Review: FANNY at The Watermill Theatre
by Mica Blackwell
- May 31, 2024
With a captivating performance from Charlie Russell leading a fantastic ensemble and a well crafted script by Calum Finlay, this should mark your next visit to the Watermill Theatre in its amazing summer season.
Photos: First Look at the West End Return of HEATHERS THE MUSICAL
by Stephi Wild
- May 29, 2024
Following smash hit West End seasons at the Theatre Royal Haymarket, two national tours and record-breaking runs at London’s The Other Palace, Heathers the Musical is back in the West End for only six weeks from 22 May before embarking on its third UK tour from 24 July at the Theatre Royal Windsor. Check out all new photos here!
Richard Linklater Calls Paul Mescal 'Transcendent' in MERRILY WE ROLL ALONG Film
by Josh Sharpe
- May 23, 2024
In a new interview, director Richard Linklater has praised Paul Mescal, who is playing Franklin Shephard in the film adaptation of Stephen Sondheim's Merrily We Roll Along. The movie, based on the Sondheim musical that is currently on Broadway, is being shot every couple of years over the course of 20 years.
Review: A SONG OF SONGS, Park Theatre
by Louise Penn
- May 15, 2024
A Song of Songs has been placed within a traditional Middle Eastern beat by Ofra Daniel, writer, composer, director, and lead actor as Tirzah, unfulfilled wife. Whether through the stamps and flowing skirts of flamenco or thumping percussive beats, the physicality of the piece takes centre stage. What may be missing is an emotional connection.
Review: PIPPIN - 50TH ANNIVERSARY CONCERT, Theatre Royal Drury Lane
by Louise Penn
- Apr 30, 2024
Stephen Schwartz's 70s musical Pippin makes a triumphant return with a note perfect casting at Drury Lane's concert version, with Fosse-inspired choreography and costumes given a disco pride vibe. Alex Newell's vocals do not disappoint, Jac Yarrow is a fine lead, while Patricia Hodge is a poignant Berthe.
Review: MUCH ADO ABOUT NOTHING, Watermill Theatre
by Mica Blackwell
- Apr 17, 2024
Much Ado About Nothing is a quintessential Shakespeare farce: mistaken identities, intertwining romances, betrayals and deception all wrapped up with a neat little bow by the end. The same can be said for the screwball comedies that dominated 1930’s and 40’s cinema, so it’s no surprise why Tom Wentworth would want to bring the events of Renaissance-era Messina to the backstage gossip of Golden Age Hollywood.
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