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Review Roundup: HAMLET Opens At Brooklyn Academy of Music

Hamlet is now playing at BAM’s Harvey Theater in Brooklyn. The National Theatre production stars Hiran Abeysekera and is directed by Robert Hastie. Critics are weighing in on the contemporary staging of Shakespeare’s tragedy.

Guest Blog: Writer and Actor Jessica Regan on Starting Over, Rental Issues and Uncertainty in Her One-Woman Show 16 POSTCODES

16 Postcodes had a very long gestation period and a sudden sort of birth. I had been playing around with short form monologues, writing a few here and there but the concept really coalesced on the six mile walks I would take in Walthamstow looping around the River Lea during the pandemic when there was little else to do but think and walk. Totting up all my addresses over the years and arriving at 16, I had a title and a format in a way. What if I did 16 monologues? In an hour?? FUN, RIGHT?

Review: THE BFG, Royal Shakespeare Theatre

Co-Artistic Director of the RSC Daniel Evans brings to life one of Roald Dahl’s most darkly beloved children’s books in an utterly thrilling adaptation by Tom Wells. 

Photos: Ncuti Gatwa and Edward Bluemel in BORN WITH TEETH

You can now get a first look at Ncuti Gatwa as Kit Marlowe and Edward Bluemel as William Shakespeare in Born With Teeth, which marks its West End premiere presented by Playful Productions, the Royal Shakespeare Company and Elizabeth Williams.

John Leader to Star in THE BFG at RSC

The Royal Shakespeare Company, Chichester Festival Theatre and the Roald Dahl Story Company, revealed that John Leader will step into the oversized shoes of Roald Dahl’s beloved character, the BFG. Learn more!

Landlords Exposed As 16 POSTCODES Comes To London

16 POSTCODES, a play exposing landlord practices, announced its London debut. The production delves into housing issues and tenant experiences, offering a compelling narrative for theatergoers.

Review: MLIMA'S TALE, Kiln Theatre

Loosely based on the article The Ivory Highway, Lynn Nottage’s (MJ The Musical) eye-opening drama first made its Off-Broadway premiere in 2018. Now setting its sights in London’s Kiln Theatre, her powerful message on the impact of corruption and greed still remains as urgent as it did five years ago.

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