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Review: THE GOOD ENOUGH MUMS CLUB, Birmingham Hippodrome

Society places a huge amount of pressure on mothers to be perfect, so it's a joy to see this new musical that reassures mums that their best is good enough. With a book and lyrics by Emily Beecher, who developed the show after her own diagnosis of postnatal depression, this production is produced, directed, designed and performed by mothers.

Review: I, DANIEL BLAKE, Stratford East

I, Daniel Blake was the film on everybody’s lips in 2016. Written by Paul Laverty and directed by Ken Loach, it saw a man from Newcastle having to fight the system tooth and nail to receive Employment and Support Allowance after a heart attack. It’s a political, heartbreaking, life-affirming movie that angered politicians and validated the common people. Adapted by Dave Johns - who played Daniel Blake on screen - the stage show is equally powerful, but imperfect.

Review: FLOWERS FOR MRS HARRIS, Riverside Studios

Based on the 1958 book Mrs. ‘Arris Goes to Paris by Paul Gallico, this is the endearing story of a working class London cleaner. After catching sight of a Dior gown at the home of a client, Mrs Ada Harris is enthralled by the idea of owning her own Dior gown and sets about working tirelessly to make this dream a reality.

Review: THE BOOK THIEF, Leicester Curve

With a charming libretto by Jodi Picoult and Timothy Allen McDonald, and folk-style music and lyrics by Elyssa Samsel and Kate Anderson, The Book Thief is filled with the warmth of a young girl's friendships and discoveries. But the dangers of war and Nazi rhetoric are a constant threat beneath the surface.

Review: IN DREAMS at Ed Mirvish Theatre

Roy Orbison's legendary music become the touching soundtrack for In Dreams - a moving new musical from writer David West Read and director Luke Sheppard, the masterminds behind the smash hit musical & Juliet - about cherishing loved ones and the life you have, on stage at the Ed Mirvish Theatre until November 12, 2023.

Review: OPERATION EPSILON, Southwark Playhouse

Second World War stories seem to be in vogue at the moment (though did they ever really go away?), with Christopher Nolan’s juggernaut Oppenheimer emotionally draining cinema audiences across the globe, and Operation Mincemeat continuing to entertain audiences at the Fortune Theatre. Alan Brody’s Operation Epsilon follows in their footsteps, with Andy Sandberg’s production making its UK première at Southwark Playhouse’s new venue (Elephant).

Review: IT'S HEADED STRAIGHT TOWARDS US, Park Theatre

It’s tough humour, not always politically correct nor consistently hilarious. All aspects of their personal lives and careers are ammunition. On-set misdemeanours, past scuffles, sexual escapades - everything. It’s somewhat of a potboiler for the easily pleased punters and industry professionals: it’s funny, but far from a knee-slapper and insulated in its type of jokes. Their punches are ruthless and the piece is deliciously self-referential, though its real strength is its unexploited dark side.

Review: POLICE COPS: THE MUSICAL, Southwark Playhouse

The US police force perhaps isn’t the most obvious subject for a comedy musical, but Police Cops: The Musical turns an unlikely premise into a undeniable hit. Fresh from a hit run at the Edinburgh Fringe, this slick satire of the US eighties is enjoying yet more success in London. From the minds of trio Zachary Hunt, Nathan Parkinson and Tom Roe comes a full-throttle ride through the cliches of American action movies.

Review: THE LITTLE BIG THINGS, @sohoplace

Based on the memoir of the same name, The Little Big Things recounts the story of Henry Fraser's life-changing accident on holiday in Portugal, and how he subsequently came to embrace the person he became. The book has been adapted for the stage by Joe White, with music by Nick Butcher and lyrics by Butcher and Tom Ling; Luke Sheppard directs, and the creative team also worked closely with the Fraser family to aid in its development.

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