experiments with expressionism and American myth, as well as his forays into the dark underbelly of modernity. Creating a new work based on this public domain text, Little Lord exploits O'Neill's wildly imaginative assault on the very nature of performance and the possibilities of the theater. (oh my god I am so) THIRST(y) is at once grotesque melodrama, gothic horror, campy musical theater, and engrossing telenovela- a fantastical mix of No Exit, Waiting for Godot, The Count of Monte Cristo, 'Amos and Andy,' and Open Water.
Even as its shows reach New York and London, Berkeley Repertory Theatre begins another season of fearless theatre here at home: Emmy- and Tony Award-winning actor Mandy Patinkin stars in the world-premiere production of Compulsion on Berkeley Rep's intimate Thrust Stage. Acclaimed director Oskar Eustis returns to the Bay Area with Rinne Groff's latest play, a kaleidoscopic collision of history and culture that combines stellar acting with marvelous marionettes. Compulsion, a world-premiere co-production from Berkeley Rep, The Public Theater, and Yale Repertory Theatre, begins previews on September 13, opens September 16, and closes October 31.
Even as its shows reach New York and London, Berkeley Repertory Theatre begins another season of fearless theatre here at home: Emmy- and Tony Award-winning actor Mandy Patinkin stars in the world-premiere production of Compulsion on Berkeley Rep's intimate Thrust Stage. Acclaimed director Oskar Eustis returns to the Bay Area with Rinne Groff's latest play, a kaleidoscopic collision of history and culture that combines stellar acting with marvelous marionettes. Compulsion, a world-premiere co-production from Berkeley Rep, The Public Theater, and Yale Repertory Theatre, begins previews on September 13, opens September 16, and closes October 31.
The Brick is proud to present its Fall 2010 season, featuring The Brick's first collaboration with the critically acclaimed Target Margin Theater; work from favorite artists such as Gemini CollisionWorks, DMT and Laboratory Theater; and new and returning festivals, including the NY Clown Theatre Festival, Fight Fest and the premiere of Brooklyn Stories.
The Brick is proud to present its Fall 2010 season, featuring The Brick's first collaboration with the critically acclaimed Target Margin Theater; work from favorite artists such as Gemini CollisionWorks, DMT and Laboratory Theater; and new and returning festivals, including the NY Clown Theatre Festival, Fight Fest and the premiere of Brooklyn Stories.
Even as its shows reach New York and London, Berkeley Repertory Theatre begins another season of fearless theatre here at home: Emmy- and Tony Award-winning actor Mandy Patinkin stars in the world-premiere production of Compulsion on Berkeley Rep's intimate Thrust Stage. Acclaimed director Oskar Eustis returns to the Bay Area with Rinne Groff's latest play, a kaleidoscopic collision of history and culture that combines stellar acting with marvelous marionettes. Compulsion, a world-premiere co-production from Berkeley Rep, The Public Theater, and Yale Repertory Theatre, begins previews on September 13, opens September 16, and closes October 31.
The Brick is proud to present its Fall 2010 Season, featuring The Brick's first collaboration with the critically acclaimed Target Margin Theater; work from favorite artists such as Gemini CollisionWorks, DMT and Laboratory Theater; and new and returning festivals, including The NY Clown Theatre Festival, Fight Fest and the premiere of Brooklyn Stories.
Formerly a project of the Ontological-Hysteric Theater, the Incubator Arts Project supports independent, experimental performing artists through a series of programs aimed at offering production opportunities and guidance with long-term growth and artistic sustainability. (More info at the end of this announcement.)
The Brick is proud to present its Fall 2010 Season, featuring The Brick's first collaboration with the critically acclaimed Target Margin Theater; work from favorite artists such as Gemini CollisionWorks, DMT and Laboratory Theater; and new and returning festivals, including The NY Clown Theatre Festival, Fight Fest and the premiere of Brooklyn Stories.
The Ontological-Hysteric Theater announced today that it will cease operations at the theater space at St. Mark's Church in the Bowery at the end of the 2009-2010 season (June 30, 2010). Since taking up a permanent home at St. Mark's Theater in 1992, the Ontological has presented annual theater works by Richard Foreman, whose trademark 'total theater' unites elements of the performing arts, visual art, philosophy, psychoanalysis, literature and, in recent years, film.
San Jose Repertory Theatre concludes the 2009-2010 season with the poetic Cuban American story, Sonia Flew, penned by Elliot Norton and Kennedy Center Charlotte Woolard Award-winner, Melinda Lopez. Directed by Richard Seer, Sonia Flew is a powerful portrayal of a Cuban family profoundly changed by political forces that brings to question: What is owed to one's children, parents and country.
Target Margin Theater (David Herskovits, Artistic Director; John Del Gaudio, Managing Director), Off-Broadway's extraordinary, Obie Award-winning theater company will present the world premiere of The Really Big Once, a new play, created by the company, that tells the story of two theatrical giants, Elia Kazan and Tennessee Williams, and how they changed American culture. Under the direction of David Herskovits, the five-member cast features Purva Bedi, McKenna Kerrigan, John Kurzynowski, Hubert Point-Du Jour, and Steven Rattazzi.
San Jose Repertory Theatre concludes the 2009-2010 season with the poetic Cuban American story, Sonia Flew, penned by Elliot Norton and Kennedy Center Charlotte Woolard Award-winner, Melinda Lopez. Directed by Richard Seer, Sonia Flew is a powerful portrayal of a Cuban family profoundly changed by political forces that brings to question: What is owed to one's children, parents and country.
The Ontological-Hysteric Theater announced today that it will cease operations at the theater space at St. Mark's Church in the Bowery at the end of the 2009-2010 season (June 30, 2010). Since taking up a permanent home at St. Mark's Theater in 1992, the Ontological has presented annual theater works by Richard Foreman, whose trademark 'total theater' unites elements of the performing arts, visual art, philosophy, psychoanalysis, literature and, in recent years, film.
Target Margin Theater (David Herskovits, Artistic Director), in association with the Ontological-Hysteric Incubator (Richard Forman, Artistic Director), has announced full casting for the world premiere of The Really Big Once, a new play, created by the company, that tells the story of two theatrical giants, Elia Kazan and Tennessee Williams, and how they changed American culture. Under the direction of David Herskovits, the five-member cast features McKenna Kerrigan, John Kurzynowski, Maria-Christina Oliveras, Hubert Point-Du Jour, and Steven Rattazzi. Performances begin Tuesday, April 13, 2010 for a limited engagement through May 8, 2010 at The Ontological Theater at St. Mark's Church (131 East 10th Street at Second Avenue). Opening Night is Saturday evening, April 17th at 8:00 p.m.
Target Margin Theater (David Herskovits, Artistic Director; John Del Gaudio, Managing Director), Off-Broadway's extraordinary, Obie Award-winning theater company will present the world premiere of The Really Big Once, a new play, created by the company, that tells the story of two theatrical giants, Elia Kazan and Tennessee Williams, and how they changed American culture. Under the direction of David Herskovits, the five-member cast features Purva Bedi, McKenna Kerrigan, John Kurzynowski, Hubert Point-Du Jour, and Steven Rattazzi.
Mix a Hitchcock masterpiece with a juicy spy novel, add a dash of Monty Python and you have Alfred Hitchcock's THE 39 STEPS. This 2 time Tony and Drama Desk Award winner will end its run at the DuPont Theatre on April 11, 2010.
Mix a Hitchcock masterpiece with a juicy spy novel, add a dash of Monty Python and you have Alfred Hitchcock's THE 39 STEPS. This 2 time Tony and Drama Desk Award winner railroads its way into the DuPont Theatre for an exclusive area run Tuesday, April 6 - Sunday, April 11, 2010.
Following last season's acclaimed, sold-out, extended run of the rarely produced Tennessee Williams play, Ten Blocks on the Camino Real, Target Margin Theater (David Herskovits, Artistic Director) continues its Williams exploration with '2010 LAB: The Unknown Willams.' Final shows are slated for March 27.