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Review Roundup: Did THE PRODUCERS Go Right in the West End?

Adapted by Mel Brooks and Thomas Meehan from Brooks’ 1968 film of the same name, with lyrics by Brooks and music by Brooks and Glen Kelly. As in the film, the story concerns two theatrical producers who scheme to get rich by overselling interests in a Broadway flop. Complications arise when the show unexpectedly turns out to be successful. What did the critics think of the show's transfer to the West End, after sell-out run at the Menier Chocolate factory?

Review: THE PRODUCERS, Garrick Theatre

It took over twenty years for a revival of Mel Brooks's The Producers to come to London and the diminutive Menier Chocolate Factory more than held its own for a sold-out and universally well-received show. Now it makes a triumphant move to the West End's Garrick Theatre and continues to prove that great comedy is simply timeless. 

Review: HEDDA, Starring Lily Allen, Theatre Royal Bath

Anyone who thinks Lily Allen's simply an upstart pop star plonked onstage to pull in the punters and rake in the cash, well, you can think again. She's delightfully dangerous and destructive – so much so you can't take your eyes off her – in Matthew Dunster's new cheeky version of Ibsen's Hedda Gabler in Theatre Royal Bath's intimate Ustinov Studio.

Album Review: LIVE IN LONDON, Marisha Wallace

Marisha Wallace, Broadway’s current Sally Bowles, has had a career in New York and London marked by starring roles in musicals about women surviving tough circumstances. As we find out in her debut live recording, Live in London, her own life hasn’t been much different.

Guest Blog: 'I’m The Luckiest Actor In The World': Thomas Aldridge on Celebrating 9 Years of HARRY POTTER AND THE CURSED CHILD

There’s something reassuring about stepping into a show that is already a success. But similarly, if you’re a catastrophiser like I am, it’s utterly terrifying. Even when I joined the cast of Les Misérables in its 31st year, I thought to myself, “What if I’m the one that manages to close Les Mis!!?” Imagine my fear then, when I landed the role of Ron Weasley in Harry Potter and the Cursed Child.

Interview: ''Once You're Watching, You Don't Stop Laughing!': Actor Joanna Woodward on Bringing Ulla to the West End in THE PRODUCERS

After a sell-out run at the Menier Chocolate Factory last year, The Producers returns to London, this time in the West End at the Garrick Theatre. Recently, we had the chance to talk with Joanna Woodward, who returns to The Producers in the role of Ulla, an actress from Sweden who dreams of being on Broadway. We discussed what it’s been like to return to the show and how this particular production has given Ulla more autonomy and authority than ever before.

Review: INTER ALIA, Starring Rosamund Pike

How do you follow up a blistering international success such as Prima Facie? Former lawyer-turned-playwright Suzie Miller now reunites with director Justin Martin for Inter Alia, which will surely create just as much impact. 

Review: GIRL FROM THE NORTH COUNTRY, The Old Vic

It’s hard to shake the suspicion that this revival of Conor McPherson’s Girl From the North Country is hitching a ride on the gravy train of A Complete Unknown. Forged with songs from Bob Dylan’s back catalogue, it feels less like living, breathing musical theatre that burrows into the heart, and more like a canny cash cow that fresh legions of Dylan disciples are ready to mumble along to.

Review: NOUGHTS & CROSSES, Regent's Park Open Air Theatre

Malorie Blackman’s Noughts & Crosses has long been something of a YA classic. Rather than dreaming up a sci-fi future, however, this story presents instead an uncanny alternate present – one where discrimination and racial violence are worse than ever, but it's Black people who are the privileged ones.

Review: 'TILL THE STARS COME DOWN, Theatre Royal Haymarket

There are productions that herald huge amounts of fanfare and and others that creep up and surprise you. Beth Steel's wonderfully human play, 'Till the Stars Come Down, is the latter. A surprise hit at the National Theatre last year, this sharply comic and deeply touching family drama now makes its deserved West End transfer.

YOUNG FRANKENSTEIN Spin-off Series in the Works at FX

FX is nearing a pilot order for Very Young Frankenstein, a new series spinoff on the 1974 Mel Brooks film Young Frankenstein, which also inspired the Broadway musical of the same name.

Review: HAMLET HAIL TO THE THIEF, Royal Shakespeare Theatre

It was only February when we headed to Stratford-upon-Avon to review Hamlet, so it comes as quite the surprise to head through green fields speckled with sheep for the same play a mere four months later. Elsinore might have been a massive moving ship back then, but it’s receiving an astonishing overhaul this time.

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