This month, 54 BELOW will present some of the brightest stars from Broadway, cabaret, jazz, and beyond. See Linda Eder, Hugh Panaro, a celebration of the Jennas of Waitress and more. See the full month's programming here!
Disney’s Frozen North American tour released new photos of Caroline Bowman (Elsa) and Lauren Nicole Chapman (Anna), in celebration of National Sisters Day on Sunday, August 7.
Disney’s FROZEN is a family-friendly show that awes adults and children alike. Take a break from the heat to build a snowman, sing, dance, and fall in love. Music Hall at Fair Park July 20-August 7.
As the temperatures rise fairly quickly in our city, a musical of snowy and theatrical bliss inhabits the Hobby Center. Yes, I am talking about the much anticipated tour of the movie and Broadway hit, Frozen: the Musical. While I was a big fan of the movie, the musical takes the concepts from the film and creates a blizzard of talent and technical grandeur rarely seen from a touring production.
Joe Iconis returns to 54 Below with his Family to celebrate a new ALBUM, and Helane Blumfield is in the house with her camera. Check out photos from inside the special event.
Next week, 54 BELOW, Broadway’s Supper Club & Private Event Destination, presents some of the brightest stars from Broadway, cabaret, jazz, and beyond.
Next week, FEINSTEIN'S/54 BELOW, Broadway's Supper Club & Private Event Destination, presents some of the brightest stars from Broadway, cabaret, jazz, and beyond.
Disney Theatrical Productions, under the direction of Thomas Schumacher, Broadway Dallas, and Broadway Across America (BAA) have announced casting for the Dallas engagement of Disney's Frozen.
Ryan McCartan will return to the role of “Hans” on the Frozen North American tour from July 12 – September 4, 2022, replacing Austin Colby, who will play his final performance on July 10, 2022. McCartan has previously played “Hans” in the Broadway and touring productions of Frozen.
GHOSTLIGHT RECORDS announced that composer, songwriter, and playwright Joe Iconis will welcome a star-studded list of guest performers for his Wednesday, June 22 show at The Bourbon Room in Los Angeles to celebrate the release of Album.
Joe Iconis's mega-record Album is on the way and BroadwayWorld has your exclusive first listen of the lead single 'Ammonia' sung by Tony-nominee Heidi Blickenstaff!
From the producer of The Lion King and Aladdin, Frozen, the Tony-nominated Best Musical, will play an exclusive two-week premiere engagement at the Fox Cities Performing Arts Center beginning Tuesday, May 17, 2022, with performances playing through Sunday, May 29, 2022. Opening night is set for Wednesday, May 18 at 7:30pm.
Original Broadway cast member Lauren Nicole Chapman will join the Frozen North American tour as “Anna.” Chapman begins performances on Thursday, May 19 at The Fox Cities Performing Arts Center in Appleton, WI.
An all new music video has been released for the song 'I Can't Lose You' from Frozen, sung by Caroline Bowman and Caroline Innerbichler. The song is also now available to stream on all platforms.
Disney Theatrical Productions, under the direction of Thomas Schumacher, has announced that McKenzie Kurtz, who made her Broadway debut playing “Anna” in Frozen, will reprise the role on the North American tour March 17 – April 11, 2022. She will play opposite her Broadway co-star Ryan McCartan, who is starring in the tour March 17 – April 17.
From the producer of The Lion King and Aladdin, Frozen, the Tony-nominated Best Musical, will play an exclusive 2-week premiere engagement at The Au-Rene theater beginning Wednesday, March 9, 2022, with performances playing through Sunday, March 20, 2022. Opening night is set for Thursday, March 10, 2022 at 8pm.
Ryan McCartan, who was last seen on Broadway playing “Hans” in Frozen, will reprise the role on the North American tour from March 17 – April 17, 2022, temporarily replacing Austin Colby.
Caroline Bowman approaches Elsa with a studied understanding of this show's central themes: the inner confusion of outward identity, the struggle between family ties and the daggers of life that threaten to slice them, and the feeling of danger inherent in any quest for self-acceptance - especially on the part of those marginalized by the masses. It's a story of coming (out?) into one's own. It is a love letter to the fairy tale form and the Disney classics of yore, but also a challenge to their conventions and ideals. Bowman's dynamic performance contains all that turmoil and triumph within it, the totality of it exploding in Act One's 'Let It Go' (reworked here for even greater musical might than the movie) and Act Two's brand-new 'Monster' (which has more oomph in the studio cast recording than on the tour stage, but it's still a powerful identity statement and an indisputable jam.)