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Review: DEATH ON THE NILE, Theatre Royal Brighton

Agatha Christie’s Death on the Nile—here adapted by Ken Ludwig and directed by Lucy Bailey—arrives on stage with all the glamour and menace you’d hope for: a sun-soaked cruise, a clutch of suspiciously well-dressed passengers, and, inevitably, a murder that sends everything spiralling.

Review: ROMEO & JULIET, starring Sadie Sink & Noah Jupe, Harold Pinter Theatre

Robert Icke is back in the West End with another star-studded classic in tow. After tackling Sophocles last year, he returns to Shakespeare, revisiting the Bard’s most misrepresented tragedy: Romeo and Juliet. Fourteen years after his directorial debut for Headlong with a radical rendition of the same play, Icke doesn’t have anything to prove - we already know he’s in a league of his own. Stylised with an ampersand like all the cool kids do these days, this production is slick, focused, and profoundly sincere.

Interview: 'The More I Learn About Him, The More Extraordinary I Find Him': Actor Eleanor Worthington-Cox on The Story of Brian Epstein & The Beatles in PLEASE PLEASE ME

Recently, we had the chance to speak with Eleanor Worthington-Cox, who plays multiple roles in Please Please Me, including Cynthia Lennon and Cilla Black. We discussed what it is like to be taking on the roles of such historic women, her personal ties to the story and what she hopes audiences take away from the show.

Photos: Sadie Sink and Noah Jupe in ROMEO & JULIET

All new production photos have been released from Romeo & Juliet, starring Sadie Sink and Noah Jupe. Directed by Robert Icke, the production is now playing at the Harold Pinter Theatre until Saturday 20 June 2026. Check out the photos here!

Review: JAJA'S AFRICAN HAIR BRAIDING, Lyric Hammersmith

**** 'It would be hard to not fall for the charm of Jaja’s African Hair Braiding. A celebration of femalehood, Black culture and community, it’s filled with a vibrant joy and celebration in part thanks to a cast who share a wonderful chemistry. As client Jennifer says, it’s like being at home for the day watching their 12-hour day unfold.'

Photos: Richard Kind Returns to THE PRODUCERS in the West End

A first look at Richard Kind in the major West End revival of The Producers at the Garrick Theatre has been revealed. Kind will star in the role of Max Bialystock for seven weeks only. See photos of him reprising his Broadway role now!

Review: THE HOLY ROSENBERGS, Menier Chocolate Factory

At the Menier Chocolate Factory, the revival of Ryan Craig’s The Holy Rosenbergs arrives with the weight of history attached to it. When it first appeared at the National Theatre’s Cottesloe Theatre in 2011, it was a sharp entry into a conversation about Jewish identity, family loyalty and modern political fracture. Fifteen years on, the conversation has become rather crowded.

Review: SCOTTISH BALLET - MARY, QUEEN OF SCOTS, Sadler's Wells

Mary, Queen of Scots, is a remarkable piece of work, offering pointed comment on the place of women in the sixteenth-century court and on the mythology that casts Mary as a martyr. With striking visuals and compositions, it is an original and modern take on a familiar part of history.

Photos: Menier Chocolate Factory’s Revival Of THE HOLY ROSENBERGS

The Menier Chocolate Factory has released production photos from its revival of THE HOLY ROSENBERGS by Ryan Craig, directed by Lindsay Posner. The production began previews February 27 and opened March 9, and will run through May 2 at the London venue.

Photos: PRIDE in Rehearsal at the National Theatre

All new rehearsal photos have been released from Pride at the National Theatre, a brand-new musical based on the award-winning film, reuniting director Matthew Warchus and writer Stephen Beresford. Check out the photos here!

Photos: DRACULA in Rehearsal at the National Youth Theatre

Rehearsal photos have been released for Dracula, a world premiere National Youth Theatre production performed by the NYT REP company. The production opens at the NYT Workshop Theatre from 21 February - 13 March. Check out the photos here!

Review: THE BOY AT THE BACK OF THE CLASS, Rose Theatre

Today we are wearily familiar with the terms 'Stop the Boats' and the narrative that all refugees are coming to Britain to take 'our' jobs, scam us for benefits and prey upon young girls. Nick Ahad's adaptation of Onjali Q. Raúf's beautiful book, The Boy at the Back of the Class, takes much of the political heat out of the issue with a hopeful and very human production for all ages.

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