Michael Tippett News

Celebrating the unique ability of music and the arts to address challenging social and moral issues, Los Angeles Chamber Orchestra (LACO) presents LIFT EVERY VOICE, a three-week, city-wide series of free and ticketed concerts, conversations and community engagement curated by LACO Music Director Jeffrey Kahane from January 14 to 29, 2017, at venues across the Southland. 

Celebrating the unique ability of music and the arts to address challenging social and moral issues, Los Angeles Chamber Orchestra (LACO) presents LIFT EVERY VOICE, a three-week, city-wide series of free and ticketed concerts, conversations and community engagement curated by LACO Music Director Jeffrey Kahane from January 14 to 29, 2017, at venues across the Southland.  LIFT EVERY VOICE, conceived and curated by Kahane to explore themes of tolerance, compassion, cooperation and creativity along with the power of music to encourage understanding and promote peace, was inspired by the lives of human and civil rights champions Rabbi Joachim Prinz, composer Kurt Weill and Martin Luther King, Jr.  The series is a signature part of Kahane's 20th and final LACO season, which features programming that reflects his far-reaching impact, broad musical sensibilities, distinctive philosophical interests and tremendous artistic passion.  Among LIFT EVERY VOICE's highlights are the first Los Angeles performance since the 1950s of Weill's profound anti- apartheid musical Lost in the Stars, directed by Anne Bogart, and Weill/Brecht's satirical The Seven Deadly Sins with chanteuse Storm Large, both provocative works addressing weighty moral issues; violinist Daniel Hope featured on the U.S. premiere of Weill's Song-Suite For Violin and Orchestra arranged by Paul Bateman; the West Coast premiere of Bruce Adolphe's Violin Concerto “I Will Not Remain Silent”; a joint performance with the Inner City Youth Orchestra of Los Angeles (ICYOLA); and symposiums a chamber music program and film screenings. 

Fifty women will leave everything behind. They board a boat in North Africa and flee across the Mediterranean. They are escaping forced marriage in their homeland, hoping for protection and assistance, seeking asylum in Greece.

The University of Washington's Meany Center for the Performing Arts, newly renamed from UW World Series, today announced its programming for the 2016/17 Season, including 23 events in four subscription series -- World Dance, World Music, International Chamber Music and President's Piano Series -- as well as a special holiday presentation.

Maggie Smith was presented with the Critics' Circle Award 2015 for Services to the Arts at a private lunch held at the National Liberal Club in London on March 31, receiving an engraved crystal rose bowl. The event hosted byJeffery Taylor, president of the Critics' Circle and Mark Shenton, chairman of the Drama section of the Critics' Circle. 

Finnish violinist, Pekka Kuusisto, kicks off the ACO's 2016 national season in his new role as Artistic Director of ACO Collective (formerly known as ACO2).

To accompany Birmingham Opera Company's new production of Michael Tippett's opera The Ice Break(from 3 April), the company is also organizing 'BREAKING THE ICE', a series of events designed to encourage discussion around the relationship of art to society. What responsibility does the artist have to society and vice versa?

To accompany Birmingham Opera Company's new production of Michael Tippett's opera The Ice Break(from 3 April), the company is also organizing 'BREAKING THE ICE', a series of events designed to encourage discussion around the relationship of art to society. What responsibility does the artist have to society and vice versa?

Liverpool's Unity Theatre is delighted to announce the appointment of Matthew Linley as Artistic Director and Chief Executive Officer.

Joy In Singing presents the debut recital of soprano Tami Petty, winner of its 2014 Artist Award, tonight, October 29th at 8 at Merkin Concert Hall.

Bernard Haitink will return to the New York Philharmonic to conduct two weeks of performances highlighting works by Austrian composers - Berg, Webern, and Mahler - and Beethoven, who spent much of his career in Austria. In the first program, Mr. Haitink will conduct Webern's Im Sommerwind, Berg's Violin Concerto with Leonidas Kavakos, and Beethoven's Symphony No. 3, Eroica, tonight, May 8, 2014, at 7:30 p.m.; Friday, May 9 at 8:00 p.m.; and Saturday, May 10 at 8:00 p.m. Bernard Haitink's appearances are part of an international, season-wide celebration of the 60th anniversary of his conducting debut with the Netherlands Radio Union Orchestra (now the Netherlands Radio Philharmonic Orchestra) and his 85th birthday.

Audiences are set to enjoy Olivier Award-winning performances if they head to Exeter Northcott Theatre next month.

This most ambitious season is themed around ancient and modern myths, starting with Mozart's final opera, The Magic Flute. Arguably, the world's favourite opera, its wit and charm has enchanted music-lovers of all ages for hundreds of years. ETO's second offering at The Marlowe Theatre is Michael Tippett's King Priam, a tale of gods and men, character and destiny, set in the world of classical myth in the besieged city of Troy.

This most ambitious season is themed around ancient and modern myths, starting with Mozart's final opera, The Magic Flute. Arguably, the world's favourite opera, its wit and charm has enchanted music-lovers of all ages for hundreds of years. ETO's second offering at The Marlowe Theatre is Michael Tippett's King Priam, a tale of gods and men, character and destiny, set in the world of classical myth in the besieged city of Troy.

Bernard Haitink will return to the New York Philharmonic to conduct two weeks of performances highlighting works by Austrian composers - Berg, Webern, and Mahler - and Beethoven, who spent much of his career in Austria. In the first program, Mr. Haitink will conduct Webern's Im Sommerwind, Berg's Violin Concerto with Leonidas Kavakos, and Beethoven's Symphony No. 3, Eroica, on Thursday, May 8, 2014, at 7:30 p.m.; Friday, May 9 at 8:00 p.m.; and Saturday, May 10 at 8:00 p.m. Bernard Haitink's appearances are part of an international, season-wide celebration of the 60th anniversary of his conducting debut with the Netherlands Radio Union Orchestra (now the Netherlands Radio Philharmonic Orchestra) and his 85th birthday.

Tonight, April 4 at 7:30 p.m. in Weill Recital Hall, violinist Pamela Frank, violist Nobuko Imai, and cellist Clemens Hagen perform Johann Sebastian Bach's Goldberg Variations, BWV 988, arranged for strings by Dmitry Sitkovetsky. Originally composed for harpsichord Bach's work takes listeners on an aural journey through 30 variations of a single aria in an array of styles and forms. Named after harpsichordist, Johann Gottlieb Goldberg, the probable first performer, this work remains a monument of virtuosity, now given a refreshing update in this singular arrangement for strings.

The Little Orchestra Society is reaching out to fellow New Yorkers to help craft its new name. Long time fans of the Orchestra and new enthusiasts alike will have the opportunity to submit their favorite names for an institution beloved by generations of concert-goers. Today through March 9th, music lovers are invited to visit the Orchestra's website: littleorchestra.org, and recommend a new name for an Orchestra known for its audience engagement, inclusive educational mission and commitment to innovative music and multi-disciplinary performances. The Orchestra's new name will be announced later this year.

On Friday, April 4 at 7:30 p.m. in Weill Recital Hall, violinist Pamela Frank, violist Nobuko Imai, and cellist Clemens Hagen perform Johann Sebastian Bach's Goldberg Variations, BWV 988, arranged for strings by Dmitry Sitkovetsky. Originally composed for harpsichord Bach's work takes listeners on an aural journey through 30 variations of a single aria in an array of styles and forms. Named after harpsichordist, Johann Gottlieb Goldberg, the probable first performer, this work remains a monument of virtuosity, now given a refreshing update in this singular arrangement for strings.

In the New York Philharmonic's concerts this week celebrating the centennial of English composer, conductor, and pianist Benjamin Britten, conducted by Music Director Alan Gilbert, tenors Dominic Armstrong, Anthony Dean Griffey, and Michael Slattery will replace Paul Appleby, who has withdrawn due to illness. On November 21-22, 2013, Michael Slattery will make his Philharmonic debut in Britten's Serenade for Tenor, Horn, and Strings, and tenor Dominic Armstrong will make his Philharmonic debut in Britten's Spring Symphony. The concert on November 23 will feature tenor Anthony Dean Griffey in both works, and he will sing the Serenade on November 26 on a program that also includes Mozart's Symphonies Nos. 39 and 41, Jupiter.

Music Director Alan Gilbert will lead the New York Philharmonic in a celebration of the centennial of English composer, conductor, and pianist Benjamin Britten. The program will include Britten's Serenade for Tenor, Horn, and Strings, featuring tenor Paul Appleby and Philharmonic Principal Horn Philip Myers, and Britten's Spring Symphony, with soprano Kate Royal (in her Philharmonic debut), mezzo-soprano Sasha Cooke (Philharmonic subscription debut), tenor Paul Appleby, New York Choral Artists directed by Joseph Flummerfelt, and Brooklyn Youth Chorus directed by Dianne Berkun-Menaker. The concerts, which include a performance on the composer's 100th birthday, November 22, will take place tonight, November 21, 2013, at 7:30 p.m.; Friday, November 22 at 8:00 p.m.; and Saturday, November 23 at 8:00 p.m.