Rebecca Nash will sing the title role in tonight’s performance of Strauss's Elektra, replacing Nina Stemme, and Wendy Bryn Harmer will sing Chrysothemis, replacing Lise Davidsen.
The Royal Opera House today announces its 2022/23 Season, unveiling a rich range of new work, world premieres and beloved revivals. Over 40 productions, performed by an incredible roster of international stars and created in collaboration with global companies, will be accompanied by more than 200 events and activities in our stunning Covent Garden Home, and outreach programmes reaching more than 27,000 children across the UK.
Richard Strauss’s ELEKTRA is simply overwhelming--particularly when you have Nina Stemme and, especially, Lise Davidsen, as the title character and her sister Chrysothemis, ably abetted by Greer Grimsley as their brother, Orest, and an incredible supporting cast top to bottom.
Elektra unites today’s leading dramatic sopranos: Nina Stemme, who reprises her acclaimed portrayal of the title role, and Lise Davidsen, making her role debut as Elektra’s sister Chrysothemis and appearing in her third Met production this season, following heralded turns in Strauss’s Ariadne auf Naxos and Wagner’s Die Meistersinger von Nürnberg.
Soprano Nina Stemme brought down the house when she headlined the premiere of visionary director Patrice Chéreau’s 2016 staging of Elektra. Now she returns to Strauss’s unhinged heroine, opposite one of today’s most in-demand artists, soprano Lise Davidsen, as her sister, Chrysothemis. Donald Runnicles is on the podium for one of opera’s most blistering scores, leading a cast that also includes mezzo-soprano Michaela Schuster as Klytämnestra, tenor Stefan Vinke as Aegisth, and bass-baritone Greer Grimsley as Orest.
Seattle Opera’s 2022/23 season will bring a poignant world premiere (A Thousand Splendid Suns), a concert performance of an alluring French powerhouse (Samson and Delilah), and stagings of three cherished favorites (The Elixir of Love, Tristan and Isolde, and La traviata) to the Seattle Opera stage.
The Royal Opera House will continue its #OurHouseToYourHouse programme, featuring online broadcasts that can be accessed by audiences around the world.
The Royal Opera House will continue its #OurHouseToYourHouse programme, featuring online broadcasts that can be accessed by audiences around the world.
The Royal Opera House will continue its #OurHouseToYourHouse programme, featuring online broadcasts that can be accessed by audiences around the world.
The Royal Opera House will continue its #OurHousetoYourHouse programme, featuring online broadcasts that can be accessed by audiences around the world for just £3.
The Royal Opera House will continue its #OurHouseToYourHouse programme, featuring online broadcasts that can be accessed by audiences around the world for just £3.
The Royal Opera House is delighted to continue its #OurHouseToYourHouse programme, featuring online broadcasts that can be accessed by audiences around the world for just £3.
The Royal Opera House is proud to continue its #OurHouseToYourHouse programme with Tony and the Young Artists, a celebration of music and song on Friday 19 February at 7pm GMT and our next Friday Premiere, The Royal Ballet's The Sleeping Beauty on Friday 26 February at 7pm GMT.
The Metropolitan Opera announced today that the ongoing health crisis has resulted in the cancellation of the entire 2020-21 season, but the company also announced ambitious artistic plans for its 2021-22 season, which will open with the Met premiere of Terence Blanchard's Fire Shut Up in My Bones.
Due to ongoing COVID-19 restrictions, Opera Australia has made the decision to postpone The Ring Cycle. The performances originally scheduled for late 2020 will now take place from 29 October to 20 November 2021.
Currently, on the Los Angeles Opera website you can hear Rossini's 'The Barber of Seville.' Music Director James Conlon conducts baritone Rodion Pogossov as Figaro, mezzo-soprano Elizabeth DeShong as Rosina, and tenor René Barbera as Count Almaviva.
During the 2020-21 season, the San Diego Symphony will take audiences on a journey of exploration - weaving in themes of nature and immigration that impact our country, borders and beyond.
The Metropolitan Opera will present Richard Wagner's four-part masterwork Der Ring des Nibelungen in performances March 9-May 11, 2019. This season's performances are the first time the Met has presented the inventive Robert Lepage staging in six seasons and are the only complete Ring cycles to be presented in North America in 2019. Marshaling the vast forces on stage and in the pit is the incoming music director of the Vienna State Opera, Philippe Jordan, who has conducted acclaimed Ring cycles in Paris and Zurich.
Schuster makes her Met role debut as Waltraute, a role she has sung previously at Bayerische Staatsoper and Gran Teatre del Liceu. She made her Met debut last season as Klytämnestra in Strauss' Elektra. She sings regularly for all the leading German opera houses and for international companies including Wiener Staatsoper, Paris Opéra, La Scala, the Salzburg Festival, and Royal Opera, Covent Garden. Her wide repertory includes many Wagner roles such as Fricka in Der Ring des Nibelungen, Ortrud in Lohengrin, Brangäne in Tristan und Isolde, and Kundry in Parsifal; 20th-century roles such as Marie in Berg's Wozzeck and Judith in Bartók's Bluebeard's Castle, and several roles in operas by Richard Strauss and in Italian repertory, including Amneris in Verdi's Aida, Eboli in Verdi's Don Carlo, and Santuzza in Mascagni's Cavalleria Rusticana.