Manuel Harlan News

Bioh's take on friendship, sisterhood and Queen Bees sizzles in this production.

All new photos have been released for the upcoming UK premiere of Jocelyn Bioh’s School Girls; Or, The African Mean Girls Play, directed by Monique Touko. The production opens tonight at the Lyric Hammersmith Theatre and runs until 15 July.

The personal and the political become one in this sweater vested whirlwind of a play

All new production photos have been released from the upcoming new play by Jack Thorne, When Winston Went to War with the Wireless, directed by Katy Rudd. The production opens at the Donmar Warehouse tomorrow, 13 June and runs until 29 July.

See first-look photos of the brand new stage musical Mrs. Doubtfire, currently in previews at London's Shaftesbury Theatre!

There’s more than a whiff of familiarity down at London’s Waterloo at the moment; Olivier award-winning Groundhog Day is back at the Old Vic and so is Andy Karl, playing the sneering weatherman Phil Connors. We loved it, Broadway didn't, but this revival is a veritable theatrical triumph and a heartwarming treat for anyone lucky enough to get a ticket.

An existential triptych of monologues slaps the audience in the face and expects them to apologise

Whether We Will Rock You will attract the attention of Trading Standards is unknown but rarely has a show been so poorly named.

All new rehearsal photos have been released for world premiere of the new musical of The Third Man, which opens later this month at the Menier.

BroadwayWorld UK caught up with Dan Partridge about his own return as Danny Zuko. We discussed what it's been like to have been a part of the show for over four years, how this production is different than the classic movie, and how being half deaf has affected his performance.

The world premiere of Ashley Robinson's play with music, Brokeback Mountain, has now opened @sohoplace. Directed by Jonathan Butterell with songs by Dan Gillespie Sells, the show stars Mike Faist as Jack and Lucas Hedges as Ennis, both making their West End stage debuts. 

It's always welcome to see a little show that's done good: from a BBC Radio 4 comedy series, to Newbury's Watermill Theatre, Mark Evan's Dickensian parody now has a home in the West End. 

While the romance shared between Ennis (Lucas Hedges) and Jack (Mike Faist) was immortalised by the Academy-Award Winning film of the same name, it takes on an entirely new life on the stage in a stunning production directed by Jonathan Butterell.

BroadwayWorld UK recently spoke with Andy Karl about what it's like to be returning to the role of Phil Connors in Groundhog Day at The Old Vic, seven years since its original run at the same venue. We discussed what it has been like returning to the show after its runs in London and New York, favourite moments, and even what he would do in a time loop

BroadwayWorld caught up with Emily Fairn, the breakout star of BBC's The Responder as she makes her theatrical debut, along with Mike Faist and Lucas Hedges. We spoke about getting a leg-up in the industry, perfecting a Wyoming accent, returning to the stage after her television work and more.

All new production photos have been released for the world premiere of Brokeback Mountain, a new play with music, written by Ashley Robinson with songs by Dan Gillespie Sells, based on Annie Proulx’s short story, and directed by Jonathan Butterell. 

Ulla! Martians, music and mayhem: who could ask for more from an immersive show? Layered Reality has taken HG Wells classic story, scored It with Jeff Wayne’s much-loved album, added some very effective VR and placed it inside a dedicated space in the City of London.

Rehearsals are well underway for The Old Vic's upcoming production of Groundhog Day! Check out the photos below.

The Beekeeper of Aleppo tells the story of Nuri, a beekeeper; and his wife, Afra, an artist. They live a simple life, rich in family and friends, in the beautiful Syrian city of Aleppo - until the unthinkable happens. When all they care for is destroyed by war, they are forced to escape. On their terrifying journey, they must face the pain of their own unbearable loss alongside incredible danger. Above all, they must journey to find each other again.

For an eighty-year-old play about the perils of capitalism and human-nature born kicking and screaming amongst the political turmoil of Weimar Germany, it neither looks nor feels like it has aged a day.