Broadway Sales And Ticketing Firms SpotCo And Tanna Inc. Announce Partnership
by A.A. Cristi
- May 22, 2019
Entertainment branding, marketing and advertising agency SpotCo has announced that it is partnering with analytics company Tanna Inc., to form a new offering that will concentrate exclusively on revenue-driving solutions for clients, including audience development, ticketing insights and inventory management.
BROADWAY BETS Hits Record-Breaking $315,200 For BC/EFA
by A.A. Cristi
- May 14, 2019
Broadway's biggest names, legendary theatre insiders and devoted fans donned their best poker faces on May 13, 2019, to help those in need at this year's spirited and record-breaking edition of Broadway Bets. The lively evening of Texas Hold 'em raised an astounding $315,200 for Broadway Cares/Equity Fights AIDS.
Steve Martin, Tony Yazbeck, and More Set For BROADWAY BETS
by Stephi Wild
- May 10, 2019
Broadway stars and poker pros will sit next to theatre fans and industry insiders for a rousing game of Texas Hold 'em when Broadway Bets, Broadway's official poker tournament, returns this Monday, May 13. The event is produced by and benefits Broadway Cares/Equity Fights AIDS.
BC/EFA's BROADWAY BETS is Set For May 13
by Stephi Wild
- Apr 2, 2019
Fun and philanthropy are in the cards when Broadway Bets, Broadway's official poker tournament, shuffles up and deals on Monday, May 13, 2019. The event is produced by and benefits Broadway Cares/Equity Fights AIDS.
BROADWAY BETS Raises Record-Breaking $295,100 for BC/EFA
by Julie Musbach
- May 15, 2018
High energy, enthusiasm and a night of incredible fundraising were dealt in spades when Broadway stars, industry insiders and fans raised a record $295,100 for Broadway Cares/Equity Fights AIDS on Monday, May 14,2018, at the fourth edition of Broadway Bets, Broadway's official poker tournament.
Industry Editor Exclusive: How THE PLAY THAT GOES WRONG Went Right
by Cara Joy David
- Feb 15, 2018
In fall 2016, when it was announced that THE PLAY THAT GOES WRONG was coming to Broadway in the spring, I don't think many in the community thought it was the best idea ever. It was a play with no stars, announced for an open-ended run at The Lyceum Theatre (not exactly a house of hits). It was a success in London, but decidedly British seeming. Mischief Theatre, the company that created it, was an unknown quantity in the United States. The one 'name' it had was television and film producer/director/writer J.J. Abrams, who signed on as a producer after seeing it in the West End. And even his involvement was perplexing-known for his eye for action fare, the early ads humorously stated he 'must have lost a bet.' Yet the show is still running, making it Broadway's longest running play.
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