What Are American Theatre’s Most Influential Titles?
by Howard Sherman
- Dec 22, 2025
Amidst the welter of Best of and Most lists for 2025, American Theatre magazine took on a wider time horizon in its survey of the most influential theatre titles of the last 25 years, or quarter-century if you prefer. Like any such list, the results are fascinating and immediately provide a foundation for debate, disagreement and discussion, but this was no list cobbled together from the opinions of the magazine’s staff, as is often the case with such efforts, but a genuine survey.
Review Roundup: RAGTIME Returns to Broadway
by A.A. Cristi
- Oct 16, 2025
The curtain has risen on Ragtime, now running at Lincoln Center Theater on Broadway. Read all the reviews to see what the critics had to say about the new revival, directed by Lear deBessonet.
Bill Pullman & Raymond Lee to Star In Taper Legacy Reading Of THE TRIAL OF THE CATONSVILLE NINE
by Blair Ingenthron
- Apr 27, 2024
Center Theatre Group has announced “The Trial of the Catonsville Nine,” featuring Bill Pullman (Independence Day, The Sinner, Oleanna, The Goat, or Who Is Sylvia?), and Raymond Lee (Quantom Leap, Kevin Can F*** Himself, Vietgone, Tokyo Fish Story), as the first in a series of Taper Legacy Readings on Saturday, May 18 at 7 p.m. at the Mark Taper Forum.
West Coast Premiere of CLYDE'S to Open at the Mark Taper Forum in November
by Chloe Rabinowitz
- Oct 25, 2022
Two-time Pulitzer Prize-winning playwright Lynn Nottage and director Kate Whoriskey will bring their latest Broadway triumph, “Clyde’s,” a co-production with Goodman Theatre in Chicago to the Mark Taper Forum November 15 to December 18. It recently concluded the Goodman engagement.
Review Roundup: DEATH OF A SALESMAN Opens on Broadway
by Blair Ingenthron
- Oct 10, 2022
The critics have weighed in on Death of a Salesman, directed by Miranda Cromwell, who co-directed the London production alongside Marianne Elliott. The revival of this classic play opened on Broadway Sunday, October 9 at the Hudson Theatre.
Industry Pro Newsletter: Checking in on Industry Evolution, Gender Pay Gap in the UK Closing
by Alex Freeman
- Sep 26, 2022
Stories of transformation highlight the newsletter this week - with two different stories below - one looking at the evolution of Broadway, the other how Regional Theatres are transforming. Both are asking questions in light of racial justice protests that have occured over the past few years, alongside a powerful moment for the labor movement.
Industry Pro Newsletter: Introducing BroadwayWorld+ and in Consideration of Reopening
by Alex Freeman
- Feb 22, 2021
This week, we have a lot of stories about the path to reopening from the around the globe - from Australia where reopening has already occurred and they’ve got Broadway productions playing to big houses to a story from The New York Times about what it took to get a new musical up and running in Tokyo with a global creative team.
BWW Review: Can't-Miss Entertainment, CLOWN BAR Opens in Kansas City at Immersive KC
by Steve Wilson
- Jul 6, 2019
What do you do when some Bozo commits murder? You go see the newest show being offered by Padgett Productions, CLOWN BAR, at Immersive KC (formerly Prohibition Hall) in Kansas City. The hilarious campy comedy written by Adam Szymkowicz runs Friday and Saturday nights through July 20. This 65-minute production is riddled with sidesplitting humor, musical numbers, and hilarious choreography.
Industry Editor Exclusive: The Fate of Broadway's Critics
by Cara Joy David
- Aug 21, 2018
In the last few decades, theater has become much bigger business than it used to be. However, in that same period of time, the coverage of it in mainstream media outlets has dwindled. Many of us may not remember a time that off-Broadway openings were covered on Entertainment Tonight, but it happened. In recent years, even in America's theater epicenter, theater is losing ground in major publications. Neither The New York Post or The New York Daily News has a critic on staff any longer. It is hard to even tally the amount of veteran theater writers from around the country that have lost their jobs in the last decade.
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