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THE PERFECT FIT Earns Awards at Rave Festival

THE PERFECT FIT, a new family musical featuring book, music and lyrics by twelve-year-old musical sensation Joshua Turchin made its world premiere this month in a staged developmental production as part of the Rave Theater Festival. The show quickly became the toughest ticket to get for the Rave Theater Festival and sold out the entire run prior to opening.

Photo Flash: All-Access Pass To The National Black Theatre Festival Gala With Andre De Shields

2019 Tony winner Andre De Shields has been attending The National Black Theatre Festival® (NBTF) in Winston-Salem, N. C. since 1995. Dubbed the 'Black Theatre Holy Ground,' NBTF is the international outreach program of the North Carolina Black Repertory Company, founded by the late Larry Leon Hamlin in 1979. The Festival, also founded by Hamlin, has been held biennially since 1989. The NCBRC celebrated its 40th anniversary this year, while the NBTF celebrated its 30th.

Photo Flash: Tzi Ma, Li Jun Li And Celia Au Celebrate Netflix's WU ASSASSINS Trailer Sneak Peek

The Asian American arts community turned out for Wu Assassins stars Tzi Ma, Li Jun Li and Celia Au who were celebrating the release of the trailer for their new Netflix action series at The Concept, located in the cellar of Hotel 50 Bowery in New York's Chinatown on Tuesday, July 23rd. Assassins' themed Papo J's vodka cocktails and miniature cupcakes, created by Roger Yeh of YehCakes Custom Cakes, were served.

Photo Flash: Vichet Chum, Alton Alburo, Jon Norman Schneider and Will Seefried in Pride Plays' Reading of Chay Yew's A LANGUAGE OF THEIR OWN at Rattlestick

Doug Nevin and Michael Urie, in partnership with Rattlestick Playwrights Theater presented a reading of Chay Yew's A Language of Their Own on June 23rd as part of Pride Plays, a festival of play readings commemorating the 50th anniversary of the Stonewall Uprising at Rattlestick Playwrights Theater in New York. Nick Mayo serves as Festival Director.

Photo Flash: Adam Chanler-Berat, Taylor Trensch and More in Reading of Jonathan Tolins' THE LAST SUNDAY IN JUNE At Rattlestick

Doug Nevin and Michael Urie, in partnership with Rattlestick Playwrights Theater presented a reading of Jonathan Tolins' The Last Sunday in June on June 23rd as part of Pride Plays, a festival of play readings commemorating the 50th anniversary of the Stonewall Uprising at Rattlestick Playwrights Theater in New York. Nick Mayo serves as Festival Director.

Photo Flash: Daniel K. Isaac, Julyana Soelistyo, Jennifer Lim, John D. Haggerty And More Celebrate YOU NEVER TOUCHED THE DIRT Opening Night

Zhu Yi's YOU NEVER TOUCHED THE DIRT opened at The Wild Project (195 E 3rd Street) in Manhattan on June 6 as part of SUMMERWORKS, Clubbed Thumb's annual series of new plays. The limited run ends on Thursday, June 13 and due to popular demand, an additional 3:00 p.m. matinee has been added on June 13. Single tickets are on sale for $25 ($20 for students) here.

Photo Flash: Jeanne Sakata, Joel De La Fuente and More Celebrate Opening Night Of HOLD THESE TRUTHS At Barrington Stage

Joel de la Fuente (Amazon's 'The Man in the High Castle,' 'Hemlock Grove') is reprising his Drama Desk nominated role as Gordon Hirabayashi and 30 other characters in Jeanne Sakata's powerful and timely award-winning play Hold These Truths for a limited run on the St Germain Stage at The Sydelle and Lee Blatt Performing Arts Center, 36 Linden Street, Pittsfield, MA through June 8.

Photo Flash: Ali Ewoldt, Ann Harada, David Henry Hwang And More Celebrate Jason Ma's GOLD MOUNTAIN In Salt Lake City

Zions Bank in partnership with Spike150, CRWDA and Ogden Musical Theatre presented Gold Mountain, written by 2017 ASCAP Foundation's Cole Porter Award recipient Jason Ma as a series of semi-staged concert performances at the Regent Street Black Box at The Eccles Theater in Salt Lake City and in partnership with Ogden Musical Theatre, at the historic Peery's Egyptian Theater in Ogden, May 8 - May 11.

BWW Review: ON THIS SIDE OF THE WORLD by PAULO TIROL

On This Side of the World, now playing at Access Theatre, has a cast that would make any production green with envy. From song to song they deliver both a technical high gloss and a go for broke sincerity. They perform with the conviction of actors who know that what they're undertaking is important and, indeed, it is. What is offered by this hour and a half long song cycle is a rare ground floor view of the lives of the Filipino community. However, this gloss doesn't just describe the technical quality of the musicianship of both the cast and orchestra, but also the manufactured sheen of the musical composition, which investigates little.

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