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BWW Review: PRESENT LAUGHTER, Old Vic

Great Scott! His recent turn as Fleabag's Hot Priest made him a global sex symbol. Now, Andrew Scott reminds audiences that he's just as irresistible on stage, leading Matthew Warchus's absolute romp of Noel Coward revival with the kind of panache that makes this the comic performance of the year so far - and yet one also shot through with aching melancholy.

THE BRIDGES OF MADISON COUNTY Leads July's Top 10 New London Shows

London is never short of temptations, whether splashy West End shows, epic dramas or bold fringe offerings. From Jason Robert Brown and Andrew Lloyd Webber musicals to riotous comedy, here are some of this month's most eye-catching openings. Don't forget to check back for BroadwayWorld's reviews, interviews and features!

Clean Break Announce Playwrights Featuring In Its Metheun Drama Rebel Voices Anthology

Over 40 years, Clean Break has commissioned some of the most progressive and brilliant women writers to write ground-breaking plays, alongside developing the writing skills of the women it works with in its London studios and in prisons. As part of the company's 40th Anniversary year, Methuen Drama publishes a collection of monologues from this canon.

Book Now For PRESENT LAUGHTER, Starring Andrew Scott

Matthew Warchus will direct Andrew Scott in Noel Coward's provocative comedy, Present Laughter, at London's Old Vic, opening on 25 June, with previews from 17 June. Book tickets here!

Fiona Shaw And George MacKay Complete The Casts Of The National Theatre's Courage Everywhere

The NT marks the 100th anniversary of the first women in the UK gaining the right to vote, with a series of rehearsed readings, talks and events, as well as a free exhibition in the Lyttelton Lounge. World-class directors Nadia Fall, Phyllida Lloyd, Jenny Sealey, Lyndsey Turner and Dawn Walton will bring to life five plays on themes of suffrage, courage and the fight for political equality in the UK and around the world.

National Theatre Presents COURAGE EVERYWHERE

The NT marks the 100th anniversary of the first women in the UK gaining the right to vote, with a series of rehearsed readings, talks and events, as well as a free exhibition in the Lyttelton Lounge. World-class directors Nadia Fall, Phyllida Lloyd, Jenny Sealey, Lyndsey Turner and Dawn Walton will bring to life five plays on themes of suffrage, courage and the fight for political equality in the UK and around the world.

Royal Court Theatre Will Celebrate Sam Shepard in November

Lloyd Hutchinson, Nancy Meckler and Stephen Rea will curate an afternoon to celebrate the great American playwright and actor Sam Shepard who passed away in July last year. The event will take place on Monday 12 November at 3pm in the Jerwood Theatre Downstairs.

Photo Flash: Inside the 'Happy Birthday, Harold' Gala

A thrilling cast of stars have this evening taken part in a one-off charity gala celebrating the life and work of Harold Pinter. The event Happy Birthday, Harold was held on Pinter's birthday, the 10th October, in the theatre which bears his name, as a part of the Pinter at the Pinter season, which has just opened to critical acclaim.

'Happy Birthday Harold' Charity Gala Will Celebrate Harold Pinter's Birthday

A thrilling cast of stars will take part in a one-off charity gala celebrating the life and work of Harold Pinter. The event Happy Birthday, Harold will be held on Pinter's birthday, the 10th October, in the theatre which bears his name, as a part of the Pinter at the Pinter season, which has just opened to critical acclaim. A limited number of public tickets are now on sale.

Review Roundup: Patrick Marber's EXIT THE KING, with Rhys Ifans

Somewhere in Europe the kingdom is disintegrating. It's the last day of King Berenger's life. Queen Marguerite is preparing for the end and Queen Marie is in denial. The King is 400 years old and dying, but he's clinging on for dear life...

BWW Review: EXIT THE KING, National Theatre

Exit the King at the National Theatre has a beautiful design and wonderful performances from some of the cast, but it ultimately falls flat. While Patrick Marber's new version of Eugene Ionesco's absurdist drama about a dying king has its good moments, it seems to drag on for a play that is only an hour and forty minutes long.

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